May 262023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Prince

In July of 1958, a Prince was created. That was the month Charles became Prince of Wales. Earlier this month he was officially crowned King.

In June of 1958, another Prince was created. He died seven years before Charles’ coronation, but he had long before passed beyond the arena of royalty into the field of the celestial.

Prince was, if not a god, a divine presence, more felt than understood. That he was a musical genius was almost taken for granted; his prolific recording, his tremendous work ethic, his mysterious appearances where you least expected him (On Muppets Tonight?? Making fun of Hee Haw???)–all served to make him more myth than man, and now he’s less man than legend.

Prince famously told George Lopez that “covering the music means your version doesn’t exist anymore,” but that’s not quite so. Prince may not (or may) be immortal, but his music definitely is, and the covers that continue to roll in are all the proof you need. This post offers some of the evidence. (Certainly not all of it – more nominations missed the cut than made it, and the great majority of them were very worthy.)

Before we begin: to qualify, a Prince song needed to have been officially released before the cover version. Sadly, this means the Bangles’ “Manic Monday,” Sheila E’s “The Belle of St. Mark,” Celine Dion’s “With This Tear,” and others didn’t get considered.

And now for our selections. And don’t worry, Charles–it’s good to be King. It’s just more magical to be Prince.

–Patrick Robbins

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Feb 112022
 
be good tanyas covers

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

The three women in the Be Good Tanyas–Trish Klein, Samantha Parton, and Frazey Ford–are all Canadians, but Americana is stamped on their musical passports. The band formed in 1999 in Vancouver, B.C., the heart of Cascadia, and soon released some of the best Appalachian-influenced music of the past two decades. Like kindred spirit Gillian Welch, the Tanyas made the old-timey sound new.

While gospel spirituals and hobo songs fired their imaginations at the outset, the Tanyas didn’t only look backwards to traditional sources. They looked across to their peers–Geoff Berner and JT Nero are two contemporary artists they’ve covered–and to the work of their parents’ generation (Townes Van Zandt, Bob Dylan, Neil Young). They even covered Prince, a musician pretty far from the folk/country music provinces (see our write-up of their Prince cover here). The Tanyas also wrote compelling original material, songs absorbed by urban concerns while sounding rural in origin, songs both light-hearted and dark-minded in turn.

Along with their feathery vocal harmonies, the key ingredients of the Tanyas sound are mellow mandolin, gritty banjo, and acoustic guitar. Fiddles and harmonicas make an occasional appearance, and a cornet slipped in through a side door at least once. Bass and drums they leave to hired hands, but not as after-thoughts: the band’s rhythmic groove is integral to their unique slant on traditional material, lets them make a distinctive statement on classics like “Rain and Snow.”

One complaint about their music is that there’s not more of it. Chalk it up, in part, to bad luck and medical emergencies, and partly to “creative differences.” But then again, we can be thankful that each of the Tanyas have explored their own solo projects, and this has helped keep the Tanyas albums so pure in essence. Frazey Ford recorded an album with Al Green’s former band (it’s more soul-influenced than country-influenced); Trish Klein formed Po’ Girl with Allison Russell; and Sam Parton, long side-lined with serious medical challenges, found a way to record and tour with Jolie Holland. (Holland co-founded the Tanyas in 1999, but departed during the making of their first record, Blue Horse.) All these extracurricular projects are worth seeking out.

The Tanyas may be over as a group, but it’s a good bet that covers of their originals will continue to emerge, and that their own covers will continue to find new listeners.
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Oct 302020
 
best cover songs 2000

Every year, I do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969 (in 2019), 1978 (in 2018), 1987 (in 2017), and 1996 (in 2016). And in 2020 we circle back to the not-so-distant past with the most recent year yet: 2000.

Cover Me began in 2007 and we did our first year-end list in 2008, so 2000 isn’t that long before we were following this stuff in real time. But, in music eras, 2007 and 2000 seem eons apart. 2000 was nü-metal and Napster, Smash Mouth and the ska revival. Beyoncé was in the quartet Destiny’s Child; Justin Timberlake only had a one-in-five chance of being your favorite member of N’Sync (or maybe one-in-four…sorry Joey). By the time this site started seven years later, all this seemed like ancient history.

There were a lot of extremely prominent covers in 2000. “Prominent,” of course, doesn’t necessarily meaning “good.” This was the year that Madonna covered “American Pie” (not to be outdone, Britney Spears then took a stab at “Satisfaction”). It was the year a Jim Carrey movie soundtrack inexplicably asked bands like Smash Mouth and Brian Setzer Orchestra to cover Steely Dan. It was the year of “Who Let the Dogs Out?” Bet you didn’t even know that one was a cover (unless you’re a faithful Cover Me reader).

None of those are on this list (though, if you want more dated trainwrecks like those, stay tuned Monday for a bonus list I’m calling the “The Most Extremely ‘2000’ Covers of the Year 2000”). But 2000 offered a wealth of wonderful covers, often flying just under the mainstream radar. Some of them still seem of the time – anything ska, basically – but most could have come out decades earlier. Or yesterday.

YouTube was still a few years away, as was streaming more generally, so covers still mostly came out through “traditional” avenues: on albums, as the b-sides to singles, etc. As I wrote in my new book, tribute albums were big business by this time too, which means that many 2000 covers emerged through that format. Even narrowing this list down to 50 was hard, which is why Cover Me’s Patreon supporters will get a batch of 150 Honorable Mentions.

Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.

The list begins on Page 2.

Mar 072013
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Here at Cover Me, we have several categories where we salute artists who are still doing good work in the cover song field. What we haven’t had is a category to salute those who no longer walk among the living, but whose songs have built a legacy that keeps their voices as alive as yours and mine. That changes today with the grand opening of our In Memoriam category, where we remember those who have moved on into the great unknown and left an abundance of their gifts behind. Our first subject: Townes Van Zandt, born 69 years ago today. Continue reading »

Dec 152011
 

Christmas covers hit the blogosphere by the dozen this time of year, but even though we can’t post on ’em all, we’ve been trying to keep track of our favorites. Here, in the third installment of our holiday sorta-series, are a bunch of great new Christmas covers, jumbled together like last year’s tree lights. Continue reading »

Nov 112011
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

prince purple rain covers

The soundtrack to Purple Rain came out ten thousand days ago today. It feels like forever and that’s a mighty long time, but we’re here to tell you there’s something else…the full album, covered.

Purple Rain won an Oscar and two Grammy Awards, sold more than 20 million copies, and held the number one selling album slot in the US for twenty-four consecutive weeks (despite being released just three weeks after Bruce Springsteen’s Born in the U.S.A.). The only debate that remains worth having: great Prince album, or greatest Prince album? Dirty Mind and Sign o’ the Times both have their backers, but neither of those albums tapped into the zeitgeist the way Purple Rain did. Continue reading »