Sep 062019
 
Revolution Girl Style Now

This post brings our week of riot grrrl to a close. Although not everyone featured in these posts may even explicitly identify with the riot grrrl movement, and certainly not everyone who does identify with the movement could be featured, I hope that these posts have given a brief overview of the era and given enough additional references to allow interested readers to further explore on their own.

Although I missed the original riot grrrl movement, I felt it was important to learn its lessons myself through the writing of these posts and embark on my own year of the riot grrrl. Maybe, dear reader, you will feel called to do the same. The riot grrrl movement remains relevant today, not just politically, but musically. The often brutally honest lyrics and the powerful instrumentals have inspired another wave of musicians. It’s no wonder that riot grrrl anthems have been revitalized through covers. Did I miss a cover of a riot grrrl song that really speaks to you? Share in a comment!

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Sep 032019
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

sleater-kinney covers

When Sleater-Kinney reunited for the first time in 2015, they commented on the riot grrrl movement for an interview with The Cut.

For [guitarist Corin] Tucker, riot grrrl isn’t a dirty word. “I was definitely part of riot grrrl in Olympia,” she said. “For me, that was about having this really supportive group of women that wanted to do art — that was fanzines, that was music, it was spoken word, it was visual art — and that we would support each other and make a larger space for women’s voices in the world.

Tucker said, “For us, the lyrics are really tied to our beliefs and our desire to change things – that’s really the scene that we came from, is all about sincerely being angry and wanting to use music to change the world, basically,”

 

Now, as they prepare to release a new album, I’m hopeful that a change in this world is on the horizon. There is a riot grrrl in all of us, and now is the time to be heard. 

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Jul 312019
 

Check out the best covers of past months here.

best new cover songs july
Anais Mitchell & The Staves – Strong Enough (Sheryl Crow cover)

For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover. Continue reading »

Nov 172010
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Bruce Springsteen released Darkness on the Edge of Town in 1978, three years after the commercially and critically successful juggernaut that was Born to Run. Although Darkness didn’t reach the commercial heights of its predecessor (due largely to the lack of any huge singles), many critics and fans took to the album, which cemented Bruce’s artistic path of writing songs about the common man. If Born to Run focused on the magic of youth, Darkness found Bruce growing up and not always liking what he found.

Decades later, Darkness has solidified itself as a core album in the Springsteen canon. Yesterday it got the deluxe treatment with a grand re-release including a remastered version of the album, a reproduction of Bruce’s recording notes, two live concert DVDs, two discs of unreleased music from the Darkness sessions, and, last night, Bruce Springsteen covering Will Smith’s daughter with Jimmy Fallon. What better time for Cover Me to pay homage to this rock masterpiece? Continue reading »