In Pick Five, great artists pick five cover songs that matter to them.
We launched our new series “Pick Five” last week with Emel Mathlouthi, and today the great singer-songwriter Frank Turner tells us about his five favorite cover songs.
Dubbed “the people’s prince of punk poetry,” Turner has broadened his sound on upcoming seventh studio album Be More Kind (out May 4th), the follow-up to his acclaimed 2015 release Positive Songs For Negative People. He told NME that he incorporated sounds fans might not associate with the guitar-basher, like keyboard synths and sampled loops. For a taste of this lusher production, listen to the latest single:
Such eclectic influences can also be seen in the five covers he picked for us. He mixes in the guitar-strummers and punk-blasters fans might expect (Johnny Cash and NOFX, respectively) with artists like Joe Cocker and Tori Amos. He also illustrates the depth of his musical knowledge; as he notes, few people even realize the Blondie song he picks is a cover. So let’s turn it over to him.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Cover albums come and go from memory. It’s sort of inherent in the genre. When a major release comes out – a cover album by one prominent artist, or a tribute compilation by many – it tends to garner an avalanche of blog posts, then get forgotten within a year or two. Many deserve to, no doubt…but not all.
So, since we’ve been looking back a lot this year to celebrate our tenth birthday, I dug back into our previous year-end album lists. My original plan was to see which of our past #1s held up and which didn’t, but I was pleasantly surprised to find they were all still enjoyable. But many, even those that were big deals at the time, have been semi-forgotten.
So I thought, before we dive into this year’s crop, let’s remember what came before. We didn’t do a list the first couple years, but here’s every album we’ve named #1 so far, along with an excerpt of our reviews:
2009: The Lemonheads – ‘Varshons’
“Twelve songs of booze-pop genius cover both classic tunes by songwriters like Leonard Cohen (Liv Tyler guests!) and Townes Van Zandt and obscurities from July and the unfortunately-named FuckEmos.” See that year’s full list here.
2010: Peter Gabriel – ‘Scratch My Back’
“Against all odds, Gabriel builds an orchestra-filled, indie-fied, emotion-fueled masterpiece.” See that year’s full list here.
2011: Baaba Kulka – ‘Baaba Kulka’
“It’s a boisterous Iron Maiden celebration by a collective that may not have a metal bone in its body, but invite big grins while you sing (and dance) along with the wildest crossover album this side of Warsaw.” See that year’s full list here.
2012: Neil Young & Crazy Horse – ‘Americana’
“When you press play the first thing that strikes you is the fuzz of the power chords, the strained bellows, the cardboard-box bashing of the drums. Neil and the Horse’s ragged glory rages so hard the source material becomes secondary.” See that year’s full list here.
2013: Xiu Xiu – ‘Nina’
“Xiu Xiu’s Nina Simone tribute album isn’t an easy listen. It’s not necessarily an enjoyable one either. What it is though is riveting.” See that year’s full list here.
2014: Andrew Bird – ‘Things Are Really Great Here, Sort Of…’
“In Bird’s delivery, the Handsome Family’s songs of old, weird Americana kitsch will hopefully reach listeners who might find the originals too weird.” See that year’s full list here.
2015: Bob Dylan – ‘Shadows in the Night’
“Him releasing an album of songs associated with Frank Sinatra was no surprise at all; he’s been operating in the Ol’ Blues Eyes vein for decades now, just with a (very) different instrument.” See that year’s full list here.
2016: Various Artists – ‘God Don’t Never Change: The Songs of Blind Willie Johnson’
“When it comes to preserving the depth and breadth of the contexts and traditions of American music that informed Blind Willie Johnson’s ecclesiastic but world-weary growl, it helps that the nine artists here…are able to handle the spiritual aspects of Johnson’s work.” See that year’s full list here.
Okay, now that you’re all caught up – let’s see what this year holds!
Our official list of the Best Cover Songs of 2017 comes next week. But first, we’re continuing the tradition we started last year by rounding up some of the songs it most killed us to cut in a grab-bag post. No ranking, no writing, just a bunch of knockout covers.Continue reading »
For years, Phish superphans and the band’s many detractors – so far apart on so much else – have been able to agree on one thing: the band does some killer live covers. Phish long ago made a Halloween tradition out of covering another band’s album in full, tackling ambitious choices like the Beatles’ White Album and Talking Heads’ Remain in Light. And “ambitious” was also the keyword for the band’s just-completed thirteen night run at New York’s Madison Square Garden. Dubbed the “Baker’s Dozen,” each night featured a different donut theme and, more significantly, no song repeated the entire two weeks.
But back to the donuts. The band took the silly premise seriously, theming their sets each night around a donut flavor. This led to a number of surprise covers that they’ve never played before (or probably ever will again). Strawberry-donut night got “Strawberry Fields Forever” and “Strawberry Letter 23.” Chocolate-donut night got “Chocolate Rain” and “You Sexy Thing” – originally by Hot Chocolate. They even dug deep into lyrics, playing the one Radiohead song that talks about lemons.
Such first-time-ever covers tend to appeal even to non-fans because they tend to be short and –
let’s keep the donut theme going here – sweet. Unlike a jelly donut, on a song they’ve never play before they rarely jam. Instead, the fun and sheer rock chops to come forward in a way they may not on the heady stuff.
Phantogram has yet again crafted a super chill cover of an inherently frantic song. Their recent cover of Radiohead’s “Weird Fishes/Arpeggi” features a down tempodrum beat and Sarah Barthel’s silky smooth vocals which combined, result in a hypnotic haze. They adopt a similar approach to Hole’s “Violet”.
Gone is the angst ridden scream singing of the original. Courtney Love’s passionate, off-key, and messy delivery is replaced by Barthel’s similarly passionate, but beautifully precise and ethereal take on the song. The band sits at polar opposites as well. Love’s band is all in with as much rock angst as can be mustered, whereas Barthel’s band adopts a decidedly relaxed accompaniment with easy guitars and mallets on the drums.Continue reading »
The first episode of Girls aired on April 15, 2012, exactly five years ago. Six seasons in five years is more aggressive than the usual one-season-per-year pace of most shows. You could say Girls was growing up fast.
The series has featured more than 389 songs (per Tunefinder), not including the music of the finale tomorrow. Music writers routinely covered episodes, reveling in the impact the show’s music had on the depth of the storyline.
Covers of male songs performed by women were sprinkled across the episodes, in many cases spotlighting younger and less famous females. HBO could certainly afford the rights to the original recordings, so using these covers became a deliberate choice, not a plan B.Continue reading »