Dec 132019
 
best cover songs of 2019

In 2019, Cover Me wrote about more new covers than in any year in our 12-year history. I know; I checked the numbers. Our News team wrote amazing stand-alone stories on sometimes tight deadlines, adding context and research beyond “here’s a new cover” quickie. Plus, we rounded the best of the best into monthly 30+ lists, and added even more for supporters of our new Patreon. Even our Features team, who ostensibly couldn’t care less whether a cover came out last month or last century, seemed to be constantly finding new things to slip into their deep dives.

The point here is not to toot our own horn… well, that’s not entirely the point. What I want to do is emphasize just how high the bar to appear on this list has been set. Calling these great covers almost does them a disservice. There were way more than 50 great covers in 2019. In fact, we’ve already got 150 more bonus tracks lined up for Patreon supporters (which, I know I mention it a lot, but it’s how we keep this site afloat, so please consider supporting us if you like what we do). Honestly, we could throw all of the above in the trash and still come up with a pretty impressive batch of 2019 covers. But these 50 below – these are the cream of the crop, the belles of the ball, the toppermost of the poppermost.

You won’t agree. I guarantee it. As you go through this list, there will be at least one cover you hate. Maybe more than one. And if you followed cover news yourself this year, you’ll probably be outraged when a personal favorite placed too low, or didn’t make it at all. Great! That’s the beauty of these lists: It’s all opinion. Extremely educated opinions in our cases – I can pretty much guarantee that we collectively listened to more 2019 covers than any other site out there – but opinions nevertheless. So dive in and discover something new. Then help us discover something new by adding your own favorites in the comments.

– Ray Padgett, Editor-in-Chief

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Dec 112019
 

Follow all our Best of 2019 coverage (along with previous year-end lists) here.

best tribute albums 2019

With their surprise success “Africa,” Weezer easily delivered the biggest cover-song news of 2018. And they similarly seemed poised to dominate this year’s cover-album news when they dropped a full set of similar songs in January (that album’s not on our list, because it is – and I say this as a fan for going on 20 years – terrible).

Thankfully, that album got forgotten about five minutes after its release. A slate of other high-profile cover albums took its place, and delivered more staying power. Angelique Kidjo, Morrissey, and Juliana Hatfield all released covers albums, and a host more stars contributed in one way or other to tribute compilations, from Norah Jones and Margo Price covering Bobby Gentry to Courtney Barnett and Kurt Vile tackling Wilco. Some of the aforementioned made our list and some just missed it, but all are worth investigating.

That’s to say nothing of the many lesser-known artists who came out of nowhere, amazing covers records by bands and singers I’d never heard of before. Covers albums can offer a wonderful entry point for discovery, and I’ve now got a lot of new favorite bands to dig deeper into. Hopefully you’ll find a few here too.

– Ray Padgett, Editor-in-Chief

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Nov 292019
 

MOSE-ALLISON-IF-YOURE-GOING-TO-THE-CITYMose Allison is possibly best known these days through his association with Van Morrison, who released Tell Me Something: The Songs of Mose Allison in 1996. Morrison probably gave Allison’s career a late boost, presenting him as a somewhat kindred spirit, albeit having a few more years on him, and hopefully a more benign presence than Van the Man, if even harder to classify.

I had always filed Allison under jazz, though blues was probably closer to his idiom, yet here we have If You’re Going to the City: A Tribute to Mose Allison, which sees him being covered by a slew of largely rock music gentry from the past few decades. Listening to this selection, it becomes easier to see that blues is at least the template to Allison’s songs. Not necessarily a version familiar to the backstreet bars of Chicago, this is a more polished version of the blues, with echoes of both supper club and Tin Pan Alley – though in Allison’s hands and voice, they sound perhaps a shade less archaic. These are fine songs and, if these covers succeed in pointing attention back to the originals, then at least part of the work of this collection has been done.
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Aug 282018
 
robbie fulks linda gail lewis

Robbie Fulks and Linda Gail Lewis are a bit of an unlikely pair. Fulks is a singer/songwriter who plays an offbeat blend of country and folk songs. Lewis is the sister of rock n’ roll legend Jerry Lee Lewis who has been recording her own brand of rock and roll since the ‘60s. Together Fulks and Lewis recorded and released a new album Wild! Wild! Wild!

The album features a number of originals and five covers. When listening to the record, it appears as though the duo is trying to upend many of the cliches that define the country music genre. In one particularly striking example, Lewis takes the lead on a Fulks-penned tune called “Till Death.” The song pays homage to Loretta Lynn’s feminist anthems such “The Pill” and “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind).” Only Lewis pushes the female empowerment narrative to the next level, promising her no-good, cheating husband: “We said till death do us part and that’s now … Cause I’m gonna kill you!”

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Jul 082016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

mj

Michael Jackson released his Off the Wall album the month he turned 21, and nothing showed his artistic maturation like the opening track and lead single, “Don’t Stop ‘Til You Get Enough.” Penned solely by Jackson, it marked the first time he used his falsetto and the squeals and yelps that soon became identified with him. It got him his first solo number one hit in seven years, succeeding 1972’s “Ben,” and it was a very long way from singing about a pet rat to the love and sensations of the Force (featured in arguably one of the most misheard lyrics in 20th century music). Most importantly, the revelation of his talent(s) prompted an instant reevaluation of his stature as an artist. Michael Jackson had arrived; the public couldn’t get enough, and he wasn’t stopping.
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