Angel Olsen – More Than You Know (Ann-Margret cover)
Many have covered this 1929 American songbook standard, but Angel Olsen’s solo piano cover was purportedly inspired by Ann-Margret’s 1961 take. Olsen doesn’t bring any frills or gimmicks;. If you didn’t know Olsen was one the coolest, most blog-beloved artists around, you’d think she was an unusually talented piano-jazz singer. Catch her at a cabaret near you.
In Pick Five, great artists pick five cover songs that matter to them.
After almost two decades of critically acclaimed albums, singer-songwriter-guitarist Erin McKeown just added another hyphenate to her resumé: “theatrical composer.” She wrote music and lyrics for the new Public Theater musical Miss You Like Hell in New York. Variety wrote after seeing the show, “Erin McKeown makes an impressive stage debut with music that is eclectic and appealing.” Here’s a taste, two-time Tony nominee Daphne Rubin-Vega singing McKeown’s new song “Mothers”:
Who but Donald Trump or Hillary Clinton can divide Americans quite like Taylor Swift? Practically anything she does gets scrutinized and overanalyzed, becoming fodder for conspiracy theorists and internet trolls. On Friday, Swift seemingly broke the internet again when she unleashed a banjo-infused, country cover of Earth, Wind & Fire’s classic “September” as a single on Spotify. Judging by the reactions of her fans and detractors, you’d think she had either discovered the Holy Grail or desecrated the Shroud of Turin.
In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”
It’s clear that many people despise the erroneously titled Punk Goes cover compilation series. Much has been said and written about how awful they are. Yet, just like the emo and pop-punk genres generally, they are wildly popular with teenagers despite not getting any critical respect. Since the series began in 2000, there have been 17 volumes and over two hundred songs released in the series. In the U.S. the cover series has sold one million albums, nine million tracks, and it streams in the hundreds of millions. But most people out of high school seem to hate them.
Well, I’m here to defend some of these as great cover songs. I’m an insider, you could say – I was the Fearless Records salesperson behind nearly all of these albums. During my 13 years at the California independent label, I was the head of sales and also served as general manager. I didn’t contribute to the Punk Goes compilations as a curator or A&R. My role was to make sure the albums and tracks had the best positioning at major retailers like Target, Best Buy, iTunes, Amazon, etc.
Neil Young recently cancelled his Pearl Jam Rock and Roll Hall of Fame induction speech due to illness (he’s reportedly fine now). While he takes a break though, new Neil covers keep rolling in. Two particularly great ones have surfaced in the last month, tacking a pair of Young’s loudest and most fiery songs.
First up, composer Teho Teardo and singer Blixa Bargeld (of Einstürzende Neubauten/Nick Cave and the Bad Seeds fame) cover “Hey Hey, My My” on their new EP together Fall. A weird and wonderful production, it brings together bass clarinet, musical saw, and a six-piece string section under Bargeld’s mesmerizing line readings. It’s one of the best Neil covers we’ve heard in recent years, surprising and unexpected.