Jul 062018
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

froggie went a courtin covers

Most versions you can find of the traditional folk song “Froggie Went A-Courtin'” come from acts with names like “The Silly Billies” and “The Storybook Pixies.” They are unlistenable for anyone over three, and probably for your more discerning toddlers too. Even when folk-dabbling “serious” artists like Bob Dylan and Bruce Springsteen tackle it, their earnest attempts tend to embarrass otherwise worthy projects.

So I ventured to see if I could find some covers to redeem this most clichéd of children’s songs. It took some digging past the endless brightly-colored Wiggles numbers, but eventually I was able to find five adult versions. Just don’t play these for your kids. Continue reading »

Jun 152018
 
best cover songs 1978

Welcome to the third installment in our Best Cover Songs of Yesteryear countdown, where we act like we were compiling our usual year-end list from a year before we – or the internet – existed. Compared to the first two, this one has significantly less grunge than 1996 and less post-punk than 1987. It’s hard to have post-punk, after all, before you have punk, a new genre starting to hit its peak in 1978. And don’t forget the other big late-’70s sound: disco. Both genres were relatively new, and super divisive among music fans. Lucky for us, both genres were also big on covers.

Disco, in particular, generated some hilariously ill-advised cover songs. We won’t list them all here – this is the Best 1978 covers, not the Most 1978 covers. If you want a taste (and think carefully about whether you really do), this bonkers take on a Yardbirds classic serves as a perfect example of what a good portion of the year’s cover songs looked and sounded like: Continue reading »

May 242018
 
shilpa ray alice cooper cover

“Who knew Alice Cooper wrote feminist anthems?”

That’s the question New York goth-punk singer Shilpa Ray wrote on Bandcamp introducing her new cover of Cooper’s “Is It My Body” – and it’s a good one. He actually tried to make that point himself when he was on Marc Maron’s show a few months back, pointing to a song like “Only Women Bleed” (which Etta James, of all people, has covered). A track like that, he argued, was a far cry from the horrorshow makeup and on-stage guillotine. Continue reading »

Mar 302018
 
best cover songs of march

Disclaimer: Our monthly “Best Cover Songs” aren’t ranked, and the “Honorable Mentions” aren’t necessarily worse than the others (they’re just the ones we had the least to say about).

Angelique Kidjo – Born Under Punches (Talking Heads cover)


Goddammit, Angelique. We spent weeks compiling our Best Talking Heads Covers post, and only days after we finish, you announce a full Remain in Light tribute album. Judging from this first single, it’s going to be pretty amazing too. Continue reading »

Mar 142018
 
australian cover songs

Cover songs have become a battleground in the streaming era. On our best-of-the-month roundups (January’s, February’s), inevitably a sizeable number come from Spotify sessions. And Amazon is fighting back, regularly commissioning original covers for themed playlists exclusive to their own streaming service. The latest is called Made In Australia and includes 22 younger Australian bands covering their countrymen. We’ve rounded up some of the best below (though, sadly, many of the rest you can only hear in full as an Amazon Music subscriber). Continue reading »

Feb 232018
 

Cover Classics takes a look at great covers albums of the past, their genesis and their legacies.

i'm your fan leonard cohen

Is I’m Your Fan the most influential tribute album ever? That’s not something you can really measure, so let me just say this: Without it, you probably wouldn’t know “Hallelujah.”

So we’ll start there, at the last track, the secret chord. “Hallelujah” became the most clichéd of Cohen covers, but when John Cale picked it for this 1991 tribute album, it was the disc’s most obscure selection. The song had only come out in America the previous year, after Cohen’s label Columbia refused to release 1985 album Various Positions stateside. Explaining his decision, Columbia president Walter Yetnikoff issued the famous quote: “Leonard, we know you’re great, but we don’t know if you’re any good.” Continue reading »