Jul 262016
 
Vega1

Suicide singer Alan Vega died last week at age 78, and since then a whole host of artists have paid tribute by covering his songs. As was the case with “Purple Rain” when Prince died, one song has become the go-to tribute song for the occasion: the uplifting “Dream Baby Dream.”

Bruce Springsteen, who has regularly covered the song solo on piano over the past decade, delivered a full-band version to open his Denmark show. Pearl Jam did the same at a festival show in Canada, while Arcade Fire frontman Win Butler who tweeted a very laptop-dj take on the tune. Continue reading »

May 222015
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

dreambabydream

When Bruce Springsteen was touring behind his 2005 album Devils and Dust, he closed his shows with a cover of the song “Dream Baby Dream” by the protopunk band Suicide. Most fans of the Boss were unfamiliar with it, and didn’t know how to take the moody mantra, sung over the drone of a pump organ and an offstage synth – “Glory Days” it ain’t. It turned out Bruce had been a fan of Suicide’s since meeting them in a studio in the ’70s, and had claimed in one interview that “You know, if Elvis came back from the dead I think he would sound like Alan Vega.” As for Vega, once he’d heard Springsteen’s interpretation, he said, “Now I can die…. He interpreted my song, he did it his way, and such a great way that I’m going to have to sing it that way, or not sing it at all anymore…. On my death bed, that’s the last thing I’m going to listen to. I’ll play it at my funeral.” So it’s safe to say he liked it.
Continue reading »

Aug 172011
 

On their website, HTRK (formerly Hate Rock Trio) claim their new album encompasses “submission, dysphoria, sentimentality, tech-noir and corporate life.” That sounds strange, spooky, and sinister. It also sounds like something that could describe Suicide. The duo of Martin Rev and Alan Vega crafted dark synth epics that touched on all those things (except maybe “corporate life”). Their dystopian vision led to such No Wave classics as “Frankie Teardrop” and “Ghost Rider.” Continue reading »

Apr 042011
 

After three albums and decades’ worth of critical acclaim, LCD Soundsystem called it a career Saturday night at Madison Square Garden. Dubbed “The Long Goodbye,” the four-hour party found guests like Arcade Fire and Reggie Watts joining James Murphy and co. and, despite all the drama leading up to the event, it proved by all accounts to be a smash success.

The 29-song setlist allowed room for a few covers. Fittingly for their last show ever, the two performed were older chestnuts – no point debuting new material in your victory lap. Halfway through Set #3, the group reprised their cover of Alan Vega (of Suicide)’s “Bye Bye Bayou.” Then, for their second-to-last song, the group dug up “Jump Into the Fire,” a super-rarity Harry Nilsson cover originally the B-side to the “Daft Punk Is Playing at My House” vinyl single. Continue reading »

The Uncoverable

 Posted by at 6:37 am  1 Response »
Feb 162009
 

I’ve heard a lot of covers, but every now and then a song comes along so bizarre I think, no way anyone could cover that. In every case, I turn out to be wrong. It seems musicians can take even the strangest, most idiosyncratic music and remake it in their own image. Let me present…the (not quite) uncoverable.

Neil Cowley Trio – Revolution 9 (The Beatles)
The ultimate in uncoverable (well, after Metal Machine Music…which, incidentally, an orchestra covered). The original is just random noise with some idiot saying “number nine” incessantly. When MOJO wanted to put together covers of all tracks on the White Album, I would have thought they’d given up upon remembering ol’ #9. But no, they persevered, and came up with a funky jazz cover that, unlike the original, doesn’t sound like ass. [Buy]

Alan Licht – Lonesome Valley (Trad.)
The tag says “Trad,” but there’s a lot more to the story. Licht, of avant-garde free-jazz groups like Lovechild and The Blue Humans, describes the history of this track: “Run On’s David Newgarden had played me a CD of hollerin’ contests from North Carolina, so I went about coming up with chord progressions to play behind the recordings of the weird a cappella, howling melodies.” Hollerin’ is a lost art of yelling, communicating messages in wordless yelps. It’s bizarre stuff, and can be explained better here. [Buy]

James Eric – Untitled #1 (Vaka) (Sigur Rós)
The music of angels, Sigur Rós has a sound all their own. Airy, spacey songs that float by sung either in Icelandic or a made-up language (for most of us there’s little difference), their music is entrancing, enticing, and as idiosyncratic as can be. Shockingly, however, there are a few Sigur covers out there, all quite good. I chose this one because (spoiler alert) you can expect to see more of Mr. Eric here in the very near future. [Buy]

Vienna Teng – Idioteque (Radiohead)
Radiohead is a commonly covered band, but some songs lend themselves better to covers than others. The original for this “tune” features such an idiosyncratic drum loop one wonders how to reinvent it. Teng hints at the pattern, but brings out the melody as a folksy tune with (gasp) harmonies! [Buy]

Violent Femmes – Step Right Up (Tom Waits)
Quite a few Tom songs could fit in this uncoverable category, but this tuneless huckster bark goes right up there. Tom’s six-minute infomercial for dozens of questionable products, “Step Right Up” find the Femmes adding in some more free-jazz background and bizarre vocal contortions to sell you their shit. Don’t be caught with your drawers down! [Buy]

Patti Smith – Smells Like Teen Spirit (Nirvana)
“What’s this doing here?” you’re wondering. “It’s one of the most easy-to-cover rock songs there is because of that damn riff.” It’s true; the riff puts it just after “Smoke on the Water” as a popular hook to inspire teens everywhere to pick up an axe. The vocals come second; you know the riff, you can play the song. Smith does the unthinkable though, putting out a version of the tune without the riff! The fact there even is a song without the riff is the real shock, much less that it’s such a good one. [Buy]

Mersault – Westward Ho (Moondog)
There are some unusual stories in music, but it doesn’t get much more bizarre than Moondog. Where to begin? For one, he was a homeless guy. Who only wore homemade clothes. That he designed to look like the Norse god Thor. Including a horned helmet. The strangest thing of all though, was that this “Viking of 6th Avenue” produced gorgeous off-kilter melodies, largely using his own invented instruments. Needless to say, not an artist you’d expect to find a lot of covers of, especially of a song that only has one line. [Buy]

Jars of Clay – Jesus’ Blood Never Failed Me Yet (Gavin Bryars)
Ina little mini-theme here, this is the second recording of a homeless guy. Bryars heard a recording of an anonymous tramp singing a two-line testimonial to his face, and turned it into one of the most gorgeous pieces I’ve ever heard, adding strings, brass and, later, Tom Waits to come up with 74 minutes of sweeping beauty, all built around the tramp’s sixteen words. Well-regarded Christian rock group Jars of Clay took those few lines and added their acoustic harmonies to bring the simple melody to a new generation. [Buy]

The Antlers – When You Sleep (My Bloody Valentine)
Influential though they are, My Bloody Valentine’s shoegaze noisescapes seem so idiosyncratic one wonders how anyone could translate them. Pickin’ on MBV: The Bluegrass Tribute seems a stretch. The Antlers get it right though, keeping the waves of reverb right up front. [Buy]

Bruce Springsteen – Dream Baby Dream (Suicide)
When Springsteen abruptly began closing his 2005 solo concerts with this obscure cover, fan reaction was understandably mixed. The song only has two lines, repeated over an over to an organ loop for as long as thirteen minutes. Hypnotic and haunting, Bruce probably just couldn’t get the melody out of his head, and neither will you. [Buy]