The Best Cure Covers Ever

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May 312019
 

‘The Best Ever’ series counts down our favorite covers of great artists.

the cure covers

For a band now in its fourth decade, The Cure has enjoyed a surprisingly big year in 2019. Most notably, after fifteen years of being eligible for but mostly ignored by the Rock and Roll Hall of Fame, The Cure were finally inducted in April. Then May saw two big anniversaries: The band’s debut album Three Imaginary Boys turned 40 and their most-beloved album Disintegration turned 30. For a band firmly affixed in the classic-rock firmament at this point, they’ve suddenly found themselves back in the spotlight – even if, by all indications, they prefer the dark.

The Cure has never gone out of style in one area though: covers. Whether the band’s in the news or not, every year delivers dozens more versions of “Lovesong,” “Boys Don’t Cry,” and the rest. We whittled them down to the 30 best ever, dramatic reimaginings that veer from gorgeous orchestral ballads to dark post-rock drones. Listen below (and join our new Patreon for MP3 download and playlist versions of the full set).

Mar 292019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

the cure

“Friday I’m In Love” is a dumb pop song, but it’s quite excellent actually, just because it’s so absurd…. It’s so out of character – very optimistic and really out there in happy land. It’s nice to get that counterbalance. People think we’re supposed to be leaders of some sort of “gloom movement.” I could sit and write gloomy songs all day long, but I just don’t see the point. – Robert Smith

For a mopey band, the Cure sure knew their way around a good pop song. Any number of sunshine ‘n’ rainbow combos would give their proverbial eyeteeth for the skills to write, record, and release songs like “In Between Days” or “Boys Don’t Cry.” But of all their songs, none seem so counter to Robert Smith & Co’s image as “Friday I’m In Love.” It’s so exuberant, so euphoric, you almost don’t know what to do with it. Picture someone skipping down the sidewalk, hands up high, beaming at the sunshine, people turning to stare at his wake – that’s “Friday I’m In Love.”

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Dec 122018
 
phoebe bridgers the cure

Our 50 Best Cover Songs of 2018 post goes up Monday and, as always, the cuts to get it down to size were brutal. I know it’s going to rough going when the painful cuts begin when the list is still pushing 100. The final and toughest cut of all – the 51st Best Cover of 2018, as it were – came last: singer-songwriter Phoebe Bridgers’ mesmerizing take on Tom Petty’s “It’ll All Work Out.” It still hurts that that one didn’t make it, so I’ll give it a little extra shine here (go listen to it here!).

Bridgers’ cover of The Cure’s “Friday I’m in Love” might have been a year-end contender too had it come out a month ago. Just as she did with the Petty deep cut, she strips all the production away, leaving only a spare keyboard and layers of ethereal harmonies. “Friday I’m in Love” gets covered far less than comparable Cure hits, sometimes derided as a less artful pop-radio play (it didn’t even rank in Rolling Stone’s fan-voted Best Cure Songs list). Bridgers redeems the song on her stunning cover, recorded for a new Spotify Single, and will hopefully inspire more closet “Friday I’m in Love” fans to cover the song. Continue reading »

Pick Five: Wussy

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May 172018
 

In Pick Five, great artists pick five cover songs that matter to them.

wussy cover songs

Next year marks the fiftieth birthday of Robert Christgau’s “Consumer Guide” record reviews. His blurbs pioneered the idea of giving albums letter grades, and he’s graded thousands over the years. In the 2010s, though, he’s only awarded a coveted A+ four times. The recipients: A Tribe Called Quest, Laurie Anderson, Vampire Weekend, and… Wussy. As if that wasn’t high enough praise, in that Wussy review for 2014’s Attica! he dubs them “the best band in America.”

He’s not alone, either. This Ohio band, based around the duo of Chuck Cleaver (formerly of Ass Ponys) and Lisa Walker – middle and left in that top photo, respectively – has become a critics’ darling in recent years. Their new album What Heaven Is Like should only continue that trend. Billboard’s already called it “a concise 10-song meditation on hope and fear,” and it doesn’t come out until tomorrow.

Two of those ten songs are covers, the first time the band’s included any on a proper album. Not that most listeners will probably realize that they’re covers; these music superfans dig deep into the vaults, covering cult favorite folkie Kath Bloom’s “Oblivion” and 1970s garage rockers The Twinkeyz’ “Aliens in Our Midst.” Listen to the latter: Continue reading »

Apr 302018
 
best cover songs april

April was the best month for covers of the year so far. There’s no particular reason for that, I suspect. These things just ebb and flow. But the fact remains that it was a proverbial embarrassment of riches, as the length of the list below confirms.

As always, there’s no quality difference between the main picks and the honorable mentions; a cover’s categorization is only determined by how much I had to say about it. Continue reading »

Jan 272017
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Tom_Rosenthal

London’s Tom Rosenthal writes songs with titles like “Toby Carr’s Difficult Relationship With Tuna” and “Watching You Watching YouTube in the Dark.” His piano playing is less playing than painting, capturing various shades and hues with his arrangements. Here at Cover Me, we’re glad to do our part in turning his designation as “Britain’s Best Unknown Songwriter” into a thing of the past. We just choose to do it by featuring his work on other people’s songwriting.
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