Mysterious London electronic wizards Strangers have uploaded some great melodic electro-pop originals and covers to YouTube, including a recent take on Lana Del Reys’ “Video Games”. Explained as a cover that occurred to them “on a whim in a writing session,” their most recent video offers their take on the 1984 hit “Shout” by fellow Brits Tears For Fears, a song that fits their own style quite naturally, and not just because of their London accents. Continue reading »
This Week on Bandcamp rounds up our favorite covers to hit the site in the past seven days.

Maybe you’ve heard it mentioned once or twice, but tomorrow marks the 20th anniversary of Nirvana’s Nevermind. In honor of that (and the fact that ~20% of the new covers on Bandcamp this week were Nirvana), we bookend today’s set with two Nirvana covers. Every track’s a keeper today, so much so that we threw in three bonus tracks we just couldn’t leave out. Continue reading »

Duncan Sheik had one of the 1990s’ more enduring songs in “Barely Breathing,” which hung around the Billboard Top 100 charts for a full year. As they say in (what used to be) the radio business, it tested well. Six additional albums have followed, but Sheik has spent much of the past five years composing scores for Broadway productions and winning both Tony and Grammy awards in the process. Long before he was halfway to an EGOT, though, Sheik spent his teenage years in the 1980s. On Covers 80s he reflects the influence that a wide range of synthpop bands and tracks had on his formative years.
This is no John Hughes soundtrack compilation and if you’re looking for a “Walking On Sunshine” feel-good nostalgia trip, you’ll likely be disappointed. While a few big hits are represented, Sheik offers a deeper and somewhat darker journey back into his past. Although he grew up in New Jersey, Sheik does not include any American bands on Covers 80’s. He says that the litmus test for inclusion was “did I really, really care about it when I was 15 or 16?” Apparently what Sheik really, really cared about back then was the electronic, indie and New Romantic pop of the second British Invasion and Covers 80s benefits greatly from Sheik’s choice of source material. Continue reading »

Not many songs get dedicated to Colonel Gaddafi these days, but Australian singer Andy Bull goes way out on a limb by keeping the beset dictator in mind during his soulful cover of “Everybody Wants to Rule the World.” While he quickly, and hilariously, recants his misguided homage, he still belts out a version of the Tears for Fears song that could lift the spirits of even a failing despot. Well, “belts out” might be misleading: Bull’s voice is more of a chirp. Think Perry Farrell, but on-key. Bull and his friends slow the song down slightly so that it shuffles; keep the heavy, gated reverb on the drums; and let the synths take a whispering backseat. This allows Bull the room to let his R & B-styled singing amble around, sometimes dragging far enough behind the rest of the song to almost come off the tracks. Continue reading »

The back end of December’s usually a pretty quiet time for television, unless you enjoy reruns and holiday specials. But for the second year in a row, NBC’s snuck a three-week competition-style reality show into its lineup at precisely this time of year with little fanfare. It’s the peacock network’s answer to Fox’s American Idol and Glee, and it’s called The Sing-Off.
The Sing-Off features ten of America’s best vocal groups vying for dual grand prizes: $100,000 and a Sony recording contract. No instruments come into play here, just lots and lots of voices performing songs we all know and – sometimes – love. To sweeten the pot for music fans, the groups are judged by industry royalty: Ben Folds, Nicole Scherzinger of Pussycat Dolls and Shawn Stockman of Boys II Men. Oh, and Nick Lachey hosts, if that’s your bag. Continue reading »

Many of our readers will recognize the A.V. Club as the less satirical (but just as sharp) arts and entertainment companion to The Onion. They’ve been covering all things pop culture since 1993 and this year they decided to hone in on our turf embrace the world of covers with their own series of cover commissions, the A.V. Club Undercover. Once a week for 25 weeks a chosen band or artist would come in and pick a song off a list of 25 available tracks for them to cover. Once a song was chosen, it could not be performed again; Undercover operated on a first-cover, first-serve basis. We’ve already told you about a few; take a look here. Continue reading »





















