Nov 142018
 

In Pick Five, great artists pick five cover songs that matter to them.

erin mckeown cover songs

After almost two decades of critically acclaimed albums, singer-songwriter-guitarist Erin McKeown just added another hyphenate to her resumé: “theatrical composer.” She wrote music and lyrics for the new Public Theater musical Miss You Like Hell in New York. Variety wrote after seeing the show, “Erin McKeown makes an impressive stage debut with music that is eclectic and appealing.” Here’s a taste, two-time Tony nominee Daphne Rubin-Vega singing McKeown’s new song “Mothers”: Continue reading »

Jun 152018
 
best cover songs 1978

Welcome to the third installment in our Best Cover Songs of Yesteryear countdown, where we act like we were compiling our usual year-end list from a year before we – or the internet – existed. Compared to the first two, this one has significantly less grunge than 1996 and less post-punk than 1987. It’s hard to have post-punk, after all, before you have punk, a new genre starting to hit its peak in 1978. And don’t forget the other big late-’70s sound: disco. Both genres were relatively new, and super divisive among music fans. Lucky for us, both genres were also big on covers.

Disco, in particular, generated some hilariously ill-advised cover songs. We won’t list them all here – this is the Best 1978 covers, not the Most 1978 covers. If you want a taste (and think carefully about whether you really do), this bonkers take on a Yardbirds classic serves as a perfect example of what a good portion of the year’s cover songs looked and sounded like: Continue reading »

Nov 282015
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

randynewman

The Great Mississippi Flood of 1927 saw New Orleans receiving 15 inches of rain in 18 hours, with parts of it under four feet of water. Forty-seven years later, Randy Newman released “Louisiana 1927,” a lament about the devastation the disaster caused and the government’s callous response. Thirty-one years after that, Hurricane Katrina struck, and the song took on a new life. It takes a remarkable writer to compose a song about the long-ago past that can be relevant in the far-ahead future, and that’s just what Randy Newman is.

As he celebrates his 72nd birthday today, Newman can look back on a career of critically praised albums, memorable film scores, a couple of fluke hits, twenty Oscar nominations and two wins. He’s the absolute master of the unreliable narrator, which allows him to explore the uncomfortable side of humanity with dark humor. Journalist Paul Zollo writes, “There is no other songwriter who has shown us bigotry, ignorance, and human weakness as convincingly as Randy Newman.” People who only know him as the guy who writes for Pixar movies and gets mocked by Family Guy need to take a closer look; fortunately, many cover artists have been all too happy to take that closer look for us.
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Mar 032015
 

Randy Newman, two-time Academy Award winner, has a distinct voice that triggers memories of the movies, given his widely popular film scores over the years. His song “Sail Away” had previously been covered by Ray Charles, whom Randy called his biggest musical influence growing up. Matthew E. White covered the song for the French video series, La Blogotheque, which follows artists making live music in different locales around Paris. Continue reading »

Jan 162014
 

In the world of alt-country, Asleep at the Wheel frontman Ray Benson has more cover song credibility than most. In their four decade career, the nine-time Grammy winners have recorded not one but two Bob Wills tribute albums with guests like Willie Nelson and the Dixie Chicks, which were so successful that they turned into a touring musical (which Ray starred in). He’s covered W.C. Handy with Willie Nelson and Red Foley with Brad Paisley. And on his new solo album A Little Piece, out next week, he takes on Randy Newman‘s “Marie”. Continue reading »

Oct 252013
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

You kids today, with your Now That’s What I Call Music compilations – you don’t know how different it was back in the day. When K-Tel was in their ’70s prime, their ubiquitous commercials made them the “As Seen On TV” company and served to get the words and music on the street. They fit twenty or so songs on one album, making for tinny sound and many songs edited for single length. Not all the songs on them were hits; you bought them for the big names and sat through the one-hit wonders, novelties, and other filler. But for only $5.99 (8-track or cassette only $7.99!), you could get a wide-ranging look at a year in music, complete with packaging ugly as a burnt-orange couch, and somehow the experience wouldn’t have been the same if the treasures hadn’t been mixed in with the trash.
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