Mar 202018
buffalo tom cover

Buffalo Tom was an alternative rock bands always on the verge of mainstream success in the ‘90s, but who never even earned “oh-they-play-that-song” status. Though they’ve definitely got a strong cult following. The band appeared on the final episode of The Jon Stewart Show in 1995 and the comedian has cited them as one of his favorite artists. Their music even featured in a 1994 episode of the teen drama My So-Called Life during a Claire Danes/Jared Leto make-out montage (it’s about as disgusting as it sounds). These days the band has returned, having just released a new studio album, Quiet and Peace, which includes a cover of Simon & Garfunkel’s “The Only Living Boy in New York.”

The song originally appeared on the duo’s 1970 album Bridge Over Troubled Water. Simon wrote the tune about existential longing after Garfunkel jettisoned to Mexico to appear in the movie Catch-22, hence the opening lines: “Tom, get your plane right on time / I know your part’ll go fine / Fly down to Mexico.” While not quite as iconic as “Mrs. Robinson” or “The Sounds of Silence,” the track has seeped its way into pop culture over the decades.

Buffalo Tom shifts the song into the alternative-country universe, shaping it into an anthem to aimless wandering, especially when they hit the climactic chorus, “Half of the time we’re gone, but we don’t know where.” For the accompaniment, they blend acoustic and steel guitar and include a jammy electric guitar solo to amplify the finale. Though the track might not be as edgy as some of the group’s early work, it holds up well after a few listens. The band has clearly aged better than other relics from the ‘90s (especially YouTube clips of My So-Called Life).

Click here to listen to more covers by Buffalo Tom.

Feb 222017

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.


Jaime Joshi lives in South Florida amidst geckos, 24-hour Cuban coffee and soup-like humidity. She has been writing for Cover Me since 2013; of all her pieces, she is particularly proud of her pieces on Bruce Springsteen and Madonna. (She’s the one on the right.)
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Feb 212017

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.


Jordan Becker lives in Tarrytown, New York, a suburb of NYC where the Tappan Zee Bridge crosses the Hudson (until the new bridge is finished and they knock it down). He’s been writing for Cover Me since 2013, debuting with an essay about Mermaid Avenue by Billy Bragg and Wilco (see below). Of all his Cover Me pieces, he’s “kind of proud” of spotlighting the Grateful Dead and defending Dexys Midnight Runners.
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Feb 052016

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!


Dylan: “Turn the organ up.”

Wilson: “Hey, man, that cat’s not an organ player.”

Dylan: “Hey, now don’t tell me who’s an organ player and who’s not. Just turn the organ up.”

When Bob Dylan ordered producer Tom Wilson to bring up the organ in “Like a Rolling Stone,” it cemented the talents of a 21-year-old named Al Kooper into legend. (Kooper tells the whole story in his fantastic autobiography Backstage Passes & Backstabbing Bastards.) Once serendipity has allowed you to put a trademark stamp on arguably the greatest rock ‘n’ roll song of all time, there’s nowhere to go but down, right?

Wrong – in fact, Kooper was just getting started.
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