Nov 062019
 
whole of the moon covers

It’s not often two exceptionally fine covers of the same song appear during the same week but clearly some pop loving spirit is feeling generous right now.

The Waterboys “The Whole Of The Moon”, originally released in 1985, has proven to be an enduring anthem of wonderment and longing. Yet the physical subject of the song, the actual person it’s inspired by, has been a source of debate for years. It was speculatively suggested that frontman Mike Scott was talking about Prince; he had mentioned him in interviews around that time and had spoken passionately about being blown away by “Purple Rain.”* It was then said to be about author C.S. Lewis, one of Scott’s admittedly eternal influences. And at some point later on cult singer Nikki Sudden (Swell Maps), a friend of Scott’s, alleged it was actually about him. Continue reading »

Mar 272013
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Mike Scott has found his second wind. 30 years after starting the Waterboys, he and violinist Steve Wickham have just finished playing South by Southwest, and plan a tour at the end of the year to support the 25th anniversary of the album Fisherman’s Blues (Wickham is probably best known to the casual listener as the guy whose violin created the haunting feedback-like tone at the beginning of U2’s “Sunday Bloody Sunday”). Fisherman’s Blues found Scott merging the anthemic post-punk pop songs of Waterboys’ first two albums (what Scott called “The Big Music”) with traditional Celtic music, recreating the band’s sound as he has throughout their existence.

The band lost steam around the time of the Room to Roam album, when Scott and Wickham disagreed about which direction the album should go. Cycling through various musicians through the years, the Waterboys’ varietal output caused them to lose some of their audience, and the band dissolved for ten years before rebooting at the beginning of the millennium. It should be said some critics were never on board with their sound — Trouser Press editor Ira Robbins called them “insufferable,” “superficial,” and “unoriginal.” But some of their fans would start other bands, and the Waterboys are often credited with opening the door for multi-instrumentalist groups like the Decemberists and Arcade Fire to gain a wider public following. Let’s take a look behind that door right now… Continue reading »