In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Not much can be said about Lou Reed that hasn’t already been said. When he died on October 27 at age 71, Reed left behind an indisputable legacy of influence that dwarfs some of the biggest names in rock and roll. You can ignore him, hate his music or his voice, dislike his politics or his openness with drugs and sexuality, or downplay his role in rock and roll history — but none of that matters. If you chopped down the tree of influence that grew from the roots of Reed and the Velvet Underground, what would come crashing down would take out most of the house of rock and roll as we know it. The leaf you listen to seems to be all its own, but the branches that hold it up are massive.
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Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question comes from Cover Me writer Jordan Becker: What cover song made you reevaluate your feelings about the original?
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In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Gillian Welch is a yankee. There, it’s said. One would have a hard time discerning it from her mix of folk and bluegrass arrangements, but there’s a Big Apple right there on her birth certificate. So let it be noted that, when compared to some “legitimate” country music popularized and sung by those born and bred in the South, with their auto-tuned cartoonish absence of substance, an overabundance of shiny objects and pyrotechnics, and some ghastly redneck rap thrown in, it’s obvious that birthplace alone has little influence on how traditional or great country music is.
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Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
In 1975, Neil Young released Zuma, one of several albums he recorded in the ’70s which contained a single song that pretty much eclipsed the rest of the album. In Zuma’s case, it was “Cortez the Killer,” a three-chorder rumored to have been written to make it easier for Crazy Horse guitarist Frank Sampredo to play along on rhythm guitar. Young hadn’t played with Crazy Horse for several years, and during that time Sampredo had taken the place of founding guitarist Danny Whitten, who had died of a drug and alcohol overdose. Clocking in at over seven minutes, “Cortez” was originally even longer — it famously had to be faded out because tape ran out during the session. (Upon learning the song’s last verse didn’t get recorded, Young shrugged and said, “I never liked that verse anyway.”) Bands who have covered the song have been been tacking minutes onto it ever since. Continue reading »
Adele dominated the cover song landscape in 2011, but Two-Aught-Twelve saw no similar galvanizing figure. Yes Lana Del Rey got covered a lot, but Leonard Cohen and Arcade Fire also seemed to garner an unexpected landslide of great covers (and speaking of landslides, so did Fleetwood Mac). “Call Me Maybe” was a huge hit that didn’t lead to much in the way of classic covers, and few seem to have even bothered attempting the Korean raps on “Gangnam Style.”
Which means that cover songs in 2012 were more diverse, ambitious, and left-field than ever before. A given YouTube search or Hype Machine browse would be as likely to turn up forgotten hits or underappreciated songwriters as it would the latest Top 40 smash. Find a sampling of all the diversity in Cover Me’s official Best Cover Songs of 2012 countdown. Start with #40-31 on the next page, and check back daily as we’ll be adding more til we hit #1.
This year’s cover albums offered ambition on a scale we’ve never seen before. Moving beyond the normal “cover a bunch of random songs we like” tossoff, 2012 offered deeply thought-out conceptual collections. One updated kiddie folk songs for raved-out rockers, others reworked complete albums to their own ends. Even the all-star tributes that pop up every year aimed higher – one of the year’s most high-profile had 70+ tracks! So today we count down the best of the bunch, the ones that swung for the fences and got there. With every passing year there seems to be less sigma attached to the phrase “cover album,” and these sets move that needle even farther forward. Continue reading »