Aug 142020
 

tanya donellyjenn champion the blue albumTanya Donelly has a long history, as both singer-songwriter of Belly and solo artist, of interweaving emotionally charged originals with covers similarly forged from despair, heartbreak, and loneliness. The results have frequently been sublime, as when she complemented “Gepetto” with a heartfelt version of Gram Parsons’ “Hot Burrito #1” on the Gepetto EP of 1992, or when she accompanied “New England” and “Days of Grace” with an equally fervent rendition of the Beatles’ “Long, Long, Long” on 2006’s This Hungry Life. The covers have usually taken the backseat as B-sides and deep cuts, or as contributions to tribute albums to the likes of The Smiths or Elliott Smith. Yet now, in this topsy-turvy year of 2020, they are the main event; Donelly has not only released a series of quarantine covers for charity (featuring Labi Siffre’s “Bless the Telephone,” and the Pixies’ “Here Comes Your Man”), but has also polished off a covers album in collaboration with the Parkington Sisters, Tanya Donelly and the Parkington Sisters.

It’s Donelly’s first all-covers album, therefore, that stands before us, but it’s clearly no ordinary covers album. The Belly, Breeders, and Throwing Muses star initiated it out of a desire to do something different with the format in the wake of Juliana Hatfield’s recent successes with Sings Olivia Newton-John (2018), and Sings The Police (2019). She might well have followed in the steps of her sometime collaborator and fellow doyen of New England alt-rock by making, effectively, a tribute album to one of her musical heroes: Kate Bush, say, or Echo and the Bunnymen. But instead, Donelly has attempted to bring a sense of unity to nine reinterpretations of songs that have been hugely meaningful to her, by way of the moody string arrangements and somber vocal harmonies that the classically trained, Massachusetts-based Parkington Sisters are known for.
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May 132020
 
mikey erg mother nature's son

When it comes to the sub-genre of acoustic Beatle ballads, Paul McCartney’s “Blackbird” from 1968’s White Album tends to get all the glory and attention. And while there’s no denying its greatness, the time has come to give long overdue props to another Macca ballad on the same album that’s equally fine. “Mother Nature’s Son” is sometimes perceived as a light bit of wistful, romantic fluff, especially when held next to to the weightier words of “Blackbird,” but when it comes to the actual melody, “Mother Nature’s Son,” with its descending guitar line and lush, swoon-inducing hook is a far superior animal. It features all the key demarcation points needed to shine in any style of cover. Continue reading »

May 232017
 
james bond theme covers

Two years ago, I ranked the 24 best covers of James Bond theme songs for the 24 movies to date. The original plan was to include one cover of every song, but that quickly became untenable. There were a million good covers of “You Only Live Twice,” and zero of Chris Cornell’s “You Know My Name” (and I haven’t seen anyone pick up the mantle since his death either).

If only I’d waited.

A new Bond tribute album came out earlier this month, and it includes a cover of every single Bond theme. Yes, including the ones from Sheryl Crow, Madonna, and of course Cornell. It’s called Songs. Bond Songs: The Music Of 007 and, in honor of Roger Moore’s passing today, we thought we’d post all the new covers of the themes from Moore’s seven movies. Continue reading »

May 192017
 
Cover Me

As we’ve noted already, 2017 marks Cover Me’s tenth birthday. We’ll have some more celebratory posts leading up to the actual date this fall, but I’m thrilled to announce one thing that’s on deck for October: the release of my first book, Cover Me: The Stories Behind the Greatest Cover Songs of All Time!

Ever since I started this site, friends and readers have suggested that I should write a book about cover songs (surprisingly, a comprehensive book doesn’t really exist). For years, I resisted. “That’s like saying ‘I’m going to write a book about original songs’,” I’d snarkily reply – i.e., that’s a stupid idea. Cover songs seemed too broad a category. There’s no grand unifying theory of cover songs to fit tidily between two book covers; it’s too big and messy and wonderful a tent for that.

Aretha FranklinAfter years of saying no, I finally came up with the solution. I wouldn’t write a book about cover songs – instead, I would write a book about twenty specific cover songs, and through those twenty covers, a broader narrative would emerge.

The story of covers as traced in Cover Me involves artistic triumphs and music-industry shenanigans. It touches on trends in record-making, music videos, and the internet’s impact on music (did you know the first viral song was a cover?). There are beautiful moments of unlikely artists coming together, and some uglier instances of exploitation and racism. Every major change in the music industry since the advent of rock and roll finds some expression in the world of cover songs. Continue reading »

Oct 102016
 
rolling-stones-desert-trip

The Rolling Stones haven’t released an album since 2005, but in December they’ll finally return – and with their first-ever covers album to boot. Titled Blue & Lonesome, the album contains their versions of 12 classic blues songs by Little Walter, Howlin’ Wolf, and more. They’ve snuck a blues cover on LPs here and there in the past (“Love in Vain” on Let It Bleed, “You Gotta Move” on Sticky Fingers) but this is the first time they’ve filled a full album with them. They’ve already released the first track, Little Walter’s “Just Your Fool,” which you can hear below. And this weekend, they performed another album cut at Desert Trip festival (aka “Oldchella”): Eddie Taylor’s “Ride ‘Em On Down,” which they last performed in 1962! Continue reading »

Sep 302016
 
Fugees

They say nostalgia works in 20-year cycles, and this year the music of 1996 has been in the media a lot. And if you believe the music blogs, it turns out 1996 was a truly groundbreaking year for every possible genre. Over at SPIN: “The 96 Best Alternative Rock Songs Of 1996.” Complex: “Best Rap Songs of 1996.” Junkee: “Ten reasons 1996 was a great year for dance music”. Loudwire: “10 Best Metal Albums of 1996.” Red Bull Music: “1996: Why it was a great year for pop”. Suck it, 1995! (Kidding; similar articles were of course written last year too.)

We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late. Continue reading »