The latest comes from indie-rock vets Spoon, who tackled “I Can’t Give Anything Away” on The Strombo Show, a radio program that is quickly become Canada’s answer to other international cover-shows BBC Live Lounge and Triple J “Like a Version.” Britt Daniel’s understated vocals deliver the quiet melody and bigger chorus perfectly, but the secret star of this stripped-down version might be pianist Alex Fischel. Needless to say, it sounds quite different than Nine Inch Nails’ take on the tune.
And, while we’re at it, here’s a bunch of other Strombo Show covers from recent episodes too.Continue reading »
When Gregg Allman went into the studio to record his final album Southern Blood it was clear to all those around him that he was saying goodbye. The record, released posthumously last September, contains a number of tracks that tell the story of a man looking back on his life. In 2017, we wrote about his version of the Grateful Dead’s “Black Muddy River” and how it provided a feeling of joyful release. By contrast, the album’s closing tune, a cover of Jackson Browne’s “Song for Adam,” relates a much bleaker story.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
The histories of the Grateful Dead and the Allman Brothers Band have long been intertwined. The two bands shared the stage numerous times in the 1970s. They covered some of the same songs over the years. Heck, they even shared members, with singer/guitarist Warren Haynes and bassist Oteil Burbridge both playing with the Allmans and various latter-day Dead spinoffs.
Gregg Allman adds a new chapter to this legacy with his cover of the Dead’s “Black Muddy River” on his posthumous studio album Southern Blood. Written by Jerry Garcia and Robert Hunter, the history of “Black Muddy River” runs deep through Deadhead lore. The tune is a dark elegy, filled with longing for times past, but with maybe a bit of hope in the end. In Blair Jackson’s 1995 biography Garcia: An American Life, Hunter said that the song “is about the perspective of age and making a decision about the necessity of living in spite of a rough time and the ravages of anything else that’s going to come at you.”Continue reading »
Warren Haynes’ band Gov’t Mule have made a tradition of epic New Years Eve shows at New York’s Beacon Theatre. Last year they did three full sets of covers of other artists (as “Grateful Mule”, “The AllMule Brothers,” and “The Mule” [The Band]). And for 2016, they paid tribute to the long list of musician who left us this year, covering Leonard Cohen, Prince, David Bowie, Leon Russell, Sharon Jones and the Dap-Kings, Merle Haggard, The Eagles (for Glenn Frey), Parliament Funkadelic (Bernie Worrell), Earth, Wind & Fire (Maurice White), The Black Crowes (Eddie Harsch), and Emerson Lake and Palmer (Keith Emerson and Greg Lake). Whew!Continue reading »
Follow all our Best of 2016 coverage (along with previous year-end lists) here.
2016 in music will be most remembered for one thing: death. It seemed like an unprecedented list of major musical figures left us this year: David Bowie, Prince, Merle Haggard, Leonard Cohen. The list, sadly, goes on and on.
Prominent passings affect many aspects of the music world, but the impact is particularly clear in the world of cover songs: When an artist dies, a lot of people cover his or her songs. The world was hardly hurting for Prince covers before April 21, but afterwards, to paraphrase the man himself, we went crazy. Bruce Springsteen alone became a one-man tribute machine, covering Bowie, Prince, The Eagles’ Glenn Frey, and Suicide’s Alan Vega after they died (it’s a shame his tour ended before Cohen passed because he’d do a great “Everybody Knows”). Our list this year features a number of these tribute covers – though both the Cohen covers listed were actually released before his death, proving there’s no need to wait to honor one of the greats.
Our list also features fantastic final covers by the recently departed, brilliant song-interpreters like Sharon Jones and Allen Toussaint. The fact that they died may add extra meaning to these new songs, but they’d make the list regardless. Whether they performed wonderful covers or wrote wonderful songs for others to cover, we miss these artists because they were great. They don’t need any “death bump.”
The year wasn’t all dire though. Our list features many covers by and of artists who are alive in every sense of the word. Kendrick Lamar and Drake represent the new world of hip-hop, Kacey Musgraves and Sturgill Simpson in country, Animal Collective and Joyce Manor in indie rock, and in too many other genres to name. Jason Isbell currently holds a streak here, making his third consecutive appearance this year.
We also have plenty of artists whose names I won’t highlight here, because you probably won’t have heard of them…yet. We’re not in the business of predicting fame – the music industry is far too fickle for that – but some of our past best-cover winners have gone on to big things this year, like Chance the Rapper (2014 winner) and The Weeknd (2012 winner). Hell, Sturgill (#3 in 2014) just got an Album of the Year Grammy nomination!
Those early covers may have helped kick off such success. A revelatory cover song can help a musician attract early attention. When I interviewed Mark Mothersbaugh recently, he said no one understood what Devo was doing until they covered “Satisfaction.” A familiar song done Devo-style finally made the connection for people. “Whip It” and other original hits would not be far behind.
Maybe some of this year’s under-the-radar names will go on to Weeknd-level superstardom. But even if they don’t, all these covers, by household names and Garageband geeks alike, deserve recognition. We’ll miss all the great musicians who left us this year, but it’s gratifying to see so many promising younger artists coming in to fill their shoes.
– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)
PS. Last year in this space, I mentioned I’m writing a book about cover songs. Well, Cover Me (the book, that is) is finished and will be out next year! In addition to the aforementioned Mothersbaugh, I interviewed Roger Daltrey about “Summertime Blues,” David Byrne about “Take Me to the River,” and many more. Follow our Facebook for updates on preorder, etc. Now, on to the countdown…