Nov 012022
 

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

Duran Duran Thank You

With Duran Duran about to be indicted into the Rock and Roll Hall of Fame, what better time to re-examine Thank You, their eighth full-length offering, released in 1995 to a blaze of apathy. To be fair, it didn’t actually fare that badly in the charts, reaching the top 20 in both the UK and the US. The singles did less well, failing to make any stateside impression and only one of them bruising, just, their homeland top 20. The critics gave Thank You a fairly uniform hammering, with the legacy casting a long shadow over the rest of their career: Q magazine, in 2006, called it the worst record of all time, having had 11 years to make that considered opinion. At the time Rolling Stone described many of the selections as “stunningly wrong headed.” Ouch.

Today we’re thinking it about time this much derided potpourri of styles and statements had a good seeing to, via the retrospectroscope. I fully confess I had never listened to Thank You until researching this piece. So I got me a copy sent through, all of £3 plus p&p, which currently equates to about $3. Money well spent? Well, you know, actually, yes, it isn’t half as bad as I had been led to believe, and some of the tracks are really rather good. Of course, it is dated, but, by imagining myself back all those 27 years, I find myself heartily disagreeing with those snarky scribes from Q.

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Oct 312022
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

You're So Vain covers

If a horse could sing in a monotone, the horse would sound like Carly Simon, only a horse wouldn’t rhyme “yacht,” “apricot,” and “gavotte.” – Robert Christgau

It’s definitely not about James [Taylor]… but he had the unfortunate experience of taking a jet up to Nova Scotia after I’d written the song. He was saved by the fact that it wasn’t a Lear. – Carly Simon

Rolling Stone: A musical question. As per legend: “You’re So Vain” — did you think the song was about you?
Warren Beatty: [Laughs, 15-second pause] Who wrote that?

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Oct 312022
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

For someone who exuded so much snarl and toughness (“Hit Me with Your Best Shot”), you’d think Pat Benatar’s model was Joan Jett, say, or Suzi Quatro. Actually, it was hearing Liza Minnelli that inspired Benatar to give up her day job and give the music business her best shot. And a pretty impressive shot it was: Benatar enters the Rock & Roll Hall of Fame this week.

Her timing was as striking as her voice. The singer’s rise coincided perfectly with the era of MTV. In fact, Benatar’s “You Better Run” was the first video by a solo artist that the channel ever played. True, she was well on her way to fame and fortune with her pre-MTV releases–she was already a radio star, in other words. But Benatar had the physicality, the charisma, and the work ethic to take full advantage of the new format.

We are looking at “Love is a Battlefield,” one of the singer’s best sellers. Unlike “Hit Me with Your Best Shot,” her very best seller, Benatar is still willing to sing “Battlefield” today. The song also represents a pivot away from her early hard rock sound towards softer and more atmospheric material. In the ’90s she would shift gears again, to a blues and R’n’B focus.

While Benatar wrote some of her own hits, “Battlefield” wasn’t one of them. Holly Knight and Mike Chapman get the writing credit. Knight wrote another of Benatar’s hits, “Invincible,” as well as great material for Tina Turner, Bonnie Tyler, and others. Chapman, for his part, is famous mostly as a producer, most notably on the “Chinnichap” recordings of the ’70s and the breakthrough Blondie records. He also produced Benatar’s first album and at least one of her later recordings.

“Battlefield” may not be Benatar’s most popular song, but it’s by far the most covered song in her catalog. We found a few versions that standout from the field. Of these…
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Oct 292021
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

The Go Go's "Beauty and the Beat"

The Go-Go’s are the first LA punk group to be inducted into the Rock and Roll Hall of Fame. You might be saying “Huh? Aren’t the Go-Go’s pretty mainstream pop?” Sure, but they weren’t always. The recent documentary about the Go-Go’s uncovers the band’s punk roots. The band members themselves have talked about their early days, finding their groove in the LA punk rock scene, and emphasizing the role women played in that scene. To experience a little bit of that early sound, there is a collection of early recordings and demos here.

The Go-Go’s eventual transition towards pop came with some bumps, including initial resistance to the production on Beauty and the Beat as well as a change in the bass lineup from Margot Olavarria to Kathy Valentine, at least in part due to pressure to leave some of the most hardcore punkiness behind. The bass spot turned over often in the history of the Go-Go’s (for any Harry Potter/Go-Go’s cross over fans, the bass spot in the band is like the Hogwarts Defense Against the Dark Arts teacher position).

During the band’s first break-up, Valentine took Jane Wiedlin’s spot as rhythm guitarist and Paula Jean Brown became the band’s bassist. When the band reunited, Valentine went back to bass, but then later during tours in the 2010s, Abby Travis had to tap in when Valentine was injured. In 2013, Valentine left the group and sued the band. Despite this tension, Valentine returned in 2016. Otherwise the band make-up has stayed pretty stable aside from the change of drummer from Ellisa Bello to Gina Schock, who also happened to sue the group at one point, early on in the band’s career. Some of the lore about Bello and Olavarria can be found here.

The Go-Go’s have inspired many women musicians to be fearless and unapologetic about their sound. They have been cited as influences for riot grrrls and Spice Girls alike; they were girl-power even before the term “girl-power” was coined and popularized. Their debut album, Beauty and the Beat, was the first album written, sung, and played entirely by women to hit #1 on the Billboard 200 albums chart. Actually, that hasn’t happened ever again. Girl power indeed! 

To celebrate their induction into the Rock and Roll Hall of Fame and Beauty and the Beat‘s undefeated status, we aim to find punk-esque covers of this full album.

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Oct 292021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

learn to fly covers

I sometimes wonder if I’ve heard “Learn to Fly” more times than any other song. This isn’t because it’s my favorite song ever or anything. It’s a quirk of technology.

In the early file sharing days, the days when it was high-speed if your 128kbps MP3 took “only” 20 minutes to download, Winamp was the digital music player of choice. When you added a song to Winamp, it simply appeared at the bottom of a single long playlist. And when you opened Winamp, it would start playing that playlist right from the top. For whatever reason, the first MP3 I ever downloaded was “Learn to Fly,” so every time I opened Winamp, the “Learn to Fly” riff would kick right in. That happened probably once or twice a day. For several years. Hard to think of any other song that can compete for that level of play. Continue reading »

Oct 272021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Despite his being one of the honorees, Todd Rundgren will not be attending the 2021 Rock & Roll Hall of Fame induction ceremony in Cleveland. He already has plans that evening–namely, playing his own headlining show a few hours away in Cincinnati. But that isn’t the only reason he won’t be there. Truth be told, Todd doesn’t think too highly of the Hall, telling Ultimate Classic Rock that it is “an industry invention” and that “true halls of fame are for retirees and dead people, because your legacy has been established. I’m too busy working to worry about my legacy — and plan to continue working until whenever.”

But he is well aware that Hall inductions are a meaningful thing to the majority of artists who get the nod, going on to say that he’d “striven since the nomination to just not say anything. Because I don’t want to rain on anybody else’s parade. A lot of artists take this seriously. Just because I don’t, doesn’t mean I should try and spoil it for them. I would just like it to elapse without any kind of bad vibes or anything being a result of it. I’d just like it to happen and be over with.”

The fact that Todd doesn’t care about his induction doesn’t change the fact that he is a melodic wizard genius. A spectacularly soulful weirdo. An eloquently empathetic pop poet who wants to keep pushing forward for as long as he is able. It’s okay if he’s not into basking in his legacy or in need of official validation of his achievements right now. He’s still got work to do.
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