Apr 142011

YouTube is filled with amateur cover “artists.” Most stink. On the ‘Tube extracts the exceptions.

YouTube often tests the faith of even the most loyal champion. Why do so many teenage girls think webcam a cappella versions of Rihanna hits make them worthy of our time? Millions do, apparently. Just when you feel ready to give up on the whole endeavor, you come across a wild looking Ukrainian piano maestro playing Slayer’s “Raining Blood” and you breathe a sigh of relief.

Vika Yermolyeva, who goes by the moniker vkgoeswild on YouTube, trained classically and has received numerous awards for her playing. Now based in Iceland, she also harbors a not-so-secret love of metal, which she expresses by showcasing her solo piano arrangements of songs by bands such as MetallicaNine Inch Nails and System of a Down. Her stunning results illustrate the beauty of the piano as a musical instrument in the right hands: an instrument that combines percussion and melody better than all others, allowing for an incredible range of expression. Continue reading »

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

“Karma Police” serves as the centerpiece of Radiohead’s 1997 classic, OK Computer. The beginning tracks of OK Computer find Radiohead at their most experimental to that point. From the shape-shifting “Paranoid Android” to the slow burn of “Exit Music (For A Film),” these otherworldly melodies embody the theme of disillusionment that runs through the album.

The opening notes of “Karma Police,” however, hit with a directness and simplicity that immediately leaps out. Thom Yorke’s voice weaves effortlessly through the chord changes, hardly rising above a whisper when he sings, “This is what you’ll get / when you mess with us.” It’s a remarkable moment when the song’s quiet intensity finally bursts in the second half, Yorke’s disdain turning into something that sounds an awful lot like optimism and warmth. Continue reading »

You’ve heard the melodies a million times. Every mall in America has been piping these schlocky standards for weeks now. The sounds on today’s cover would fit right in at Macy’s or Target. The moment the horn intro hits on “Santa Claus Is Coming to Town,” you reach for your “Next” button. But wait, what’s this? Head like a hole? Black as my soul? These don’t sound like the lyrics you learned in elementary school! Continue reading »

Nov 292010

You all submit so many great covers it’s hard to keep up. When we fall behind, we gather the best and brightest in a Submission Roundup.

Thanksgiving may be over, but today we want to thank all the artists who submit their music. You guys send too many covers to keep up with, so we like to round up some of our favorites before the tunes fall by the wayside. Download all the great November covers we didn’t get a chance to post about earlier!

Do you have something to submit? Send it along here! Continue reading »

Nov 102010

Live Collection brings together every live cover we can find from an artist. And we find a lot.

The recent release of Easy Wonderful has given Guster fans reason to fall in love with them all over again. As their album title insinuates, they have an agreeable sound that resonates with you and has aged well over the past (almost) 20 years. If the Beach Boys went to college in the 90′s, added some bongos, and stayed out of the sun, Guster is what they would sound like.

Featured on soundtracks like Life as a House and Wedding Crashers, their songs can pull at the heartstrings as you croon along with them. On the other hand, they are better known for their laid-back, wisecracking personalities that beam from the stage and infect their fans. During their years of touring, they have taken on many cover songs with both their sensitive and playful dispositions (but mostly the latter). Typically at the end of a show, Guster will rile up the crowd with a number from Madonna, Talking Heads, or whoever sings the “Cheers” theme song (Portnoy) and get everyone involved.  Most of the time, it’s just an excuse to get drummer Brian Rosenworcel out in front showing off his questionable vocals, calling in the crowd for backup.  It’s just like being at a karaoke bar. Continue reading »

Apr 102010

Cover News is a weekly feature keeping you up to date on the goings-on in the world of cover tunes, tribute albums, etc. Plus, at the bottom we post the array of cover tunes we’ve been sent in the past week. Have you recorded a cool cover? Send us an mp3! As always, follow Cover Me on Twitter for the latest news.

Evelyn Evelyn

This Week’s News

Brilliant songwriter David Bazan (who released last year’s third-best album) covers Vic Chestnutt, ruminates on the possibility of a cover album.  [American Songwriter]

Rate Your Music celebrates the Golden Hits of Yesteryear with one hit, fifteen other songs.  [Rate Your Music]

The Mates of State cover album Crushes boasts one of the best tracklists I’ve seen in a while.  Download their version of Girls’ “Laura” now.  [Mates of State]

Ted Leo interviewed Paul Weller in the most recent issue of SPIN magazine, so his cover of “Hung Up” seems appropriate.  [SPIN]

Dr. Martens are curating a drool-worthy list of covers, which they’re releasing at a snail’s pace.  [Dr. Martens]

Not another “Bad Romance” cover.  Yeah, it’s good, but still…not another “Bad Romance” cover.  [Paste]

Ok, we’ll allow one more, but only if you’re a chubby 8-year old singing into a banana.  [Videogum]

An epic cover battle rages on the ‘Tube.  “Baby” on recorder vs. “Telephone” on glockenspiel vs. “Moonlight Sonata” on crockenspiel [Video 1, 2, 3]

Shel Silverstein covers by My Morning Jacket, Kris Kristofferson, Andrew Bird and 12 more.  Cue mouth-watering.  [Sugar Hill Records]

The Jacket is everywhere, also appearing on a John Prine covers tribute.  Maybe we can get an actual album guys?  [Consequence of Sound]

A Tears for Fears cover = eh.  A Tears for Fears cover that isn’t “Everybody Want to Rule the World” = yay!  [We All Want Someone]

Amanda Palmer is like a weirder Regina Spektor, so a cover makes sense.  [YouTube]

Speaking of Amanda Palmer, she’s currently prepping to take her conjoined-twin circus act Evelyn Evelyn on the road.  Here’s their cover of “Love Will Tear Us Apart.”  Ouch.  [Jason Webley]

Killer tracklist for this new David Bowie tribute album.  MGMT, A Place to Bury Strangers and Duran Duran (!!) tackle some lesser-known tunes.  [SPIN]

The PS 22 Chorus melts hearts with a Talking Heads cover.  [YouTube]

Buffalo Tom’s Bill Janovitz continues his Cover of the Week series with his wedding song, the Ink Spots’ “I’ll Get By.”  Awww.  [Bill Janovitz]

This Week’s Submissions

Akasha – Rocky Raccoon (The Beatles)  [more]

Ryan Avery & Emily Zisman – Send Me an Angel (Real Life)  [more]

Coconut and The Duke – Nature Boy (Eden Ahbez)  [more]

Fade From Nothing – 31 Ghosts IV (Nine Inch Nails)  [more]

Fulton Read – One (Yeasayer)  [more]

The Inevitable Backlash – Give You Hell (The All-American Rejects)  [more]

The Morning Pages – Telephone (Lady Gaga)  [more]

Passporte Royale – Ob-La-Di, Ob-La-Da (The Beatles)

Julian Shah-Tayler – In Your Room (Depeche Mode)  [more]

SPEAK – Digital Love (Daft Punk)  [more]

Ben Taylor – By Your Side (Sade)  [more]

835 – Judy Is a Punk (The Ramones)  [more]

Email your cover for inclusion!

Sep 222009


Strange but true: I liked Trent Reznor before I liked Nine Inch Nails. Every article you read situates him as the pinnacle of a new-media artist. An internet whore in the best way possible, he gave away his last album for free, tweeted actually interesting content until belligerent fans jealous of his new marriage made him quit and, gracious pioneer that he is, posted a lengthy how-to for new bands to become successful on his fan forum. It seems strange, but the embodiment of early ‘90s fury seems to be a genuinely good guy.

I didn’t think much of his music though until, on the recommendation of a friend, I went to a Nine Inch Nails concert on their audio-visual explosion known as the Lights in the Sky tour (review here). After seeing him surrounded by mesh screens shifting between transparent and opaque, commanding an army of ace players including old crony Robin Finck, conversion came easy. NIN just played their last live show a few weeks back, so to honor their legacy, let the covers begin.

Johnny Cash – Hurt
We’ll get the obvious out of the way first. This cover is arguably more widely known than the original (plus it’s referenced in our logo above). By way of comparison, the leading video of NIN performing this has 1.7 million views on YouTube. The Cash version? 22 mil. Reznor was right when he said about hearing the cover for the first time, “[I felt like] I just lost my girlfriend, because that song isn’t mine anymore.” [Buy]

Lady Dead Life Urban Sky – Piggy
A gothic NIN cover doesn’t seem like much of a stretch, but these dark crooners truly create something new, slowing the Downward Spiral classic down with cello and world-weary anger that fits the sound perfectly. Bonus points for the chick singer’s sultry croon seducing despite the rage. [Buy]

The Pluto Tapes – Reptile
From the first brushed drum stroke, this one will make you sit up and take stock. It seems so perfect in this subtle acoustic take that it’s hard to even remember how aggressive the original is. [Buy]

Nine Inch Richards – Closer
A barnyard country version of one of Reznor’s most sexually aggressive songs? It’s just as strange as it sounds – they actually call it “Closer to Hogs” – and is certainly meant as a joke from the horny-farmer asides and classic-rock quotes. It sort of works though, in a completely insincere way. “Did I tell you I knew Lassie personally?” [Buy]

Devo – Head Like a Hole
I can never quite decide whether Devo are some of the best cover artists around or some of the worst. They certainly take an interesting approach – remember their “Satisfaction”? They replace most of the angst with danceable synths, but keep a bit of the original flavor for the chorus. [Buy]

Scala & Kolacny Brothers – Underneath It All
We first heard from this Belgian choir a few weeks back in our Choral Covers feature. Well this female-fronted lament oozes sorrow with no need for crunchy guitars or spastic programming. [Buy]

Tiga – Down In It
This one seems like it’d be great fun to dance to if it was about three times as fast. As it stands, it’s a slow electro rattle, the pretty-boy voice offset by the cracking snare shots. [Buy]

Mae – March of the Pigs
Christian light-rockers Mae seem like a strange choice to cover NIN, but they unleash all their inner anger here on the Punk Goes 90s comp. [Buy]

Jennifer Hope – Terrible Lie
This one comes off the Gothic Tribute to Nine Inch Nails tribute disc, but is as much late-era Beatles as it is Marilyn Manson. Sitar and strings waver in and out, but Hope’s voice is really all you need. [Buy]

Ark Sano – The Day the World Went Away
Piano player extraordinaire Sano has a whole disc of NIN covers that you won’t believe. The dark anti-chords and angry phrasing translate beautifully into pounding bass or brooding tinkling. Seek out “The Downward Spiral” cover as well to hear him strum the inside of the piano and pound its wooden sides. [Buy]

Mar 232009

Lyrics are important, but it’s a shame the art of the hit instrumental seems to have been lost. Turn on oldies radio and from Booker T. to the Ventures, instrumental guitar jams pop up and now and again. The instrumental is on death’s door, but certain segments of the indie aesthetic are trying to revive it. Explosions in the Sky is an all-instrument post-rock band (whatever that means), and Andrew Bird released an instrumental disc to accompany his recent Noble Bird. While we wait to see whether the instrumental makes a comeback, let’s take a wander through time looking some instrumentals of the past and present. But remember: Walk, don’t run.

Bob Dylan – Rumble (Link Wray)
When Wray passed a few years back, artists like Dylan and Springsteen began covering this one in their live shows to pay tribute to the unheralded master of the distortion guitar. [Buy]

Orquestra America Romantica – Tequila (The Champs)
The original’s got that south-of-the-border vibe, so this Brazilian orchestra goes with that with blaring horns, flying percussion, and drunken shouting. Because yes, technically this song has lyrics I suppose, but it’s just one word. [Buy]

The Pink Fairies – Walk Don’t Run (The Ventures)
My favorite instrumental of the bunch, it doesn’t get much more dance-crazy fun than the Ventures’ original. To, their credit, the Fairies don’t try. Instead they produce a ten-minuet psychedelic swirl that Wire magazine proclaimed one of the best covers ever. They even come up with some vocals for the beginning! Groovy. [Buy]

The Juggernauts – Wipe Out (The Surfaris)
So many sound-alike covers of this one, it’s refreshing just to here something different. The Juggernauts give it a world music feel, playing theme on acoustic guitars while employing all manner of percussion, whistling, sound effects, bird calls, etc. for the drum breaks. [Buy]

Surf Champlers – James Bond Theme (Monty Norman)
I’ve been planning on doing a post on theme songs for a while, and still may, but I couldn’t resist putting this here. It’s a little more world music, lead guitar complemented by South American percussion and reggae strumming. [Buy]

Ironweed – Nashville Skyline Rag (Bob Dylan)
When Dylan went country in ’68, he didn’t mess around. His disc Nashville Skyline included a duet with Johnny Cash, a song about all the different types of pie he likes, a steel guitar instrumental. Ironweed takes it out of Nashville and up to Appalachia, giving it that bluegrass aesthetic with banjo, mandolin, and lots of old-timey pickin’. [Buy]

DeVotchKa – Overture (The Nightmare Before Christmas)
Accordion? Violins? Tuba? It’s a strange mix indeed, but what better to do a Nightmare tune justice. Not just a Nightmare tune though – a dozen of ‘em all mashed into the movie’s overture. DeVotchKa’s bizarre concoction incorporates them on as it thumps along. [Buy]

Figurines – New Orleans Instrumental No. 1 (R.E.M.)
The blogging gods over at Stereogum put together a whole set of Automatic for the People covers that included not one but two takes on this one (the other by Jana Hunter). Interestingly, both of them added wordless vocals. While hers was slow and dirge-like, the Figurines keep it fresh and bouncy. [Buy]

Cida Moreira – Fawn (Tom Waits)
Tom Waits’ sense of heartbreaking melody is second to none, so his knack for memorable instrumentals should come as no surprise. Coming from his work for the Robert Wilson play Alice, “Fawn” is a more recent example that gets a beautiful piano treatment by Moreira. Even though her wavery soprano comes in at the end, it’s just another instrument here. [Buy]

Danzo Rezno – Ghosts 38/Demon Seed (Nine Inch Nails)
Ticketmaster foe Trent Reznor did the world of instrumental music a huge favor last year when he released a four-disc set of new instrumentals, “a soundtrack to daydreams” he called it. Each song was titled Ghosts [#] and featured the dark, brooding sound that Nails fans expected. Danzo pulls out a piano take that starts out quiet until the guitars come in and then…well. He even incorporates an instrumental version of Trent’s “Demon Seed,” from his non-instrumental disc last year. Dude’s prolific to say the least. [Buy]

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