In October, I held the first release event for the Cover Me book at Paste Magazine’s New York studios, featuring performances by Eli Paperboy Reed, Emel Mathlouthi, and Anthony D’Amato (watch them all here!). And this week I held the second, at Phoenix Books in my old hometown of Burlington, Vermont. The concept was similar: rather than a dry book talk, I would combine some conversation with live covers of songs from the book.
Two of my favorite local bands, Swale and Madaila – both of which I’ve posted about here before – stepped up with some amazing performances. And luckily, like at Paste, we’ve got footage. (More amateur-quality footage, admittedly – iPhones at a bookstore rather than multi-cam at Paste’s recording studio – but the performances are every bit as stunning.)
Swale kicked things off with a tender trio take on “Unchained Melody,” the Righteous Brothers hit first recorded as the theme for the now-forgotten 1955 prison move Unchained. Bobby Hatfield left a pretty high bar for a vocalist to hit, but Swale’s Amanda Gustafson easily cleared it while Eric Olsen (guitar) and Tyler Bolles (bass) gave her a stripped-down acoustic backing.
Over the past few months, we’ve been hard at work making our list of The Best Cover Songs of 2016. Narrowing it down to 50 caused some excruciating choices, that’s how many great covers there were this year.
We’ll be posting the full list next week (and “Best Cover Albums” this Thursday), but as a little appetizer, here are our Honorable Mentions, covers we loved and still wanted to spotlight as among the best 2016 had to offer.
Sinéad O’Connor’s song “Black Boys on Mopeds” has unfortunately seen a cover resurgence of late – unfortunately not because it isn’t a great song, but because the 26-year-old lyrics about a black man getting killed by police shouldn’t feel so timely. Last year we named EMA’s cover of the song one of the best of the year, and now Vermont quartet Swale has produced their own powerful cover. It explicitly ties the song into the Black Lives Matter movement by setting it to a video montage of the over 140 African-Americans killed by police between January 2015 and today.