Jul 082015

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, from Cover Me editor-in-chief Ray Padgett: What’s your favorite cover song of 2015 so far?
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Jun 022015

While some may envy the lifestyle of those soaking in the spotlight, many fail to take into consideration the mental exhaustion that comes with the fast-track to fame. Avicii, real name Tim Bergling, is an artist with words to share on the matter, having recently stated:

“In the past six years I have been on a never-ending tour, apart for the last nine months during my time-out. I did around 325 shows in a year with traveling on top of that. It couldn’t continue. In the end I had to re-evaluate my situation and change my lifestyle.” (via Volvo Cars)

After his 9-month recovery period, the Swedish DJ returns – and not empty-handed, either. With him he brings a reworking of the 1964 classic “Feeling Good.” Avicii’s interpretation flows with softly pulsing synths and a swirling blend of gentle electronica which serve as the backdrop to Audra Mae‘s emotionally charged and soulful vocal delivery. Continue reading »

Apr 032015

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Indeed, who knows, it being all of 45 years since this song first graced any an ear. For many, their first encounter with “Who Knows Where the Time Goes?” happened thanks to the Judy Collins version; many others were introduced via the Fairport Convention version, which of course included Sandy Denny as lead vocalist. But she actually first recorded the song with her earlier group, the Strawbs. (I’m choosing to ignore the lyrical shift from morning sky to evening sky to purple sky.) Folk will vie with each other as to which is the true “original”, and Sandy is no longer, these thirty-odd years, able to adjudicate. I dare say there is even an as-yet-discovered demo knocking around, Sandy solo, but so much of her vault has been plundered that maybe I’m wrong. (And, of course, I am! And it is definitely purple!)
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Dec 132013

Fifty years ago, a covers album wasn’t called a “covers album.” It was called an album. Full stop.

Frank Sinatra, Elvis, Billie Holiday – most albums anyone bought were “covers albums” as we’d think of them today, but that’s not how folks thought of them then. Once the public began putting a premium on singers writing their own songs in the ’60s the concept of course shifted, so that an artist doing a covers album has to be like Michael Jordan playing baseball – an okay diversion but let’s get back to the main event please.

More so this year than ever before though, that pendulum seems to be swinging back in small but meaningful ways to what an album originally meant. More and more artists are releasing LPs saying, this is not my new quote-on-quote “covers album,” this is my new album (that happens to consist of covers). The attitude showcases a confidence and surety of purpose that shows they take performing other peoples songs every bit as seriously as they do their own.

That holds true for both of our top two covers albums this year, and plenty more sprinkled throughout. Which isn’t to knock anyone doing a covers album as a lark, novelty, tribute, or side project – you’ll see plenty of those here as well – but any blurred lines that put a “covers album” on the same level as a “normal” album have to be a good thing.

Start our countdown on Page 2…

Dec 062013

Nina Simone was a bold and original artist. She drew on jazz, gospel and popular music influences, developing a distinctive style and singing voice. Beginning in the late 1950s, Simone released a series of successful albums, but stayed indifferent to the music industry. Her songs were often political, addressing civil rights and feminist issues. Continue reading »

Aug 232013

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Sunday is Elvis Costello’s birthday, an occasion where we usually feature covers of an artist’s songs. But seeing as the birthday boy is one of the hardest working songwriter/musicians in the music world, it would be a shame to give him a break now. So we’ll look at some of the covers he’s done and get his birthday weekend started tonight, like we all do when a good birthday falls on a Sunday.
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Jun 062012

A little less than a year ago, we over here at Cover Me couldn’t help but gush over Catherine A.D.’s delicate, weep-inducing take on Bon Iver‘s “The Wolves (Act I and II).” Since then, Cover Me has stalked her page and covered five of her covers. Needless to say we’re fans and couldn’t be more excited for her next covers release. Between finishing up at university and her debut full length album that’s due out this winter, Catherine A.D. found some time to put together all of her reworkings and covers for her album Reprise. Continue reading »

Jan 202012

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Nina Simone brought the haves and have-nots together in 1968 when she released a medley of two songs from the musical Hair on her album ‘Nuff Said!. “Ain’t Got No” and “I Got Life” weren’t paired up in the original stage show, but Simone makes the combination natural, necessary, and irresistible, celebrating the self over the superfluous. Continue reading »