With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Sara Lov first made a name for herself with the Devics, an indie dream pop-rock (for openers) L.A. band with a small but highly appreciated catalog. Since they came to a close, she’s released two full albums and is working on a third. She’s a fine songwriter, but has shown a special flair for cover songs; whether the original is too cool for school or the guiltiest of pleasures, she makes it matter without making it unapproachable.
We first caught wind of Please, Please, Please: A Tribute To The Smiths back in March and next week it finally arrives. From the sound of the first three covers, it’ll be worth snagging.