It’s an uneasy feeling knowing that one of the most powerful voices of your generation is now gone. Listening to Chris Cornell’s music, just a day after his death, and realizing that the living soul behind some of the most heavenly music we will ever hear on earth is gone leaves a major void in all of our souls. There are so few artists who create and perform with the talent, ingenuity, and depth of feeling that Cornell possessed. Losing someone who has had so much impact on generation upon generation, and especially knowing that he could have had many years of creating and performing left to gift to us, is heartbreaking to say the least.
Going back through the immense library of covers Cornell has performed throughout the years is like listening to the soundtrack of a movie starring every major artist and group in music history. Few singers could equally convincingly cover the Beatles, Whitney Houston, and Michael Jackson – let alone sway us into favoring the cover over the original in some cases. Cornell could. Cornell even graced our top covers of 2015 with his rendition of Sinead O’Connor’s “Nothing Compares to You.”Continue reading »
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Angela Hughey is the newest addition to the Cover Me staff, joining us earlier this year. She lives, writes, and performs in Portland, Oregon.
What an awesome time we live in for music. We have hundreds of years of inspiration to draw from and so many choices to make as artists. Create something new or put our own stamp on a piece of music history? If we choose the latter, do we interpret the song verbatim, or do something entirely unexpected? My list of covers that matter to me range from near identical to near unrecognizable remakes of excellent songs. The list kicks off with songs from a few of my favorite movies… Continue reading »
Follow all our Best of 2016 coverage (along with previous year-end lists) here.
2016 in music will be most remembered for one thing: death. It seemed like an unprecedented list of major musical figures left us this year: David Bowie, Prince, Merle Haggard, Leonard Cohen. The list, sadly, goes on and on.
Prominent passings affect many aspects of the music world, but the impact is particularly clear in the world of cover songs: When an artist dies, a lot of people cover his or her songs. The world was hardly hurting for Prince covers before April 21, but afterwards, to paraphrase the man himself, we went crazy. Bruce Springsteen alone became a one-man tribute machine, covering Bowie, Prince, The Eagles’ Glenn Frey, and Suicide’s Alan Vega after they died (it’s a shame his tour ended before Cohen passed because he’d do a great “Everybody Knows”). Our list this year features a number of these tribute covers – though both the Cohen covers listed were actually released before his death, proving there’s no need to wait to honor one of the greats.
Our list also features fantastic final covers by the recently departed, brilliant song-interpreters like Sharon Jones and Allen Toussaint. The fact that they died may add extra meaning to these new songs, but they’d make the list regardless. Whether they performed wonderful covers or wrote wonderful songs for others to cover, we miss these artists because they were great. They don’t need any “death bump.”
The year wasn’t all dire though. Our list features many covers by and of artists who are alive in every sense of the word. Kendrick Lamar and Drake represent the new world of hip-hop, Kacey Musgraves and Sturgill Simpson in country, Animal Collective and Joyce Manor in indie rock, and in too many other genres to name. Jason Isbell currently holds a streak here, making his third consecutive appearance this year.
We also have plenty of artists whose names I won’t highlight here, because you probably won’t have heard of them…yet. We’re not in the business of predicting fame – the music industry is far too fickle for that – but some of our past best-cover winners have gone on to big things this year, like Chance the Rapper (2014 winner) and The Weeknd (2012 winner). Hell, Sturgill (#3 in 2014) just got an Album of the Year Grammy nomination!
Those early covers may have helped kick off such success. A revelatory cover song can help a musician attract early attention. When I interviewed Mark Mothersbaugh recently, he said no one understood what Devo was doing until they covered “Satisfaction.” A familiar song done Devo-style finally made the connection for people. “Whip It” and other original hits would not be far behind.
Maybe some of this year’s under-the-radar names will go on to Weeknd-level superstardom. But even if they don’t, all these covers, by household names and Garageband geeks alike, deserve recognition. We’ll miss all the great musicians who left us this year, but it’s gratifying to see so many promising younger artists coming in to fill their shoes.
– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)
PS. Last year in this space, I mentioned I’m writing a book about cover songs. Well, Cover Me (the book, that is) is finished and will be out next year! In addition to the aforementioned Mothersbaugh, I interviewed Roger Daltrey about “Summertime Blues,” David Byrne about “Take Me to the River,” and many more. Follow our Facebook for updates on preorder, etc. Now, on to the countdown…
Over the past few months, we’ve been hard at work making our list of The Best Cover Songs of 2016. Narrowing it down to 50 caused some excruciating choices, that’s how many great covers there were this year.
We’ll be posting the full list next week (and “Best Cover Albums” this Thursday), but as a little appetizer, here are our Honorable Mentions, covers we loved and still wanted to spotlight as among the best 2016 had to offer.Continue reading »
Sinéad O’Connor’s song “Black Boys on Mopeds” has unfortunately seen a cover resurgence of late – unfortunately not because it isn’t a great song, but because the 26-year-old lyrics about a black man getting killed by police shouldn’t feel so timely. Last year we named EMA’s cover of the song one of the best of the year, and now Vermont quartet Swale has produced their own powerful cover. It explicitly ties the song into the Black Lives Matter movement by setting it to a video montage of the over 140 African-Americans killed by police between January 2015 and today.Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
In the summer of ’67, when Sgt. Pepper ruled the land and light pop songs like “Windy” and “Pleasant Valley Sunday” were high on the charts, a song came out of the South the like of which had never been heard. Murky and mysterious, prompting far more questions than it answered, “Ode to Billie Joe” cast a spell over America, and Bobbie Gentry (who turns 72 today) was thrust into the spotlight to say what she knew about the unknowable song she’d written and sung. Continue reading »