We’ve seen him impersonate Neil Young, Bob Dylan, and the Boss with uncanny accuracy. On his show Friday night, Jimmy Fallon debuted his latest classic-rock icon: Jim Morrison. He fronted a Doors tribute band through, as always, a brilliant novelty cover: the theme from Reading Rainbow. Continue reading »

Last month, we mentioned a new tribute compilation of Los Angeles bands today covering their L.A. influences. Titled Beat LA, the punk-leaning album features city upstarts like No Age and Crystal Antlers digging deep into L.A.’s musical history to cover bands both obvious (The Doors, Minutemen) and less so (Thelonious Monster, 20/20). It’s out today and you can stream the whole thing below. Continue reading »

Red Band (also known as The Puppet Folk Revival) is indisputably the best Israeli puppet cover band on the Internet. To be fair, there isn’t much dispute over Israeli puppet cover bands. If there was any substantial amount of arguing going on, though, it’s likely that Red Band would win. Continue reading »

It’s mento, people, not Mentos. A Jamaican musical genre that predated ska and reggae, mento has not received the same attention that its more popular offsprings have, but The Jolly Boys have been performing this acoustic-based music for the last six decades. A while back we heard them cover Amy Winehouse’s “Rehab.” Now they return with something a little more vintage.

Check out the video below for the latest in mento: The Jolly Boys covering The Doors‘ classic “Riders on the Storm.” The song lends itself to the easy beat they lay down, but there’s something strange about a band with ‘Jolly’ in their name playing island music but singing about a twisted, dangerous drifter. Continue reading »

By now you’ve probably seen the video of Anne Hathaway and some Hollywood-types inviting Staten Island’s PS22 Chorus to the Oscars. That video acts as a sure sign, if one was needed, that this mass of fifth graders has “made it.” They’ll be performing the 1939 Judy Garland classic “Over the Rainbow” from The Wizard of Oz at this year’s Academy Awards ceremony, which airs on February 27. Continue reading »

If you’ve ever attended a music festival, you need to know Consequence of Sound. If you ever plan on attending a music festival, you need to know Consequence of Sound. If you have no interest in music festivals whatsoever, you need to wise up…and then you need to know Consequence of Sound. In addition to the site’s regular music news and features, their Festival Outlook has established itself as the premiere source for festival info. From lineup info (which they always seem to know before anyone else) to reviews, their coverage spans ‘em all, from the big boys (Bonnaroo, Coachella) to the underdogs (Ghoulsfest?).

Suffice to say: These guys know their festivals. So as fest season winds down, we checked in with some CoS writers (of whom – full disclosure – I am one) to hear the best festival covers they’ve ever witnessed. Here’s what they offered. Each has a review and a video so you can vicariously experience the insanity.

After you finish here, hop over to CoS’ Friday Mixtape! The covers were chosen by yours truly. Continue reading »

Going Goth

Posted by Ray Padgett at 3:14 pm No Responses »
Sep 182008

On a whim I went to a goth-cello concert a few weeks back because it sounded unique. Rasputina is just that, dueling cellos with an aggressive percussionist who plays songs with titles like “1816, The Year Without a Summer” and “Desert Vampire.” A couple amazing covers they did during their show, one of which is below, inspired a little gothic cover action. So light some candles, put on your black lipstick, and join me in my lair.

Rasputina – Bad Moon Rising (Creedence Clearwater Revival)
In concert Melora Creager introduced this as a “weather conjurer,” saying she loved the lyrics but thought the original was way too upbeat. Transpose it to a minor key, slow it down a ton, and rock out some grinding cellos, and here you go. If you like this one, bowhowdy over at Cover Lay Down just posted their Pink Floyd cover. Great minds and all that.

Siouxsie and the Banshees – This Wheel’s On Fire (Bob Dylan)
A classic cover, these goth pioneers make the Dylan-Danko apocalypse sound completely natural with shivering synth violins and a pounding drum machine. And that voice…brrr.

Inkubus Sukkubus – Paint It Black (The Rolling Stones)
My sketchy friend somehow discovered this band in high school, with song titles like “Wake of the Christian Knights” and “Vampyre Erotica” (sample lyric: “I’ll beat you / I’ll eat you / I’ll laugh at your torment”). I gotta admit though, I’m a fan, and this tune fits in with the rest perfectly. A little research revealed it’s often covered in the gothic music world. Not hard to see why.

Marilyn Manson – The KKK Took My Baby Away (The Ramones)
One of my favorite Ramones songs, this comes from the hit-or-miss We’re a Happy Family tribute disc. It’s electronic, brooding, and downright disturbing. Manson in fact is an unlikely master of the cover; check out a recent taken on a Justin Timberlake track here.

Ex-Voto – Riders on the Storm (The Doors)
First off, the fact that a Goth Tribute to the Doors exists makes me very happy. Then the fact that it’s called Darken My Fire makes it even better. Many of the songs work quite well in their new, darker arrangements, and I recommend checking it out.

The Northern Kings – Rebel Yell (Billy Idol)
I posted these guys take on Creep a while back, but this might be even better. Loud, long and epic as hell, it builds, then dies, then builds back up bigger than ever. Their all-covers album Reborn is worth picking up.

Bauhaus – Spirit in the Sky (Norman Greenbaum)
Most of the tunes here are accessible goth-pop, but not this one. It’s crunchy, jarring, and all around strange.

Lacrimosa – Phantom of the Opera (Andrew Lloyd Webber)
A gothic take on a gothic song isn’t a stretch, but this dark and shimmery take brings out the ultimate creepiness.

HIM – Solitary Man (Neil Diamond)
These quasi-hitmakers also do a nice version of (Don’t Fear) The Reaper, but this song choice is far more unexpected. Unlike Bad Moon Rising though, the lyrics made far more sense in their original context.

Sisters of Mercy – Jolene (Dolly Parton)
These members of the goth old guard did their own gender-bending version of this song long before Jack White discovered it. It’s a demo, angsty and throbbing.

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