“Watch out, you may get what you’re after,” David Byrne sang in 1983’s Talking Heads classic “Burning Down the House.” Byrne is not shy to collaborate with artists he admires across a vast array of genres and levels of fame, including St. Vincent, Selena (RIP), Fatboy Slim, Caetano Veloso, and more. It seems Choir! Choir! Choir!, a Canadian choir that went viral for their rendition of David Bowie’s “Space Oddity” in 2016 – and a large crowd of fans – got what they were after last Saturday in New York when the choir performed with David Byrne.
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
– Ray Padgett
The National have been covering regionally-appropriate songs on many of their tour stops: New Order in Manchester, Queen in London, etc. When I saw them in Queens last month, they played the Ramones’ “The KKK Took My Baby Away,” joking that Joey Ramone wrote it after his Queens neighbor Donald Trump stole his girlfriend. It was a blast to watch, but the shaky cell phone videos that surfaced didn’t quite live up to the live experience.
Luckily, the National have kept the song in their setlists (complete with the Trump joke). They tagged it onto the end of their recent KCRW Morning Becomes Eclectic performance – so now we finally have good video. “This is a true story,” Matt Berninger deadpans.
Today is the day! At long last, Cover Me: The Stories Behind the Greatest Cover Songs of All Time is in stores and online at Amazon, Barnes and Noble, IndieBound, Powell’s, and many other places (including, hopefully, your local independent bookstore!).
A lot has happened since I first announced the book back in May. The New Yorker published an excerpt about Devo’s meeting with Mick Jagger. I was interviewed on SiriusXM about the Hendrix, Cash, Aretha, Pet Shop Boys, Elvis, and Creedence Clearwater Revival chapters. And most importantly for you reading this, I put together an exclusive bonus mix that blog fans can get when they buy the book (it says “pre-order,” but we’ll say “week-of-release order” counts too).
And I wanted to share one more thing, another blog exclusive: An audio companion to the book.
—November update: The book is now out, but if you review it on Amazon or elsewhere, the mixtape can still be yours! Just send proof of review to the email below.—
Cover Me: The Stories Behind the Greatest Songs Of All Time comes out October 3. It dives deep into twenty iconic covers, from Elvis’s “Hound Dog” through Adele’s “Make You Feel My Love.” I interviewed artists like David Byrne and Roger Daltrey to get the untold stories behind their greatest covers. You can read all about it here.
Now we’ve got a special bonus for anyone who preorders: a free digital album of other covers of those same songs.
What’s the greatest “Take Me to the River” that’s not by Al Green or the Talking Heads? My favorite “Hurt” untouched by either of those men in black? An “I Will Always Love You” that sounds like the artist has never heard either Dolly Parton or Whitney Houston’s versions? This mix answers all those questions.
As we’ve noted already, 2017 marks Cover Me’s tenth birthday. We’ll have some more celebratory posts leading up to the actual date this fall, but I’m thrilled to announce one thing that’s on deck for October: the release of my first book, Cover Me: The Stories Behind the Greatest Cover Songs of All Time!
Ever since I started this site, friends and readers have suggested that I should write a book about cover songs (surprisingly, a comprehensive book doesn’t really exist). For years, I resisted. “That’s like saying ‘I’m going to write a book about original songs’,” I’d snarkily reply – i.e., that’s a stupid idea. Cover songs seemed too broad a category. There’s no grand unifying theory of cover songs to fit tidily between two book covers; it’s too big and messy and wonderful a tent for that.
After years of saying no, I finally came up with the solution. I wouldn’t write a book about cover songs – instead, I would write a book about twenty specific cover songs, and through those twenty covers, a broader narrative would emerge.
The story of covers as traced in Cover Me involves artistic triumphs and music-industry shenanigans. It touches on trends in record-making, music videos, and the internet’s impact on music (did you know the first viral song was a cover?). There are beautiful moments of unlikely artists coming together, and some uglier instances of exploitation and racism. Every major change in the music industry since the advent of rock and roll finds some expression in the world of cover songs.