Covers albums are commonly filled with songs that have special meaning to the band and often had an impact on the members. “Break-Up album” usually refers to a collection of songs dedicated to the end of a recent, often painful, relationship. Brooklyn band Quiet Loudly missed both of those memos. Their album is filled with songs chosen at the whim of a few fans who pledged a certain amount on the previous album’s Kickstarter, and the “Break Up” referred to is the band itself.
Holy Shits! I’ll hope you’ll pardon my French y’all, for this was just the name the Foo Fighters recently gave themselves when returning to the stage after a recent gig in Delaware. For their encore performance they thought they would do something different and perform as a bar band (and introduced themselves under the aforementioned name) bashing out some rock classics.
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
Dearly beloved, we are gathered here today to celebrate this thing called life.
Electric word, life. It means a mighty long time but in this case, we’re talking about 56 years and one man – Prince Rogers Nelson. You probably know him as Prince, The Artist Formerly Known as Prince, an unpronounceable symbol, The Purple One, Joey Coco or (in certain circles) That Skinny Motherfucker with the High Voice.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Richard Thompson is a Cover Me favorite, and for good reason. His songwriting and playing are brilliant, and his songs are often covered by musicians who recognize his genius, even if he has escaped widespread popularity. Not only that, he has, since his early days as a teenaged guitarist in Fairport Convention, performed many wonderful covers of other artists. Thompson also has a wicked sense of humor, which is hinted at in his lyrics, but more often displayed in his writings, interviews and stage shows. Rarely does Thompson perform without unleashing a zinger or ten, often directed at audience members who mistakenly believe they can best him in a battle of wits.
So when Playboy magazine came to him in 1999 and asked him to join other musicians in providing a list of the ten greatest songs of the millennium, it is not surprising that he mischievously took them literally. As Thompson wrote:
Such pretension, I thought. They don’t mean millennium, do they? Probably about 30 years is the cut-off: Tears for Fears might sneak in, Cole Porter probably not.
He called their bluff and did a real thousand-year selection, starting with a song from 1068 and including one effort from the 20th century. Playboy, which is rumored to have articles, chose not to print Thompson’s list, sparing their “readers” the opportunity to consider a toe-tapper by St Godric.
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question comes from Cover Me staffer Mike Misch: What cover song shouldn’t work as well as it does?
When Matthew Sweet and Susanna Hoffs recorded their first Under the Covers collaboration, they were surprised that it was released with the subtitle “Vol. 1.” Whatever genius at the Shout! Factory label chose to do that deserves a raise and a promotion, as it led Sweet and Hoffs to record two more volumes. Where Volume 1 consisted of songs based in the ’60s, and Volume 2 was made up of ’70s songs, Volume 3, released this week, is all about the ’80s, the decade when Hoffs came of age as a musician and Sweet wasn’t far behind.
With the combination of his poetic coming-out tumblr post and the release of his debut album channel ORANGE, Odd Future member Frank Ocean has been on nearly everybody’s radar. The New Orleans native, who has written for the likes of Beyonce and Justin Bieber, has been touring in support of his debut and has treated his fans with a rendition of one of his favorite songs, Prince‘s “When You Were Mine.”