May 122017
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Blood on the Tracks

Tired of hearing hoary old crooners covering hoary deceased crooners? Try this as an antidote. 1975’s Blood on the Tracks was Bob Dylan’s fifteenth studio album, and is usually in the critical running for his best, vying with the earlier Blonde on Blonde (covered here). (Of course, whenever a new Dylan record is released, it is compulsory to be proclaimed as a “return to form,” that status seldom lasting until the ink dries and Blonde or Blood regains its rightful pole position.) Let me go on record here: Blonde is a bit meh, with rather too much filler for my tastes, so it is always Blood for me.

Blood on the Tracks was also my first full immersion in Bob, Greatest Hits not quite counting. See, a pal o’mine had access to discounted CBS recordings, half price if I recall. I had my eye on a witchy boho girl, like me newly arrived at University. She had her eye on my discount and, beyond a serious 40 minutes of otherwise silence, as we listened to my purchase of Blood, a prompted and suggested gift for her, that was that. She thanked me, apologized for giving me the bum’s rush, but she had to go out, you see, with the flash harry further along the corridor. I was so hurt, my emotions imbued by and immersed in Bob’s own heartbreak, that I bought a second copy. Probably full price, too.
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Dec 062016
 
best cover songs

Over the past few months, we’ve been hard at work making our list of The Best Cover Songs of 2016. Narrowing it down to 50 caused some excruciating choices, that’s how many great covers there were this year.

We’ll be posting the full list next week (and “Best Cover Albums” this Thursday), but as a little appetizer, here are our Honorable Mentions, covers we loved and still wanted to spotlight as among the best 2016 had to offer. Continue reading »

Mar 092016
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s a favorite live cover song?
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Mar 082016
 

god dontAugust Wilson’s play Seven Guitars depicts the tragic death of a black blues musician unable to take advantage of his stardom because he can’t get his guitar out of the pawnshop so that he might return to Chicago and record another hit single on a better contract. The play is set in 1948, a year after real-life inspiration Blind Willie Johnson, the gravely voiced musician eulogized in the new tribute album God Don’t Never Change: The Songs of Blind Willie Johnson, succumbed to pneumonia while living in the ashes of a house that had burned down a week earlier. Despite having recorded thirty songs, Johnson died broke, famously using wet newspaper as blankets during his final days.

There are a million ways to evaluate God Don’t Never Change; most of them, I think, will settle on the fact that it will likely go down as one of the best American roots albums of 2016. I think so too. However, the lengthy discussion that follows will not just be about the incredible music of Blind Willie Johnson or even the deserving covers featured on this album. In what is perhaps a risky move in the world of music criticism, I want to frame my discussion of this album around issues of race and culture because we are a site dedicated to covers: the origins of the blues raise questions germane to any discussion of what it means to cover songs belonging to a genre that originally existed to give voice to the experiences and suffering of a specific group of people.
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Jan 152016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

bonniejohn

“Angel from Montgomery” is one of those songs that’s probably best known from a cover—Bonnie Raitt’s iconic 1974 version (and the many live recordings that have followed). In fact, this article was inspired by hearing Joan Osborne say that for years she was basically intimidated by the Raitt cover from ever performing it herself—until she heard Susan Tedeschi sing it, decided Raitt didn’t own the song, and started including it in her set.
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Nov 032009
 

The first post of the month always features a look at songs covering every track on a famous album. Got an idea for a future pick? Leave a note in the comments!


The King of the Delta Blues Singers compilation didn’t come out until 23 years after Robert Johnson’s untimely death, but was such a force in the burgeoning folk movement of the early sixties that it quickly brought his music to the masses, inspiring young singers like Bob Dylan and Joan Baez. Rolling Stone called it the 27th greatest album of all time, and if that doesn’t qualify it for inclusion here I don’t know what does.

Tom Hanway – Cross Road Blues
First up we have a nice banjo duet acquired from our friends over at Cover Lay Down. Hanway’s clearly not a real big Cream fan. [Buy]

Peter Green – Terraplane Blues
He of Fleetwood Mac fame, Green ditched the grandiose pop sounds for his Robert Johnson Songbook. He can play slide guitar with the best of them though. If the Mac hadn’t worked out, he could have a good career in a bloozey bar band. [Buy]

Patti Smith – Come On In My Kitchen
Here it is, the pièce de résistance. Our Twitter followers will know I mentioned a cover I searched for for two years. Smith only released it on her rare Summer Cannibals single in 1996 and it is nowhere on the internet. Until now. Enjoy. [Buy]

Susan Tedeschi and the Derek Trucks Band – Walkin’ Blues
The Hellhound on My Trail tribute album features such heavy-hitters as Taj Mahal and Clarence “Gatemouth” Brown, but nothing tops Trucks leading wife Tedeschi through a soulful wail of a number. [Buy]

Beck – Last Fair Deal Gone Down
We recently posted a live version of Beck doing this one with one Mr. Jack White (scroll down for more of that young man), but here’s a studio version for the Harry Smith Project covers set. [Buy]

Bob Dylan – 32-20 Blues
Bob Dylan’s covered half these songs in his career. This is the most recent, released last year on his Tell-Tale Signs outtakes set. Stay glued to Twitter though; I’ll tweet out more Dylan Does Johnson later this week. [Buy]

Bob Margolin and Pinetop Perkins – Kind Hearted Woman Blues
Margolin’s got blues chops galore: he used to be in Muddy Waters’ band. The real star here is the boogie-woogie piano of Mr. Perkins, currently in his 96th year and still kicking. [Buy]

The White Stripes – If I Had Possession Over Judgement Day
The Stripes covered Johnson’s “Stop Breaking Down” on their first album, but this live recording comes from six years later, at a stop on their 2005 Get Behind Me Satan tour. Anyone who’s ever seen a live “Death Letter” (like this one) knows what Jack White is a blues-guitar badass. [Buy]

The Gun Club – Preachin’ Blues
The Gun Club actually changed the name here to “Preaching the Blues.” Oh, and they made it a wee bit louder. [Buy]

Johnny Winter – When You Got a Good Friend
Winter is known for his fiery electric guitar solos, but in this recording from Woodstock he shows he’s just as adept on acoustic. Give this man a slide and get the fuck out of his way. [Buy]

L?k?o – Ramblin’ On My Mind
It’s one of the unsolved riddles of the world why all music that comes out of Japan seems really bizarre, like made by A.D.D. children after a 24-hour Dragonball Z marathon. This comes off an all-Japanese tribute album Up Jumped the Devil: A Tribute to Robert Johnson and very few of the songs are recognizable. The re-re-remix sounds on this come off nicely though. [Buy]

John Mellencamp – Stones In My Passway
Mellencamp released blues/folk cover album Trouble No More to fulfill his contract with Columbia in 2003, proving that this “just a littly ditty ‘bout Jack and Diane” heartland rocker can sing the twelve-bar like no one’s business. [Buy]

Led Zeppelin – Traveling Riverside Blues
The Zep can come off a little pompous on some of their Lord of the Rings-aping originals, but there is no disputing their blues-rock prowess. [Buy]

Rory Block – Milkcow’s Calf Blues
Block comes from Princeton, NJ, but sounds straight off of Bessie Smith’s back porch. For more great Johnson covers like this, download to this fan-made Complete Covers collection. [Buy]

Cowboy Junkies – Me and the Devil Blues
This smokey late-night live recording brings folk, country, and Beelzebub himself to the table with creaky violin and Margo Timmins’ spooky vocal delivery. Satan may be in for a shock when this lass shows up. [Buy]

The Mountain Goats – Hellhound on My Trail
A nice indie-folk ending, where the same band who so memorably took on Ace of Base’s “I Saw the Sign” brings the same quiet magic to our man R.J. John Darnielle sings like a man tired of running, just about ready to let the hellhound have him. [Buy]