Alt-rock heavyweights The Afghan Whigs, who released their first studio album in 16 years this April, have never shied away from covering a song. Finding a mildly sinister way to do it is nothing new either. But The Police‘s 1981 smash hit “Every Little Thing She Does is Magic,” with its reggae-tinged, new-wave pick-me-up appeal, seems at first to be an unlikely candidate for a Whigs cover.
References abound with this cover. A band that takes their name from a Neil Young song covers The Afghan Whigs’ song that is a play on the title of a Miles Davis album, Birth of the Cool. Some critics say The Emperors of Wyoming sound like Tom Petty, Tom Waits and Creedence Clearwater Revival while one of their songs, “Brand New Heart of Stone,” is an obvious tribute to The Rolling Stones track with a similar name.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Considering The Beatles’ impact on music, pop culture and beyond, surprisingly few filmmakers have taken on the challenge of telling the legendary band’s story on the big screen. Director Iain Softley stands apart as one of the few who wasn’t daunted; his very first film, Backbeat, tells the story of the Beatles’ raucous early years as a cover band, performing in the seedy red-light district of Hamburg, Germany. The film concentrates on the love triangle amongst John Lennon, then-bassist Stuart Sutcliffe, and German photographer Astrid Kirchherr.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Greg Dulli is back on top of his game. He’s sobered up, lost a lot of weight, and, after years of will-they-or-won’t-they speculation, his primary band the Afghan Whigs toured the better part of last year after a baker’s dozen years of absence. Dulli has never sat still for long, alternately fronting The Twilight Singers, The Gutter Twins, and going out solo from time to time. Through it all, he has focused his obsession with other people’s tunes, particularly black music across several genres, into a funnel cloud of cock rock fury, soulful loneliness, and unrequited lust.