Sam Amidon has built a career out of taking traditional folk, blues and Appalachian tunes and modernizing them. Although he occasionally strays into pop culture (his version of R. Kelly’s “Relief” was Cover Me’s 2nd favorite cover song of 2010) he can typically be found playing some obscure tune of long-forgotten origin. The first release from his upcoming album, Lily-O, fits the bill.
I’m not sure there were more great cover songs this year than any other. But there were more good ones.
What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s.