Earlier this summer, Nick Cave’s 15-year old son tragically died after a fall. To pay tribute, Mark Kozelek of Sun Kil Moon has begun putting a cover of Cave’s “The Weeping Song” into his set. In context, the song’s lyrics – a conversation between a father and son about how miserable life is – are even more brutal than they were already.
“Avalanche” was the first Leonard Cohen song Nick Cave ever heard, as the lead-off track to Cohen’s third album Songs of Love and Hate. “I discovered Leonard Cohen with Songs of Love and Hate,” Cave said in a 1994 interview on French radio. “I listened to this record for hours in a friend’s house. I was very young and I believe this was the first record that really had an effect on me. In the past, I only listened to my brother’s records. I liked what he liked, followed him like a sheep. Leonard Cohen was the first one I discovered by myself. He is the symbol of my musical independence. I remember these other guys that came to my friend’s house that thought Songs of Love and Hate was too depressing. I’ve realized that this ‘depression’ theory was ridiculous. The sadness of Cohen was inspiring, it gave me a lot of energy. I always remember all this when someone says that my records are morbid or depressing.”
Follow all our Best of 2014 coverage (along with previous year-end lists) here.
A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.
It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.
We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.
Click on over to page two to begin our countdown, and thanks for reading.
– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)
LA punks FIDLAR are known for their high energy and general “F*** it!” attitude (after all, the band’s motto is F*** It Dog, Life’s A Risk.) The band also seems to have a fascination with Nicks; their recent video for their song “Cocaine” starred Nick Offerman, and they just covered Nick Cave‘s “Red Right Hand,” semi-crediting Nic Cage with this stunning photoshop job of Nic Cage as David Bowie.
Australian radio station Triple J has something we here at Cover Me love called “Like A Version.” The station wrangles some great artists to interpret whatever song they feel like covering. Sharon Van Etten recently stopped in, talked about how she is touring with Nick Cave later this year, and put out a heavy rendition of Cave’s “People Ain’t No Good.”