Aug 312020
 
best cover songs august 2020
Alex Kapranos & Clara Luciani – Summer Wine (Lee Hazlewood & Nancy Sinatra cover)

Clara Luciani is Nancy Sinatra and Franz Ferdinand frontman Alex Kapranos is Lee Hazlewood on this charming cover. Kapranos wrote, “When the lockdown started, we decided to record [‘Summer Wine’] — more for ourselves than anything else. We wanted to create the atmosphere of an imaginary world away from the confinement we were experiencing. Not that we were unhappy, but the imagination is the greatest medium for escape and adventure… After the lockdown eased off, we got together to film the video with our friends Adrien, Leo, Fiona and Hugo. I love the ideas they had, which suit the mood of the song and reflect our… well, our love of karaoke!” Continue reading »

May 022018
 

In Pick Five, great artists tell us about five cover songs that matter to them.

geographer cover songs

We first came across Geographer in 2011 with his great cover of New Order’s “Age of Consent.” Seven years later, he’s blossomed into a killer electropop producer, singer, and songwriter. His new EP Alone Time finds him pushing his pop instincts to their limit, on five insanely catchy dance jams that would work equally well in a club or on headphones. Here’s a sample, new single “Read My Mind”:

Geographer main man Mike Deni told PopMatters “Musically, [the EP] represents an obsession with pop music that went to its furthest reaches and boomeranged back again into making not just lyrics, but sounds, that matter.” On the five covers he picked out for us, though, he dug beyond that pop music obsession into his songwriter roots, picking classic performances by the likes of Jeff Buckley and Harry Nilsson (though fans of his poppier side needn’t worry; by the end he gets to a “karaoke classic”). Continue reading »

Pick Five: VÉRITÉ

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Apr 022018
 

In Pick Five, great artists pick five cover songs that matter to them.

verite cover songs

I first discovered VÉRITÉ via her insanely catchy pop 2014 song “Weekend.” It was only her second single, and yet I was already late to the party. The first single – “Strange Enough” – reached number one on Hype Machine and landed her as Twitter’s “#1 Most Viral Twitter Artist” of that week. And this was all before anyone knew her real name! Continue reading »

Feb 182017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

angela

Angela Hughey is the newest addition to the Cover Me staff, joining us earlier this year. She lives, writes, and performs in Portland, Oregon.

What an awesome time we live in for music. We have hundreds of years of inspiration to draw from and so many choices to make as artists. Create something new or put our own stamp on a piece of music history? If we choose the latter, do we interpret the song verbatim, or do something entirely unexpected? My list of covers that matter to me range from near identical to near unrecognizable remakes of excellent songs. The list kicks off with songs from a few of my favorite movies…
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Apr 132016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

jackson browne nico

“These Days” was written by an old soul of sixteen, Jackson Browne, several years before he released an album of his own. The melancholy ballad was originally released on the 1967 album Chelsea Girl (a reference to Andy Warhol’s 1966 film Chelsea Girls) by the singer-songwriter, lyricist, composer, musician, fashion model, actress, and ’60s counterculture queen, Nico. It may have been Browne’s song, but Nico was the first to put a stamp on it, and her stamp was an indelible one.

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May 132014
 

With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
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