Mar 182018

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

anarchy in the uk covers

With the release of over 70 SecondHandSongs-verified versions of the Sex Pistols’ debut single since 1976 (and many more informal covers), “Anarchy In The U.K.” takes the punk prize for being their most-covered song. The harsh rallying cry for Britain’s disaffected youth has generated over 10 million views on one YouTube post alone. As noted in our track-by-track covers review of Never Mind The Bollocks Here’s The Sex Pistols, “Anarchy” kicked-off a cultural phenomenon and has garnered accolades from establishment icons like Rolling Stone magazine and the Rock and Roll Hall of Fame which, at the time, the band would have stood systematically against.

The original appeared as a single nearly a year before it was featured on the band’s one and only studio album. It opens with the crashing of guitars, drums and John Lydon’s shout of “Rrrright! Now!” followed by laughter. The sonic assault breaks for a fake belch before Lydon resumes his screeching diatribe that includes a laundry list of politically themed abbreviations (IRA, UDA, MPLA) and the recently-discontinued British music newsweekly NME.

Music writer Tim Sommer in The Observer had this to say in a great article about the song on its 40th anniversary:

But for a staggering, shattering few moments, “Anarchy in the U.K.” and the Sex Pistols shocked the world as no other artist ever has or ever will. We can never recreate that moment, the instant when a rock band from the wrong side of the socio-economic spectrum made a loud noise and shouted “Match!” while sitting on a pile of dynamite, but here’s hoping it can happen again.

We’ve rounded up a variety of styles of the iconic track worth sharing. John Lydon marked his final live performance as Johnny Rotten with the question, “Ever get the feeling you’ve been cheated?” It’s safe to say that none of these covers will leave you feeling that way!

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Mar 122018

Cover Classics takes a look at great covers albums of the past, their genesis and their legacies.

never mind the bollocks tribute

Conspicuously absent from our recent Full Album deep dive into The Sex Pistols’ classic Never Mind The Bollocks Here’s The Sex Pistols were any of the artists who covered the album in its entirety. Which a number of very different acts have, tackling all twelve tracks themselves. Because it required an extra level of commitment, we thought it only fair to highlight their work separately. These are the best full-length tributes to Never Mind the Bollocks by a single artist.

I. The Bollock Brothers – ‘Never Mind The Bollocks 1983’

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Mar 052018

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

never mind the bollocks covers

Never Mind the Bollocks Here’s The Sex Pistols is generally regarded as one of the greatest rock albums of all time. In one fell 38-minute swoop, The Sex Pistols (more or less) burst on the scene, birthed punk rock, and bit the dust soon after. That last fall marked the 40th anniversary of its release is nearly as jarring as its opening track.

Like the band itself, pretty much everything leading up to and following the album’s release was controversial. From manager/impresario Malcolm McLaren’s publicity stunts – he famously arranged for the band to perform “God Save The Queen” on a boat on the Thames near Parliament during the Queen’s Silver Jubilee (ending in his arrest) – to hardcore dealings with music labels, to “moving target” album release dates. Of the band members – Paul Cook/Steve Jones/Johnny Rotten/Glen Matlock/Sid Vicious – determining exactly who was responsible for each track is even subject to debate. [Matlock, a founding member ousted and replaced by Vicious prior to the album’s release, is listed as co-writer on 10 of the 12 tracks. Although inarguably critical, his actual influence relative to the other band members has been challenged by Jones.]

But as writer Steve Huey pointed out in his review on AllMusic:

…underneath the shock tactics and theatrical negativity were social critiques carefully designed for maximum impact. Never Mind the Bollocks perfectly articulated the frustration, rage, and dissatisfaction of the British working class with the establishment, a spirit quick to translate itself to strictly rock & roll terms.

The album debuted at number #1 in the UK in 1977. At the time, it didn’t sell nearly as well in in US – taking 10 years to reach gold status – but its impact and ultimate legacy on both sides of the Atlantic was undeniable. In a wide-ranging Yahoo Music/Backspin interview from early last year, guitarist Steve Jones called it “the main album for kids to have if you were part of the new revolution.” And further, “We only did one album and that one album has kept the whole ball rolling ever since… but maybe if we had done another album, it would have sucked.”

Today kicks off a short series celebrating Bollocks. The seminal work has been covered extensively, so let’s march right in…

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Mar 062015

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

The way Adrian Edmondson tells it, he bought a mandolin after an inebriation-inducing lunch near Denmark Street in Soho, “a very dangerous place to be with a group of friends, drunk, if you have either cash, or a credit card about your person.” The next day, he picked it up and began playing the songs of his youth – by bands like the Clash, the Sex Pistols, the Ramones, and other bands that certainly informed his portrayal of Vyvyan Basterd in the beloved Britcom The Young Ones. What came out was something very special indeed – so much so that Edmondson went out to find like-minded folk musicians to play this music with him, and when he found Uilleann pipe player Troy Donockley, the Bad Shepherds were born.
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Jan 312012

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Oh, the dark deeds that must occur on the birthday of the spiky-hair-crowned prince of punk. How does one fete a man whose very name conjures smoking images of filth, fetidness and psychopathy — Decorate a cake with rancid raspberries spilled over the Union Jack? Present a champagne flute of fermenting trash juice to pour on DVD copies of the Queen’s Christmas address? Continue reading »