Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Richard Thompson is a Cover Me favorite, and for good reason. His songwriting and playing are brilliant, and his songs are often covered by musicians who recognize his genius, even if he has escaped widespread popularity. Not only that, he has, since his early days as a teenaged guitarist in Fairport Convention, performed many wonderful covers of other artists. Thompson also has a wicked sense of humor, which is hinted at in his lyrics, but more often displayed in his writings, interviews and stage shows. Rarely does Thompson perform without unleashing a zinger or ten, often directed at audience members who mistakenly believe they can best him in a battle of wits.
So when Playboy magazine came to him in 1999 and asked him to join other musicians in providing a list of the ten greatest songs of the millennium, it is not surprising that he mischievously took them literally. As Thompson wrote:
Such pretension, I thought. They don’t mean millennium, do they? Probably about 30 years is the cut-off: Tears for Fears might sneak in, Cole Porter probably not.
He called their bluff and did a real thousand-year selection, starting with a song from 1068 and including one effort from the 20th century. Playboy, which is rumored to have articles, chose not to print Thompson’s list, sparing their “readers” the opportunity to consider a toe-tapper by St Godric.
Brooklyn rapper Theophilus London showed he has respect for his elders a few months ago with his cover of soulman Jessie Boone’s “No Particular One,” and now he’s paying his respects to one of the most esteemed figures in Jazz and Big Band music, the legendary Nat King Cole. To fully capture the fat jazz horns on the song, London gets help from The Dap Kings, best known as Sharon Jones’ band and the horn section on Amy Winehouse’s “Back to Black.”