aeseaes – Realiti (Grimes cover)
Bandits on the Run – Back to Black (Amy Winehouse cover)
Talking Heads only ever recorded one cover, and when I talked to David Byrne about it for my book, he seemed to have mixed feelings on the subject. “There’s always a little bit of resistance to recording a cover like that because it’s kind of a crowd pleaser,” he told me. “I’d seen it happen before, where radio DJs who pick what they’re going to play will often pick a cover song… So then a band gets known for covering somebody else’s song as opposed to writing their own material. They have to go through a struggle for years to get identified with their own songs.”
Talking Heads recorded “Take Me to the River,” it became their biggest hit up to that point, and Byrne said: That’s it. No more covers. The band never followed it up with a second.
He’s relaxed the rules a bit more in his solo career, most recently covering Janelle Monae’s “Hell You Talmbout” on tour (he says he’s bringing the cover to Broadway, too). And clearly he’s been listening to covers. For his DB Radio show on his website, he just compiled a wonderfully eclectic mix of his favorite covers. The theme, he says, is artists doing the unexpected, from Sonic Youth covering The Carpenters to Miley Cyrus covering Nine Inch Nails. And when the song choice itself may not be surprising – Patti Smith covering the Rolling Stones, say – the arrangements are. Here’s what he wrote on his website:
The second-most-bonkers cover of the month (just wait ’til we get to “Spicy”) comes from – who else – Miley Cyrus. On a new episode of Black Mirror, she covers/parodies angsty Nine Inch Nails songs as the most insipid of pop jams. Trent Reznor, for one, says he is very much on board (given the lyric changes, these covers required his legal approval). Miley’s songs in character as Ashley O are outrageous and borderline offensive, which is kind of the point. “On a Roll” (FKA “Head Like a Hole”) has gotten most of the attention, but “Right Where I Belong” is more listenable. Marginally.
The first of a couple Beatles covers this month, AURORA’s “Across the Universe” doesn’t reinvent the wheel, it just removes a few spokes. The Norwegian singer-songwriter strips everything away but keys and a bunch of voices (there’s a guitarist too, though barely audible). It’s all the song needs.
As anyone who checked Twitter yesterday is well aware, Weezer shocked the internet with a surprise covers album, dubbed the Teal Album for its absurd yacht-rock cover. The album precedes the band’s long-promised Black Album, set to release March 1st.
Weezer spent 2018 stoking the social media flames with their famous covers bout with Toto, and I think we all just expected “Africa” to be the end of it. But Weezer clearly saw an opportunity to generate some buzz for their new album and upcoming tour with The Pixies. Twitter flames aside, how do the covers on the album actually stack up? Let’s take a look at The Good, The Bad, and The (Really) Ugly.
Sorry, Beyoncé; the biggest surprise release of the year might be Al Green’s sudden return after a decade away. Well, not totally away; he still conducts weekly services at his Memphis church and, when I attended, was liberally sprinkling quotes from “Love and Happiness” and “Take Me to the River” into his sermons. Best of all: This Freddy Fender cover sounds like Al hasn’t lost a step. It’s apparently a one-off, but hopefully recording it will whet his appetite to do more.