While Phil Collins’s current Still Not Dead Yet tour has been a mostly a celebratory affair, it also bears a tinge of bittersweetness. A variety of physical ailments have impaired Phil’s ability to move around, requiring him to be seated for the majority of the shows. But despite these challenges, there is a particular song Phil makes a point of standing up to deliver most nights. It’s not one of the perky sing-alongs like “Sussudio” or “Invisible Touch,” but his eternally haunting, bitter and thunderous “In The Air Tonight.”
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question, courtesy of Cover Me staffer Jordan Becker: What was the best/worst experience you have had seeing a “tribute” band?
Mark Erelli seems one of the good guys: prolific in the often solitary and lonely furrow of singer-songwritery, under the radar of most observers, weaving his nuanced mix of country and folk that never fails to beguile my ears. Lord knows how he makes a living. Along with others like Jeffrey Foucoult (with whom he has collaborated) Damien Jurado and the Joshes Rouse and Ritter (another collaborator) he seems always there in the background, a reliable source of well-crafted songs, never troubling the mainstream nor stealing the show.
Although he has a healthy and extensive repertoire of his own songs, covers are very much also his stock in trade, as a visit to his website soon reveals, with a monthly free download of the month – often a cover – unavailable elsewhere. (As I write his excellent version of “Midnight Rider” is serenading me, the January freebie.) He also performs an annual series of shows entitled ‘Under the Covers’ – sadly in the wrong continent for this writer to ever catch.
When I say, “Name a singer or band from Seattle”, I’m sure that bands like Heart, Modest Mouse, Nirvana or Pearl Jam might be the first to pop in your head. Some of you may even think Hendrix or Judy Collins. I will even give extra credit to anyone who first thought of Kenny G or Queensrÿche.
Let me add one more to the list: Fly Moon Royalty.
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
Foxtrot, released in 1972, was the second Genesis album that featured the complete “classic” lineup—original singer Peter Gabriel, bass player Mike Rutherford and keyboard player Tony Banks were joined by guitarist Steve Hackett and drummer Phil Collins. Although similar in many ways to its predecessor Nursery Cryme, Foxtrot rocked harder, was better produced, and included what would become the band’s signature piece, the (nearly) full-side epic “Supper’s Ready.” It was the first Genesis album to appear in the UK top 20, and helped to launch the band to worldwide success.
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “I Am Unicorn,” McKinley High gears up for their production of West Side Story, with several of our principal characters battling for the leads. Meanwhile, Kurt makes a run for class president, and music coach Shelby Corcoran (guest star Idina Menzel) steps back into the lives of Rachel (her biological daughter) plus Quinn and Puck (the parents of her adopted child).
Last week in this column we talked about Glee’s apparent attempts to carry out season three with a purpose many claimed the show lacked last year. One of the through-lines established in “The Purple Piano Project” was the performance of the school musical, which we learned would be West Side Story. I assumed they’d save its whole production for a few episodes down the line (much like last year’s Rocky Horror), but it seems the show is really taking to heart the notion of letting plots build throughout a season. Here we get only part of the West Side story in the form of auditions, with several of our main characters (namely Rachel and Kurt, but also Kurt’s boyfriend Blaine) attempting to claim the leads. That’s a serious change of pace from last season, where Rocky Horror was announced, produced, performed and cancelled in the span of 45 minutes.