Nick Cave was 14 years old when T.Rex’s seminal Electric Warrior LP was released and still references it as one of his favorite albums of all time. On his current tour he’s been covering it’s lynchpin ballad “Cosmic Dancer” and delivering it with such wistful, evocative melancholy, it is impossible not to think of the teenage Nick being completely besotted with it upon his first exposure.
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
You know Mandy Patinkin best for playing the part of Inigo Montoya in The Princess Bride, or you may know him best as a regular on Showtime’s Homeland. If you fall in either of those camps, you may not know that Patinkin is a living legend in the musical theater world. He created the role of Georges Seurat in Sunday in the Park with George, and he won a Best Actor Tony for his performance as Che in Evita. He’s performed on Broadway over the course of five decades. And, as you can imagine, he knows his way around a cover song.
In the Spotlight showcases a cross-section of a famous musician’s cover work.
Aerosmith’s Joe Perry is no stranger to covers. During his 47-year run as lead guitarist for “America’s Greatest Rock and Roll Band,” Perry and his Aerosmith mates have taken on dozens. Not surprisingly, most, like the band itself, are rooted in R&B with a few Beatles tracks thrown in for good measure. Their long list of covers can be seen here.
For the most part, Joe’s been consistent with a similar formula both as leader of The Joe Perry Project (during two separate stints) and as a solo artist. But as we’ll see, up to and including his latest album, Sweetzerland Manifesto – released last week – one could argue that his personal choices have been a bit more adventurous…
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Marc Bolan died in a car crash 39 years ago today, just short of his thirtieth birthday. Tragic as this was, it was a perfect cap to the legend of the former Marc Feld, a man determined to be a near-myth of a rock star; live-fast-die-young had to be the closing number. But as other would-be legends (hi, Jobriath!) might tell you, an image won’t last without talent to keep it up, and Bolan’s talent for writing simple, catchy glamthems has kept him in the front of public consciousness, even for the ever-growing segment of the public that was born after he moved on.
“Country pop.” “Slick country.” “Bro country.” All terms, of varyingly negative connotation, used to describe the current landscape of country music. It can be hard at times to put your finger on exactly what makes a song with some twang, electric slide and a rock beat fall into the “pop” camp or the alt-country camp, but that fine dividing line often causes consternation among listeners who prefer one over the other. Sturgill Simpson seems to get lumped into the “outlaw” or “alternative” country camp, but however you describe the up-and-coming country star he can belt out a tune, as we saw when he cracked our top 5 best covers of 2014.
Coachella has taken over the music blogosphere for the past two weeks, so it was surprising when this gem popped up from a radio station on the opposite side of the country from the desert festival. Philadelphia’s WXPN has a free concert series appropriately titled “Free At Noon,” and Atlanta-rockers Black Lips teamed up with Boy George for a gritty rock rendition of T. Rex‘s glam-rock staple “Bang a Gong (Get it On).”