At the end of every year, we work for weeks curating our annual Best of the Year list (here’s last year’s). We’re monitoring what comes out all year though, so this month I thought: why wait? Here’s a more impulsive and spontaneous list, some songs we’ve written about already and others we didn’t get to. Just some great covers that stood out as the month comes to a close.
Longtime Prince fan and admirer Meshell Ndegeocello recently released a cover of the 1986 film soundtrack Parade, “Sometimes it Snows in April” from her upcoming covers album, Ventriloquism. This was the final song on Parade, which was the soundtrack to Prince’s directorial debut Under the Cherry Moon.
After Prince’s death in April 2016, “Sometimes It Shows in April” was said to have become Prince’s eulogy in some ways. Ndegeocello’s heartfelt rendition feels natural and native; like she’s sung the lyrics hundreds of times, and is conjuring up the soul of Prince through the opening hazy bass and guitar.
Given the rampant overproduction that plagues most contemporary rap, it’s refreshing to see an artist step outside the safety confines of drum tracks and dampeners and play with an actual band. During a recent trip Down Under, Jo-Vaughn Virginie Scott (aka Joey Bada$$) did just that. He performed a pair of tracks on Australian radio station Triple J’s covers show Like A Version. With a full band of Australian musicians, he performed his hit song “Temptation” as well as a reinterpretation of Prince’s 1984 classic “When Doves Cry” rechristened “When Thugs Cry.”
Last year I did a roundup of the Best Cover Songs of 1996. It was a fun project to retroactively compile one of our year-end lists for a year before Cover Me was born. I wanted to do it again this year, but continuing the twentieth-anniversary theme with 1997 seemed a little boring. Turns out 1997 also featured a bunch of Afghan Whigs covers.
So to mix it up, I decided to go a decade further back and look at 1987. Needless to say, the landscape looked very different for covers. For one, far more of that year’s biggest hits were covers than we saw for 1996. The year had #1 cover hits in Heart’s “Alone,” the Bangles’ “Hazy Shade of Winter,” Los Lobos’ “La Bamba,” Tiffany’s “I Think We’re Alone Now,” Club Nouveau’s “Lean on Me,” and Kim Wilde’s “You Keep Me Hangin’ On.” Plus ubiquitous hits that didn’t quite top the charts, but remain staples of the songs-you-didn’t-know-were-covers lists, Buster Poindexter’s “Hot Hot Hot” and George Harrison’s “Got My Mind Set On You.”
Ten years ago today, I had a whim.
I was studying abroad one semester and found myself with a lot of free time – school work was light, and a college student’s budget limited my international explorations – so I decided to start a blog. A second blog actually, since for several years I had run a personal blog of concert reviews and bootleg downloads called Dylan, Etc (it had more “Dylan” than it did “Etc”). I’d fallen in love with the cover song after hearing Bob Dylan (who else) play a revelatory cover of “Summertime” on his short-lived radio show. I’d already hosted a Cover Me college radio show, and decided to expand us to the World Wide Web.
These were the days of the so-called “MP3 blog,” which included a vibrant subgenre of cover-songs blogs. That’s right, I’d like to claim credit for inventing the category, but I didn’t – not even close. RIP to Copy Right?, Cover Freak, Fong Songs, and the rest of the pioneers – and shoutout to our fellow survivors from that era, Coverville, which was releasing podcasts before most people knew what that word meant, and the folk blog Cover Lay Down, which began around the same time as us.
A lot has changed over the past decade. We’ve published 3,564 posts as of this one. Oh, and did you notice the pronoun change there? Cover Me is no longer an “I” – it’s a “we”, with over 60 writers contributing over the years. We’ve grown from an ugly Blogspot to our spiffy own domain (which is overdue for a redesign itself, frankly). And in case the large banner ads all over the site weren’t clue enough, I just released a book also called Cover Me, which – back-patting alert – Variety called “one of the best multi-subject music books to come down the pike in years.”
We wanted to do something special to celebrate our tenth birthday. And we wanted to celebrate not just ourselves, but celebrate the cover song itself. So we put together this little album Cover Me Turns 10: A Covers Tribute to Covers as a gift to our readers. We contacted several dozen of our musician friends and asked them to cover a cover. That is, to honor the many great songs we might not even know without an iconic cover – Aretha Franklin reinventing Otis Redding’s “Respect,” Quiet Riot amplifying Slade’s call to feel the noize, Prince learning that nothing compares 2 Sinéad O’Connor.
We’re honored that so many of our favorite musicians contributed, and frankly speechless at how great a job they did. So speechless, in fact, that we asked them all to introduce their own work with a few sentences. A million thanks to all of them, and also to Cover Me writer and art whiz Sean Balkwill for designing the lovely – ahem – cover. The whole thing is free to download at Bandcamp until downloads run out, and free to stream forever.
Enough chatter from me. For ten years this blog has been all about celebrating the music and we’re not going to stop now. Thanks for taking this journey with us.
– Ray Padgett
Cover Me Founder
For years, Phish superphans and the band’s many detractors – so far apart on so much else – have been able to agree on one thing: the band does some killer live covers. Phish long ago made a Halloween tradition out of covering another band’s album in full, tackling ambitious choices like the Beatles’ White Album and Talking Heads’ Remain in Light. And “ambitious” was also the keyword for the band’s just-completed thirteen night run at New York’s Madison Square Garden. Dubbed the “Baker’s Dozen,” each night featured a different donut theme and, more significantly, no song repeated the entire two weeks.
But back to the donuts. The band took the silly premise seriously, theming their sets each night around a donut flavor. This led to a number of surprise covers that they’ve never played before (or probably ever will again). Strawberry-donut night got “Strawberry Fields Forever” and “Strawberry Letter 23.” Chocolate-donut night got “Chocolate Rain” and “You Sexy Thing” – originally by Hot Chocolate. They even dug deep into lyrics, playing the one Radiohead song that talks about lemons.
Such first-time-ever covers tend to appeal even to non-fans because they tend to be short and –
let’s keep the donut theme going here – sweet. Unlike a jelly donut, on a song they’ve never play before they rarely jam. Instead, the fun and sheer rock chops to come forward in a way they may not on the heady stuff.
So I’ve ranked all the first-time covers from the past two weeks of Phish’s concerts, below. I’ll admit I’m not a huge fan myself – I once wrote an article defending their home of Burlington, Vermont from its jam-band stereotype – but some of these are among the best performances I’ve heard by them. Others…are not.