Jul 172017
 
shawn butzin

Covering one of the greatest and most distinctive vocalists of all time is a risky proposition. Many Roy Orbison covers deconstruct the songs so the new singer can tweak the melody, under-sing, or otherwise dodge away from head-to-head comparison with Roy. But on his beautiful new cover of “Blue Bayou,” Michigan’s Shawn Butzin faces the challenge directly. And, against all offs, he nails it.

Butzin brings a country twang to “Blue Bayou,” sounding closer to Roy’s Sun Records roots than the original did. He’s got the expressive voice to sell the melody, crooning over harmonica and subtle backing vocals. It’s a tribute, he says, to another Butzin with a golden voice. Continue reading »

Apr 142017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

al green

A belated happy birthday to the Reverend Al Green, who turned 71 years old yesterday. The soul giant teamed with producer Willie Mitchell on the Hi Records label to create some of the most memorable singles and albums of the early ’70s, then moved away from secular music into gospel and preaching – his Full Gospel Tabernacle Church in Memphis recently celebrated the 40th anniversary of its founding. His original songs have been covered by people up to and including the president of the United States, but today we’ll look at the holy spirit that he brought to the songs of others.
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Mar 282013
 

It’s not nearly often enough that pets are credited on songs, but that’s just what Bethany Cosentino has done on the new Best Coast cover of Roy Orbison‘s “Crying” – officially, that is, Best Coast featuring Snacks the Cat. It’s no secret that the band loves cats, but it’s a pleasant treat to hear a track rounded out with meowing. Continue reading »

Mar 152013
 

In the second installment of their four-part “State Songs” series, A.V. Club and the state of Texas have Jonathan Meiburg (of Shearwater and Okkervil River) taking on Roy Orbison‘s classic “It’s Over.” Unlike our beloved A.V. Undercover, the series isn’t specifically a cover series; it’s just our incredible luck that a cover is what Meiburg chose to play. Continue reading »

Nov 022012
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

At this writing, Glen Campbell is taking his Farewell Tour. This is not one of those concert tours by a celebrity announcing retirement yet again; rather, it’s Campbell taking a valedictory lap around the country before the ravages of Alzheimer’s disease rob him entirely of his gifts. Reviews of these shows note the occasional stumbles, but also make mention of the standing ovations, Campbell’s still-unerring guitar work, and the fact that this is a man who doesn’t need to make new fans – he needs to say good-bye in style, and he’s doing exactly that. Continue reading »

Dec 162011
 

When people look back in 2011 in music a decade from now, one name will come to mind: Adele. In our little world of cover songs, she dominated. Everyone covered Adele this year. It’s not just that we saw more covers of “Rolling in the Deep” than any other song; they beat out second place (probably “Pumped Up Kicks”) by like a factor of five! We generally try to look for larger cover trends in these annual wrap-ups, but it’s hard to remember anything else from this year except the year-long onslaught of Adele covers hitting our mailbox.

There’s only one “Rolling in the Deep” cover in this year’s list though. The rest are all over the place. Some of the artists listed built their covers with lush soundscapes, thick beats, and intricate string work. Others just took guitars or pianos and bowled us over with the emotion in their voices. There may not be much of an overarching “Year in Covers” narrative, but that means there’s a cover or two for everyone. From feel-good takes on rap songs to kill-yourself versions of pop songs, this year’s list features flips, flops, and genre switcheroos of all sorts. A good cover should be informed by the source material but stand on its own, and we’ll be unrolling the 50 finest examples of songs doing just that all week. Start with #50-41 on the next page and check back daily as we count down to the best cover of 2011.