Andrew Bird is not a man known for simplicity. Pushing the boundaries of songwriting and production seems to be his normal operating mode, with choices like recording an album standing in a river and writing and recording an entire film score all by himself. Amongst all that complexity, his recent cover of Neil Young’s iconic Harvest Moon is surprisingly simple.
On Sunday night at the ninth installment of Grace Potter’s Burlington, Vermont festival Grand Point North, fans got a special treat when she and her longtime friend Warren Haynes performed a rare duo set. The pair have shared the stage many times before, but almost always accompanied by one of their bands (Gov’t Mule for Haynes, the Nocturnals or her solo band for Potter). Just the two of them together on stage was a rarer treat.
Anais Mitchell & The Staves – Strong Enough (Sheryl Crow cover)
For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover.
In 1975, months before the Rolling Thunder Revue began, Bob Dylan joined Neil Young for a huge benefit concert in San Francisco. As if that wasn’t enough, three-fifths of The Band joined them too: Levon Helm, Rick Danko, and Garth Hudson. The spontaneous supergroup performed ramshackle versions of a few Neil Young songs (“Lookin’ for a Love,” “Helpless,” “Are You Ready for the Country?”), a few Dylan songs (Bob’s first-ever live “I Want You” and a weirdly retitled “Knockin’ on Dragon’s Door”), and a few covers. The final song they performed was one of those covers, a raggedy but charming version of country standby “Will the Circle Be Unbroken,” popularized in the 1930s by The Carter Family. Here’s a stream:
Kirsten Agresta Copely is a harpist with a storied background. She has played harp since she was five and had her first solo tour at fourteen. Over the course of her career she has performed all over the world and shared the stage and recording studio with a variety of stars such as Stevie Wonder, Jay-Z, and Evanescence. She has even played alongside Beyoncé at a state dinner for Barack Obama.
At the end of last month, Copely released her first cover album. You may think an album of harp covers is a bit niche for everyday listening, but if you are looking for a cover album with class for your next dinner party, look no further. There is something for everyone on Copely’s new album with selections that span decades, from Fleetwood Mac to Rhianna.
AURORA – Across the Universe (The Beatles cover)
The first of a couple Beatles covers this month, AURORA’s “Across the Universe” doesn’t reinvent the wheel, it just removes a few spokes. The Norwegian singer-songwriter strips everything away but keys and a bunch of voices (there’s a guitarist too, though barely audible). It’s all the song needs.