Dec 092016
 

Follow all our Best of 2016 coverage (along with previous year-end lists) here.

tribute records

We’ve done a Best Cover Albums list every year since 2009. That list usually ends up being a reasonably even mix of various-artist tributes and single-artist records. But in all those lists, our number-one pick has been, without fail, a single-artist album (for those keeping score at home, we’ve awarded The Lemonheads, Peter Gabriel, Baaba Kulka, Neil Young and Crazyhorse, Xiu Xiu, Andrew Bird, and Bob Dylan – who didn’t turn up to accept our prize either).

This single-artist streak is no coincidence. It is naturally easier for one artist, if he/she/they are good enough, to maintain consistent quality control over 10 or 15 tracks. Whereas even the best mixed-artist tribute records usually have one or two dud tracks. Take the National-curated Day of the Dead, certainly this year’s highest-profile tribute album. Some of these Grateful Dead covers were so good they’ll appear on next week’s Best Cover Songs of 2016 list. Many others were dreck, filler, or superfluous. So we ranked the record – spoiler alert – at #20, sort of an honorable-mention position.

Even various-artist tributes comprised of uniformly good covers typically don’t add up to more than the sum of their parts. For example, we ranked MOJO Magazine’s Blonde on Blonde tribute pretty high this year because we liked just about every one of the Bob Dylan covers on offer. But there’s little common ground between an aggressive electronic “Rainy Day Women #12 & 35” and a tender folk “I Want You.” The record is more a bunch of great cover-song fodder for mixes and playlists than a truly great and unified album.

I sound like I’m being critical, but again, these are among the best cover albums of the year. This is usually the most a various-artist tribute album can aspire to: more good covers, few bad ones.

But this year, for the first time in our eight years making these lists, a various-artist tribute album rose so all the way to the top. This album was not only good top to bottom, but it felt like a real album, not just a collection of covers. It ably walked the finest of lines: showcasing diverse approaches to the source material while just remaining cohesive enough to stand together as a complete listen.

I don’t want to give away what that number-one album is just yet. We’ll get there, and there’s already enough of a tendency with year-end lists to skip straight to #1 and ignore the rest. I no doubt have not helped by hyping this magical album that broke our eight-year streak. But every one of the twenty albums we picked offers something worth hearing.

We’ve got jazz-sax forays through prog-rock and twee-pop covers of vintage punk tunes. There’s a ’60s New York icon honoring her then-competitors in the British Invasion, and a band from that same British Invasion honoring their American inspirations. There are tributes to great musicians who died this year, and tributes to long-dead musicians who there’s no news hook for honoring now, just great songs.

This list itself is as “various artists” as it can get, a whole array of genres and styles with one common thread: musicians honoring their inspirations and influences. Let’s dig in.

– Ray Padgett, Editor-in-Chief

Start the countdown on the next page…

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Dec 062016
 
best cover songs

Over the past few months, we’ve been hard at work making our list of The Best Cover Songs of 2016. Narrowing it down to 50 caused some excruciating choices, that’s how many great covers there were this year.

We’ll be posting the full list next week (and “Best Cover Albums” this Thursday), but as a little appetizer, here are our Honorable Mentions, covers we loved and still wanted to spotlight as among the best 2016 had to offer. Continue reading »

Apr 112016
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

MerleHaggard

Merle Haggard died on April 6th, his 79th birthday. On another April 6th, eleven years earlier, he celebrated his birthday in Chicago, opening the spring run of Bob Dylan’s “Never Ending Tour.”

I don’t know what he did for most of that 66th birthday, but I do know how five minutes or so was spent. He was standing outside his tour bus, listening to a handful of Dylan obsessives sing “Happy Birthday” to him. I was one of them. Continue reading »

Mar 282016
 

desperate timesIs it bad form to promote your own tribute? It almost makes you think about the crass sort of person who, say, slaps his last name on every building, golf course, airline, casino, steak, or bottle of wine or water that he has anything to do with. Now, what about if it is an employee who instigates a tribute to his employer? That seems pretty cool, especially since so many employees would probably be more likely to spit on something that glorifies their bosses than to work, unpaid, to create a monument to them.

So, let’s give kudos to Jeff “Jefe” Neely, the “website guy” for Old 97’s, who decided that it would be a good idea to get other musicians to cover Old 97’s songs and to use the project as a fundraiser for charity: water, whose mission is to “bring clean and safe drinking water to every person in the world.” The charity was founded in 2006 by Scott Harrison, a former nightclub and fashion promoter after a life changing trip to Liberia.

The band got behind the project, which became known as Desperate Times, and helped to get artists to contribute covers to the project, which was funded through a Pledge Music campaign. In fact, many of the artists had toured with Old 97’s at some point in the band’s two-decade-plus career, and a significant number are from Texas, where Old 97’s formed. Not surprisingly, therefore, most of them inhabit a similar Americana/country/rock space as the band they are covering. The contributors, all well-respected artists if not chart-toppers, seem to have embraced the challenge. For the most part, although the covers don’t generally stray too far from the originals, each is distinctive and all are of exceptional quality.
Continue reading »

Aug 132013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

“Tower of Song” was released in the late ’80s on Leonard Cohen’s album I’m Your Man. Open to interpretation by zealous music fans arguing over beers at 3 a.m., “Tower” is often thought to be an allegorical song about Cohen’s self-flagellation during his own songwriting (and when you write a song about songwriting, it becomes an ourobourus on many levels). It’s not been covered as often as other Cohen hits, but its allusions to Cohen trying to clack out a song in his invisible prison while the clock of death is ticking makes it one of his most memorable songs. Cohen spent six years of the ’90s in a Buddhist monastery trying to seek enlightenment. But you, dear reader, can achieve the same by listening to these covers below.
Continue reading »