Dec 172018
 
best cover songs of 2018

Two things strike me as I scan through our list this year. This first is that many of the highest-ranking covers are tributes to recently-deceased icons. No surprise there, I suppose. But none actually pay tribute to artists that died in 2018. They honor those we’ve been honoring for two or three years now – your Pettys, your Princes, your Bowies. Hundreds of covers of each of these legends appeared in the first days after their deaths, but many of the best posthumous covers took longer to emerge.

Good covers take time. That principle – the cover-song equivalent of the slow food movement, perhaps – holds true throughout the list. Sure, a few here appear to have arisen from sudden moments of brilliance, flash-arranged for some concert or radio promo session. But many more reveal months or even years of painstaking work to nail every element. Making someone else’s song one’s own isn’t easy. These 50 covers took the time to get it right.

– Ray Padgett, Editor-in-Chief

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Dec 142018
 

Follow all our Best of 2018 coverage (along with previous year-end lists) here.

best covers albums 2018

Two of the albums on this year’s list have similar titles: This Is Not Our Music and These Are Not Mine. Clever titles for collections of cover songs, sure, but misleading. Not your music? Why not? Songs are anyone’s for the singing. Even if a song’s lyrics or chord sequence didn’t first spring from a certain performer’s brain, that doesn’t mean he or she has any less claim. The great cover performers make the songs theirs, no matter whose they were before.

The twenty records below each contain numerous examples of artists doing just that. The songs may not have started out as these artists’ – but they are theirs now.

– Ray Padgett, Editor-in-Chief

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Oct 172018
 
the values this must be the place

Hot off the heels of our The Best Talking Heads Covers Ever countdown a few months ago, there’s already another contender: The Values’ new version of “This Must Be the Place (Naive Melody),” premiering here. On their upcoming EP Imposter, the Brooklyn duo of Mason Taub and Evan Zwisler give the song a modern electropop sheen, without losing some of the Afrobeat touches of the original. Continue reading »

Jun 152018
 
best cover songs 1978

Welcome to the third installment in our Best Cover Songs of Yesteryear countdown, where we act like we were compiling our usual year-end list from a year before we – or the internet – existed. Compared to the first two, this one has significantly less grunge than 1996 and less post-punk than 1987. It’s hard to have post-punk, after all, before you have punk, a new genre starting to hit its peak in 1978. And don’t forget the other big late-’70s sound: disco. Both genres were relatively new, and super divisive among music fans. Lucky for us, both genres were also big on covers.

Disco, in particular, generated some hilariously ill-advised cover songs. We won’t list them all here – this is the Best 1978 covers, not the Most 1978 covers. If you want a taste (and think carefully about whether you really do), this bonkers take on a Yardbirds classic serves as a perfect example of what a good portion of the year’s cover songs looked and sounded like: Continue reading »

Jun 152018
 

KidjoBono, whom Angélique Kidjo has taken heat for performing with on account of the collaboration signaling a lack of African purity on her part, famously and pretentiously begins the bombastic and mostly successful cover of “Helter Skelter” that kicks off U2’s concert album Rattle and Hum by proclaiming, “Charles Manson stole this song from the Beatles. We’re stealing it back.” I was reminded of this line when I eagerly volunteered to review Kidjo’s full album cover of Talking Heads‘ most Afro-inspired album, Remain in Light. I anticipated the album to be an act of musical liberation that brought traditional instrumentation to the most famous set of songs that had appropriated polyrhythmic composition in service of the definitely Western agenda of documenting David Byrne’s typically anxious anticipation of the Reagan years. The review, I thought, was going to write itself. It is inevitable, I imagined concluding, that removing the veil of cultural appropriation allows us to feel like we hearing these songs for the first time, “same as it ever was.”

This will not be that review. Continue reading »

Apr 302018
 
best cover songs april

April was the best month for covers of the year so far. There’s no particular reason for that, I suspect. These things just ebb and flow. But the fact remains that it was a proverbial embarrassment of riches, as the length of the list below confirms.

As always, there’s no quality difference between the main picks and the honorable mentions; a cover’s categorization is only determined by how much I had to say about it. Continue reading »