Jul 112018
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s your favorite cover of your favorite song?
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Mar 292018
 

‘The Best Ever’ series counts down our favorite covers of great artists.

talking heads covers

Let’s start by defining our terms: This list concerns the best covers of the Talking Heads. Because the best covers by the Talking Heads is a very short list.

Here is that list, in its entirety: Continue reading »

Mar 102017
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Scratch_My_Back

Until 2010’s Scratch My Back appeared, Peter Gabriel had been an artist more covered than covering – arguably a pity, given the cracked wistfulness of his croaky beauty. But I guess if you can write material of the quality and diversity that he has, why bother with someone else’s material? The problem was, Gabriel hadn’t been writing that kind of material – this was his first album in eight years.

So was Scratch My Back just, as covers projects can so often be, a stopgap sales pitch to keep his brand alive during a creative lull? Who knows? I think not and hope not, feeling this a deliberate if somewhat failed experiment on two levels. Flawed, maybe, rather than failed.
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Sep 282016
 
Lou_Barlow-by_Rachel_Enneking-5-cropped

Lou Barlow (Dinosaur Jr, Sebadoh)’s new cover of Peter Gabriel’s “In Your Eyes” has a number of knocks against it. His description doesn’t exactly sell it: “i was asked to record a version of this tune awhile back..nothing came of it..thought i’d put up here.” It’s accompanied by shaky iPhone video of his kids. And instead of being played on John Cusack’s boombox, it sounds like it was recorded into that boombox.

But despite all that, Barlow delivers a beautiful acoustic version that rescues the song from the cliche it has sometimes become. Accompanying himself on acoustic guitar with maybe a mandolin accompanying him (hard to tell given the audio), what at first appears to be a tossed-off lark actually turns into a moving and compellingly beautiful performance. And his kid’s cute too. Listen below. Continue reading »

Jun 222016
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, in honor of the month of June: What cover song would you like to have played at your wedding?
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Apr 292015
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Willie Nelson, 82 years old today, has always been an awkward cuss. Still relentlessly on the road and putting out record after record, somehow it would seem a cop-out to “let others do the work for a while,” as is the norm for these pieces (and besides, been there done that), so this is more a celebration of the myriad and varied covers he has performed over the decades. The germ for this idea came as the staff pow-wow took place around our best country covers of non-country songs Q&A, with Mr. Nelson featuring twice.

His career in music has lasted, so far, a staggering 59 years, his first recording being 1956’s “Lumberjack.” Since then, he has passed through many incarnations, from clean cut C&W performer, consummate Nashville standards songwriter, self-imposed banishment and his counter-intuitively hippie redneck years (copyright me), banding up with and as like-minded (the) Outlaws, before settling into iconic status as a national treasure, lauded by presidents and paupers alike. Somehow his skirmishes with the I.R.S. and his enduring support for marijuana has but strengthened his appeal, even within the staunchly conservative country demographic. And, of course, all of us longhairs just love him. Don’t we?
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