Mar 012024
 
best cover songs february 2024
Annie Lennox — Nothing Compares 2 U (Prince/Sinéad O’Connor cover)

The emotional highpoint of the Grammys—well, other than Tracy Chapman’s return (covers-adjacent!)–was Annie Lennox’s tribute to Sinéad O’Connor during the In Memoriam. Bonus points because she was backed by two longtime bandmembers of Prince (who, of course, wrote the song), Wendy and Lisa. The teardrop on Lennox’s eye was very Prince, and the political statement at the end was very Sinéad. Continue reading »

Feb 212024
 

Nouvelle Vague is back with a new collection titled Should I Stay or Should I Go? I’m going to hesitate in answering that question, as there is the one more demanding, about how this lot are still going. No offense intended, mind; back in the day, Nouvelle Vague’s bossa nova revisiting of punk and new wave songs was really something to behold, with both the novelty and the application well worthy of praise and merit. But now? I know a version has been touring, but I hadn’t appreciated they were still marketing something new, or, more to the point, new to them. So, is this a soft sophisticated samba swirl through the song cycles of Eilish and Swift, Sheeran and whoever else the young people adore? Ummmm, nope. This is a further trawl through the hallowed dusty halls of the last century. Or, more to the point, hoping the audiences who loved them near two decades ago will still love them now, and are still listening to their tired old record collections.

I needed to check out the rationale, hastening to the requisite website. The fact that one of the originators, Olivier Libaux, is now the late Olivier Libaux should be enough confirm him spinning gently, counterclockwise, in his grave. I am presuming his then co-conspirator Marc Collin is still at the helm, as the agenda is seemingly unchanged, setting up a set of chanteuses unfamiliar with the originals, ironically perhaps all the more available as time flits by. So why does it seem now to, largely, pall, where it once delighted? Follow me…..
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Jul 202022
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

cover of instrumental

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question pairs up with our previous Q&A about favorite instrumental covers: What’s your favorite cover of an instrumental?
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Dec 132021
 
Yo La Tengo Hanukkah 2021 Covers Bowery Ballroom

Indie rock greats Yo La Tengo recently wrapped up their eight-night Hanukkah run of live shows — a tradition that’s lasted multiple decades — at New York City’s Bowery Ballroom. Whether you’re a new or longtime acolyte of the trio, Yo La Tengo’s Hanukkah shows are an ideal entry point into the group’s ouevre. From even just one of the eight nights, which each have a unique setlist and special guest openers, you can grab a pretty good sense of Ira Kaplan, Georgia Hubley and James McNew’s creative spectrum, not to mention the vast web of influences and collaborators, old and new, that fuel them. Still, the band’s Hanukkah sets are most exciting to consider as one epic and comprehensive experience — some kind of combo between endurance exercise and heady jigsaw puzzle. Continue reading »

Dec 042021
 

That’s A Cover? explores cover songs that you may have thought were originals.

I Fought the Law

In 1978, Joe Strummer and Mick Jones flew to San Francisco to record overdubs for the Clash’s second album, Give ’em Enough Rope. There, they heard the Bobby Fuller Four song “I Fought the Law” for the first time, on the studio jukebox. By the time they came back to England, they had heard it enough times to memorize it. They recorded the song and released in on an EP in the spring of 1979. Later that year it came out as a single in America, the Clash’s first. It appeared on their first American album as well, a rejiggered version of their UK debut two years before.

The story of a prisoner taking an oh-well attitude toward the turn his life took, “I Fought the Law” struck a chord with the Clash’s fans. It was a signature cover, both for the band and the song. And many many DJs who introduced this aggressive shrug of a song called it a cover of the top-ten hit by the Bobby Fuller Four.

Which it was.

But it wasn’t.
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Jun 112021
 
german cover songs

We’re not generally in the practice of publishing reader mail at Cover Me (doesn’t mean we don’t appreciate getting it!). There’s no Letters to the Editor page like you’d see in an old magazine. The comments section and social media serve that function well enough. But today, we’re making an exception.

Last summer, a German reader named Karsten Schroeder wrote in offering to share some cool covers he liked by German bands. We said sure – we’re always looking to discover new stuff, after all. We didn’t hear much after that and, to be honest, forgot about it. Then, a full ten months later, he emailed an exhaustive look at the covers scene in Germany. Across 123 songs, Karsten explored covers spanning punk – his favorite genre – to hip-hop, folk to pop to a few genres that are Germany-specific (“Fun-Punk,” “Deutschrock”). It was so rich and detailed, full of amazing covers that we – and, I expect, you – had never heard before that we asked him if we could publish it. Continue reading »