Mar 272019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Stevie Nicks’s induction into the Rock and Roll Hall of Fame is a historic one. She’s the first woman to be elected twice – once with Fleetwood Mac, and once for her solo career. Before Diana Ross, before Tina Turner, before Janis Joplin, before any other woman. We’ve discussed “Landslide,” her signature song that she brought to Fleetwood Mac; now we’ll pay tribute to what she accomplished after she emerged from their shadow. Continue reading »

Jan 032019
 
matt pond chris hansen covers

When last we heard from Matt Pond PA, he was turning The Cars’ “Drive” into a lush folk-pop ballad. Now Pond and bandmate Chris Hansen are back with new covers applying a similar soft sheen to two very different artists: Peter Gabriel and Led Zeppelin.

They covered Gabriel’s “Mercy Street” to close out the year and to celebrate the final episode of a radio show they do in upstate New York. Here’s what Pond wrote about it: Continue reading »

Aug 312017
 
matt pond pa drive

Over the years, we’ve written about Matt Pond PA’s fantastic covers of Lindsey Buckingham, The Human League, and Nico. For years, the NYC-based band fronted by the titular Matt Pond has bought a tender beauty to every song they’ve touched. But with their newest album, the just-released Still Summer, Matt Pond PA is calling it a day. Before they do, though, they’re releasing one more cover, which we’re pleased to premiere below. Continue reading »

May 132014
 

With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
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