During the six years Jim Morrison was alive and leading vocals for The Doors, 1965-1971, the group produced six albums. That is quite a feat, especially given the number of singles and hits they produced. The Doors’ music has lived on and tribute albums and covers have been made. The latest tribute from May comes from Murder Studios Presents. The nineteen cover songs each lend their own unique sound to decades-old songs that seem to never expire.
“Take It As It Comes” was originally recorded and released by The Doors on their debut self-titled album in 1967. Jim Morrison was only about 23 when he penned the lyrics that offer deep wisdom inspired by Maharishi Mahesh Yogi, AKA “Giggling Guru”. In the original version, Jim Morrison sings the lyrics with the conviction and confidence of someone who has deep, and maybe even innate wisdom about life. He was a shaman and The Lizard King after all.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Have you heard of Ted Templeman?
Anyone who knows their ’70s record producers should recognize the name.
Perhaps you know the albums he produced: Van Morrison’s Tupelo Honey, Little Feat’s Sailin’ Shoes, and all the ’70s records by the Doobie Brothers.
Probably his signature production work is on all the Roth-era Van Halen albums (he’s the guy who says “C’mon, Dave, gimme a break” in “Unchained”).
Yet Templeman has one highly unusual skeleton in his closet, and that’s what we’ll be looking at today.
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
The Doors are in the unfortunate position of being overwhelmed by their mystique. They were never a band that coasted on an image – they released eight albums (six studio, one live, one best-of) in the five years before Jim Morrison’s death, and two more studio albums afterward. Their dark voice was not always welcome in the peace ‘n’ love sixties, but they never stopped raising it. Some of their albums are spotty, but the best of their work has stood the test of time better than that of many if not most of their contemporaries. Alas, too many people today know them as nothing more than a vehicle for Morrison to wield the persona that famously led Rolling Stone to declare him hot, sexy, and dead. But in 1967, there was nobody like them, and their self-titled debut album proved them to be a cohesive unit with a vision only those four men could convey.
Last month, we mentioned a new tribute compilation of Los Angeles bands today covering their L.A. influences. Titled Beat LA, the punk-leaning album features city upstarts like No Age and Crystal Antlers digging deep into L.A.’s musical history to cover bands both obvious (The Doors, Minutemen) and less so (Thelonious Monster, 20/20). It’s out today and you can stream the whole thing below.
Red Band (also known as The Puppet Folk Revival) is indisputably the best Israeli puppet cover band on the Internet. To be fair, there isn’t much dispute over Israeli puppet cover bands. If there was any substantial amount of arguing going on, though, it’s likely that Red Band would win.
It’s mento, people, not Mentos. A Jamaican musical genre that predated ska and reggae, mento has not received the same attention that its more popular offsprings have, but The Jolly Boys have been performing this acoustic-based music for the last six decades. A while back we heard them cover Amy Winehouse’s “Rehab.” Now they return with something a little more vintage.
Check out the video below for the latest in mento: The Jolly Boys covering The Doors‘ classic “Riders on the Storm.” The song lends itself to the easy beat they lay down, but there’s something strange about a band with ‘Jolly’ in their name playing island music but singing about a twisted, dangerous drifter.