Feb 252018
 
Ed Cobb

Every so often, a figure from behind the scenes of popular music garners such renown that he or she becomes a household name: “Colonel” Tom Parker, Quincy Jones, and Carole King (as a hitmaking songwriter before she stepped into the limelight) to name a few.

And then there are all the countless others, the ones who passed through this realm largely unheralded by the record-buying public. One of these was songwriter and producer Ed Cobb, who would have turned 80 today. You may not know his name, but he left his mark on some very disparate—and uniquely compelling—byways of pop music.

Cobb’s musical career began as a member of the Four Preps, a white doo-wop group that scored two Top Five hits in 1958. The Preps’ sound was safe and family-friendly; hardly the stuff of legend. But early on, Cobb gravitated towards songwriting and production, penning soul and R&B numbers rather than the Preps’ squeaky-clean material. One of these was a little number Cobb wrote for Gloria Jones called “Tainted Love.” It didn’t make much of an impact in its first two iterations, but on its third try became a record-breaking smash, hitting #1 in 17 countries. (Of course, close readers of Cover Me will already know this story.)

But there’s more to that song’s journey. When we recently spoke with Fugazi frontman and Dischord Records co-founder Ian MacKaye about Ed Cobb – his other band Minor Threat covered Ed Cobb’s “Sometimes Good Guys Don’t Wear White” – he alerted us to a yet another cover of the song: Continue reading »

Oct 042011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

With their new collection, Major/Minor, Thrice have taken the strangest turn one could have expected at this point: not much of a turn at all. After a decade-plus of sonic soul-searching, the West Coast foursome have stuck to the guns they crafted on 2009’s Beggars. They’ve perfected their soulful alternative rock, although with an admitted grunge-era groove seeping in this time around. Continue reading »

May 232011
 

Last night a slew of alt-indie heroes descended on New York’s Bowery Ballroom to pay tribute to the bands featured in Michael Azerrad’s era-defining tome Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991. Ted Leo covered Minor Threat, Titus Andronicus did the Replacements, and, strangest of all, Dirty Projectors played Black Flag. Continue reading »