Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Have you heard of Ted Templeman?
Anyone who knows their ’70s record producers should recognize the name.
Perhaps you know the albums he produced: Van Morrison’s Tupelo Honey, Little Feat’s Sailin’ Shoes, and all the ’70s records by the Doobie Brothers.
Probably his signature production work is on all the Roth-era Van Halen albums (he’s the guy who says “C’mon, Dave, gimme a break” in “Unchained”).
Yet Templeman has one highly unusual skeleton in his closet, and that’s what we’ll be looking at today. Continue reading »
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
The Doors are in the unfortunate position of being overwhelmed by their mystique. They were never a band that coasted on an image – they released eight albums (six studio, one live, one best-of) in the five years before Jim Morrison’s death, and two more studio albums afterward. Their dark voice was not always welcome in the peace ‘n’ love sixties, but they never stopped raising it. Some of their albums are spotty, but the best of their work has stood the test of time better than that of many if not most of their contemporaries. Alas, too many people today know them as nothing more than a vehicle for Morrison to wield the persona that famously led Rolling Stone to declare him hot, sexy, and dead. But in 1967, there was nobody like them, and their self-titled debut album proved them to be a cohesive unit with a vision only those four men could convey.
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We’ve seen him impersonate Neil Young, Bob Dylan, and the Boss with uncanny accuracy. On his show Friday night, Jimmy Fallon debuted his latest classic-rock icon: Jim Morrison. He fronted a Doors tribute band through, as always, a brilliant novelty cover: the theme from Reading Rainbow. Continue reading »
Last month, we mentioned a new tribute compilation of Los Angeles bands today covering their L.A. influences. Titled Beat LA, the punk-leaning album features city upstarts like No Age and Crystal Antlers digging deep into L.A.’s musical history to cover bands both obvious (The Doors, Minutemen) and less so (Thelonious Monster, 20/20). It’s out today and you can stream the whole thing below. Continue reading »
Red Band (also known as The Puppet Folk Revival) is indisputably the best Israeli puppet cover band on the Internet. To be fair, there isn’t much dispute over Israeli puppet cover bands. If there was any substantial amount of arguing going on, though, it’s likely that Red Band would win. Continue reading »
It’s mento, people, not Mentos. A Jamaican musical genre that predated ska and reggae, mento has not received the same attention that its more popular offsprings have, but The Jolly Boys have been performing this acoustic-based music for the last six decades. A while back we heard them cover Amy Winehouse’s “Rehab.” Now they return with something a little more vintage.
Check out the video below for the latest in mento: The Jolly Boys covering The Doors‘ classic “Riders on the Storm.” The song lends itself to the easy beat they lay down, but there’s something strange about a band with ‘Jolly’ in their name playing island music but singing about a twisted, dangerous drifter. Continue reading »
By now you’ve probably seen the video of Anne Hathaway and some Hollywood-types inviting Staten Island’s PS22 Chorus to the Oscars. That video acts as a sure sign, if one was needed, that this mass of fifth graders has “made it.” They’ll be performing the 1939 Judy Garland classic “Over the Rainbow” from The Wizard of Oz at this year’s Academy Awards ceremony, which airs on February 27. Continue reading »
If you’ve ever attended a music festival, you need to know Consequence of Sound. If you ever plan on attending a music festival, you need to know Consequence of Sound. If you have no interest in music festivals whatsoever, you need to wise up…and then you need to know Consequence of Sound. In addition to the site’s regular music news and features, their Festival Outlook has established itself as the premiere source for festival info. From lineup info (which they always seem to know before anyone else) to reviews, their coverage spans ‘em all, from the big boys (Bonnaroo, Coachella) to the underdogs (Ghoulsfest?).
Suffice to say: These guys know their festivals. So as fest season winds down, we checked in with some CoS writers (of whom – full disclosure – I am one) to hear the best festival covers they’ve ever witnessed. Here’s what they offered. Each has a review and a video so you can vicariously experience the insanity.
After you finish here, hop over to CoS’ Friday Mixtape! The covers were chosen by yours truly. Continue reading »