Posted by Staff at 12:00 pmComments Off on Cover Me Q&A: What’s a favorite use of a cover song in a movie/TV show?
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question, from staffer Sara Stoudt: What’s a favorite use of a cover song in a movie/TV show? Continue reading »
Mick Jagger turns 75 today, three decades past his famous 1975 benchmark: “I’d rather be dead than sing ‘Satisfaction’ when I’m 45.” Mick’s still singing “Satisfaction” today – and so are a lot of other people. So what better way to celebrate his birthday than with a countdown of the best covers of Rolling Stones songs of all time?
But we’ve never pulled it all in one place until today. Just as we did for Fleetwood Mac, Pink Floyd, Beyoncé, and Talking Heads, we’re counting down the best covers of Rolling Stones songs ever. The length beats Floyd’s forty-song record; we’ve got fifty Stones covers, from A (Albert King) to Z (Zydeco, Buckwheat). The Stones have been covered in all eras, all genres, and by all sorts of people. By the time you read this, the next all-time-great Stones cover might well have landed.
You can’t always get what you want, as the man once said – but if you click on, you just might get what you need.
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Cover albums come and go from memory. It’s sort of inherent in the genre. When a major release comes out – a cover album by one prominent artist, or a tribute compilation by many – it tends to garner an avalanche of blog posts, then get forgotten within a year or two. Many deserve to, no doubt…but not all.
So, since we’ve been looking back a lot this year to celebrate our tenth birthday, I dug back into our previous year-end album lists. My original plan was to see which of our past #1s held up and which didn’t, but I was pleasantly surprised to find they were all still enjoyable. But many, even those that were big deals at the time, have been semi-forgotten.
So I thought, before we dive into this year’s crop, let’s remember what came before. We didn’t do a list the first couple years, but here’s every album we’ve named #1 so far, along with an excerpt of our reviews:
2009: The Lemonheads – ‘Varshons’
“Twelve songs of booze-pop genius cover both classic tunes by songwriters like Leonard Cohen (Liv Tyler guests!) and Townes Van Zandt and obscurities from July and the unfortunately-named FuckEmos.” See that year’s full list here.
2010: Peter Gabriel – ‘Scratch My Back’
“Against all odds, Gabriel builds an orchestra-filled, indie-fied, emotion-fueled masterpiece.” See that year’s full list here.
2011: Baaba Kulka – ‘Baaba Kulka’
“It’s a boisterous Iron Maiden celebration by a collective that may not have a metal bone in its body, but invite big grins while you sing (and dance) along with the wildest crossover album this side of Warsaw.” See that year’s full list here.
2012: Neil Young & Crazy Horse – ‘Americana’
“When you press play the first thing that strikes you is the fuzz of the power chords, the strained bellows, the cardboard-box bashing of the drums. Neil and the Horse’s ragged glory rages so hard the source material becomes secondary.” See that year’s full list here.
2013: Xiu Xiu – ‘Nina’
“Xiu Xiu’s Nina Simone tribute album isn’t an easy listen. It’s not necessarily an enjoyable one either. What it is though is riveting.” See that year’s full list here.
2014: Andrew Bird – ‘Things Are Really Great Here, Sort Of…’
“In Bird’s delivery, the Handsome Family’s songs of old, weird Americana kitsch will hopefully reach listeners who might find the originals too weird.” See that year’s full list here.
2015: Bob Dylan – ‘Shadows in the Night’
“Him releasing an album of songs associated with Frank Sinatra was no surprise at all; he’s been operating in the Ol’ Blues Eyes vein for decades now, just with a (very) different instrument.” See that year’s full list here.
2016: Various Artists – ‘God Don’t Never Change: The Songs of Blind Willie Johnson’
“When it comes to preserving the depth and breadth of the contexts and traditions of American music that informed Blind Willie Johnson’s ecclesiastic but world-weary growl, it helps that the nine artists here…are able to handle the spiritual aspects of Johnson’s work.” See that year’s full list here.
Okay, now that you’re all caught up – let’s see what this year holds!
At this point, the story of Pinkerton is almost as famous as the music on it. After a huge college radio hit with their debut, Rivers Cuomo and co. followed it up with this “difficult” second album. It’s more personal, confessional, weird, and divisive. Cuomo was so hurt by the album’s initial rejection by fans and critics that, to some interpretations, he turned to attempting radio-friendly crowd-pleasers and, as a result, has never made another masterpiece (though if you stopped following Weezer in their “featuring Lil Wayne” era, know that their two most recent LPs are a major return to form).Continue reading »
That’s the first question that comes to mind when listening to A Little Help From My Fwends, the Flaming Lips’ album that covers all of the Beatles’ seminal Sgt. Pepper’s Lonely Hearts Club Band. This isn’t an inherently bad question to ask, though, especially with this band. From making a 4-disc album meant to be played simultaneously (or in any combination) to releasing a USB drive of love songs inside a chocolate, anatomically correct heart, the Lips have always had a degree of quirky, unbridled (and seemingly unchecked) compulsion guiding their career. This seeming inability to reign in their impulse to do whatever idea comes to mind has resulted in a ton of great music and a feverish cult following. Continue reading »
I’m not sure there were more great cover songs this year than any other. But there were more good ones.
What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s.Continue reading »