Remember when Lil Wayne decided to become a rock and roll guitar hero, despite clearly not knowing how to play the guitar? Or, before that, Ice-T first ditched rap in his metal band Body Count? There’s a new name to add that list: rising rapper Vic Mensa, who has just debuted a new alt-rock band with a heavy cover of the Cranberries’ “Zombie.”
It’s been a few years since Hannah Georgas released her last full length album For Evelyn, but the Canadian singer-songwriter has finally returned with an EP of cover songs called Imprints. The first song available from the new album is Georgas’ cover of “No Need to Argue” by The Cranberries.
Jess Wolfe and Holly Laessig of Lucius join Georgas to transform the song into a 1980s brat pack break up moment. With an easy drum machine beat, synth, sound effects, and luscious harmonies, the effect is decidedly lighter than The Cranberries’ solemn and slow dirge.
Music of the mid-1990’s can get stuck between “oldies” and “contemporary,” but few chosen hits from that period remain timely and relevant to life in the present tense. “Zombie” by The Cranberries is one of them.
This catchy, nod-your-head tune is a message of protest against war and violence. It’s hard to recreate the ache and irony in Dolores O’Rordian’s voice without coming off downright angry and dark, like this heavy metal style cover by Leo & Stine Moracchioli. But a Haitian Creole singer Dawn Richard (known as DAWN) delivers a light and fresh take on the song in her new cover.
Andrew Combs – Reptila (The Strokes cover)
The Strokes’ Is This It songs have been covered to death, so musicians are digging deeper. We heard a killer Angles cover in April from Billie Eilish (more on her in a minute), and now singer-songwriter Andrew Combs takes on this Room on Fire track. His own music leans Nashville Americana, but from the crazy horns here, sounds like he’s been spending time in New Orleans.
‘The Best Ever’ series counts down our favorite covers of great artists.
Lindsey Buckingham is out of Fleetwood Mac for reasons that, a few weeks later, remain as enigmatic as many of the band’s best songs. He was fired – or quit? – amid reports that he wanted to work on a solo album while everyone else wanted to tour. This after reports a couple years ago that he wanted to do a Fleetwood Mac album and Stevie didn’t. Their professional lives today are as complicated and messy as their romantic ones once were.
And let’s be honest: He’ll be back in a few years for a dramatic “reunion tour.” But why wait that long to celebrate this great band? We decided to use the excuse of the recent news to pay tribute to one of the most cover-able bands of all time. And lord knows we’ve paid tribute before, full album tributes to Rumours and Tusk and much more (a bunch of links a the bottom).
But now, just as we did with the Talking Heads last month, we’re looking at the entire catalogue, ranking the top thirty covers of Fleetwood Mac songs from any album or era. There’s no specific Lindsey-focus or anything. Though the majority of songs are from the the classic lineup (including a number from Lindsey’s passion project Tusk), a handful come from the band’s blues beginnings before he or Stevie joined. If the record sleeve said “Fleetwood Mac,” it was fair game for artists to reinterpret – and boy, have they ever. Without further ado, thirty artists who listened carefully to the sound, then played the way they felt it.
At the end of every year, we work for weeks curating our annual Best of the Year list (here’s last year’s). We’re monitoring what comes out all year though, so this month I thought: why wait? Here’s a more impulsive and spontaneous list, some songs we’ve written about already and others we didn’t get to. Just some great covers that stood out as the month comes to a close.