Jun 172016
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

BobDylanStreetLegal

When it was first released in 1978, Bob Dylan’s Street Legal got a bum rap. One culprit was the sound. Dylan always preferred recording with the whole band playing at once, and whereas with the right producer a wonderful spontaneity could emerge (think “Like a Rolling Stone”), here it just created a muddy mess. Reviews were scathing. Robert Christgau called it “horrendous” and Jon Pareles noted that “Dylan still needs a producer.” Even Rolling Stone – Dylan champions since way back – labeled it “dead air, or close to it.”

A remaster in the CD era has since redeemed it somewhat and helped push it its proper place in the Dylan pantheon. In the wake of albums like Empire Burlesque – really, all of the ’80s – the big band sound is no longer shocking, and not even bad. It’s no Blonde on Blonde, but a solid B-level effort with a number of gems. “Señor” and “Changing of the Guards” stand among his best songs of the ’70s (though they really fit in better with the late-’70s/early-’80s period than they do with the decade that led up to them). “New Pony” is a fun big-band blues jam, and “Where Are You Tonight” features a wonderfully emotive vocal. Continue reading »

Apr 132016
 
herMajesty+Promo+Shot

Despite being revered by musicians of all stripes, Patti Smith songs don’t get covered as often as they should. So it’s a treat any time one comes across our desk – especially when it’s one as good as herMajesty’s new take on “Dancing Barefoot,” premiering below. Like Galaxie 500 meets The Doors, the cover’s dreamy swirl is punctuated by some serious throwback ’60s organ. Continue reading »

Jun 102015
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, from Cover Me staffer Raphael Camara: What’s a song that’s been covered too many times?
Continue reading »

Aug 042014
 

The Story Behind digs deep into how an iconic cover song came to be.

Before there was a song called “Gloria,” there was a poem called “Oath.” And the transition from one to the other might never have happened without forty bucks and one loud bass note.
Continue reading »

Jan 062014
 

“I will now sing to you the 2013 song of the year,” Patti Smith said at her 67th birthday concert last week in NYC, then launched into a moving – not to mention unexpected – cover of Rihanna‘s “Stay.” Never one to cover a pop song ironically, Smith and pianist Tony Shanahan delivered the lyrics with poise and purpose, even when nerves caused her to forget a few of the words partway through. Continue reading »

Dec 132013
 

Fifty years ago, a covers album wasn’t called a “covers album.” It was called an album. Full stop.

Frank Sinatra, Elvis, Billie Holiday – most albums anyone bought were “covers albums” as we’d think of them today, but that’s not how folks thought of them then. Once the public began putting a premium on singers writing their own songs in the ’60s the concept of course shifted, so that an artist doing a covers album has to be like Michael Jordan playing baseball – an okay diversion but let’s get back to the main event please.

More so this year than ever before though, that pendulum seems to be swinging back in small but meaningful ways to what an album originally meant. More and more artists are releasing LPs saying, this is not my new quote-on-quote “covers album,” this is my new album (that happens to consist of covers). The attitude showcases a confidence and surety of purpose that shows they take performing other peoples songs every bit as seriously as they do their own.

That holds true for both of our top two covers albums this year, and plenty more sprinkled throughout. Which isn’t to knock anyone doing a covers album as a lark, novelty, tribute, or side project – you’ll see plenty of those here as well – but any blurred lines that put a “covers album” on the same level as a “normal” album have to be a good thing.

Start our countdown on Page 2…