May 052017
 

cover stories brandi carlileTen years ago Brandi Carlile released her second album, The Story. Lovingly produced by T-Bone Burnett, The Story is heavy on relationships, heartbreak, and unrealized potential. Songs so beautiful they can float right on past unless you’ve recently fallen in or out of love or struggled with a complex friendship. But if your guard is down, your heart is broken, or your confidence rattled, The Story can be a powerful and cathartic experience. Last month we shared songs from Dolly Parton, Pearl Jam, and Adele, when we teased the latest War Child benefit project in which a hand-picked, all-star cast covers The Story in its entirety. That album, Cover Stories: Brandi Carlile Celebrates 10 Years of The Story-An Album to Benefit War Child, is released today.
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Apr 172017
 
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Eddie Veder and Brandi Carlile are two artists that just exude cool. Whether they are banging out a heavy rock song or waxing poetic with a melancholic ballad, the result is always something heartfelt and musically satisfying.

It stands to reason that Pearl Jam would be among a very solid lineup of talent covering Carlile’s 10-year old album The Story for charity tribute album Cover Stories. On the heels of their induction into the Rock and Roll Hall of Fame, Pearl Jam shows no sign of slowing as they continue to produce fantastic music such as their new version of “Again Today”. Continue reading »

Nov 142016
 
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On Friday, we posted our tribute to Leonard Cohen, calling him maybe the greatest gift to cover songs ever. Many musicians agreed over the weekend, covering his songs across the world in live shows. We’ve rounded up a bunch below, from Coldplay, Norah Jones, Okkervil River, The Avett Brothers, Car Seat Headrest, and more.

The biggest surprise: Not many people picked the most obvious choice, “Hallelujah.” It seemed so perfect that I saw at least one person on Twitter begging musicians to pick something – anything – else to cover, and they listened. I figured it would dominate even more than “Purple Rain” did when Prince died, but perhaps many felt intimidated by the iconic Jeff Buckley and John Cale versions. It also might seem a daunting song to really sell, particularly if you just learned it in the tour bus (one of the only bands who did cover it: Styx). Continue reading »

Apr 222016
 
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Since Prince’s sudden passing yesterday, tributes have poured in from artists around the world. Some of those artists had concerts scheduled last night and took the opportunity to play Prince covers – in some cases covers they’d performed before, in other cases covers the put together last-minute to pay tribute to the legend. Either way, this first night of covers is raw and wonderful, a first-run at what will no doubt be thousands of new covers to come (Coachella is this weekend…)

We’ve rounded up a bunch that have either video or audio below. They’re mostly live from concerts last night, but in a couple cases they’re from artists who couldn’t wait for their next show and posted new covers themselves. We’ll keep adding more as they surface. We know The Damned covered “Manic Monday” and Christine and the Queens covered “I Feel For You” – anyone got full video for those? Continue reading »

Dec 172015
 

Follow all our Best of 2015 coverage (along with previous year-end lists) here.

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I didn’t realize it until I began laying out our post, but this year’s Best Cover Songs list shares quite a few artists with last year’s. And some that showed up here the year before that. Jack White’s on his fourth appearance. And Jason Isbell and Hot Chip not only both reappear from last year, but have moved up in the rankings.

Though we’re always on the lookout for the new (and to be sure, there are plenty of first-timers here too), the number of repeat honorees illustrates how covering a song is a skill just like any other. The relative few artists who have mastered it can probably deliver worthy covers again and again.

How a great cover happens is something I’ve been thinking a lot about this year as I’ve been writing a series of articles diving deep into the creation of iconic cover songs through history (I posted two of them online, and the rest are being turned into a book). In every case the artist had just the right amount of reverence for the original song: honoring its intention without simply aping it. It’s a fine line, and one even otherwise able musicians can’t always walk. Plenty of iconic people don’t make good cover artists (I’d nominate U2 as an example: some revelatory covers of the band, but not a lot by them). Given the skill involved, perhaps it’s no surprise that someone who can do a good cover once can do it again.

So, to longtime readers, you will see some familiar names below. But you’ll also see a lot of new names, and they’re names you should remember. If the past is any guide, you may well see them again next year, and the year after that.

Click on over to page two to begin our countdown, and thanks for reading.

– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)

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Mar 242015
 

Let’s get this out of the way first: Elliott Smith’s songs are not easy to cover. This isn’t necessarily related to virtuosity, but might even be related to the exact opposite. Smith’s voice (squeaky, usually double-tracked, always on the verge of slipping off key) was something that he used as a weapon, tearing right into the heart of his music. Pairing that voice with soul-baring lyrics and melodies that never strayed too far from the Beatles and Beach Boys school of pop music, Smith carved out a segment of the singer-songwriter genre that was all his own.

That being said, Seth Avett (of the Avett Brothers) and Jessica Lea Mayfield have a decent go at it on the informatively titled Seth Avett & Jessica Lea Mayfield Sing Elliott Smith. Upon first listen, the album’s most glaring problem (for Smith fans, at least) becomes apparent: most of the selections fall very close the originals. “Between the Bars,” probably the most covered song of Smith’s songs (over-covered, if you ask this reviewer), hits all of the original’s beats. “Angeles,” too, is played (albeit a little slower) like a straight transfer of the Either/Or cut. Though, this does raise a question: what’s the alternative? How do you rearrange “Angeles” (perhaps the best candidate for the most wholly representative song in the Elliott Smith catalogue) without losing what makes it special? I imagine these are the questions that Avett and Mayfield asked themselves, too – presumably without finding any satisfactory answers.
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