Nov 032017
 

In October, I held the first release event for the Cover Me book at Paste Magazine’s New York studios, featuring performances by Eli Paperboy Reed, Emel Mathlouthi, and Anthony D’Amato (watch them all here!). And this week I held the second, at Phoenix Books in my old hometown of Burlington, Vermont. The concept was similar: rather than a dry book talk, I would combine some conversation with live covers of songs from the book.

Two of my favorite local bands, Swale and Madaila – both of which I’ve posted about here before – stepped up with some amazing performances. And luckily, like at Paste, we’ve got footage. (More amateur-quality footage, admittedly – iPhones at a bookstore rather than multi-cam at Paste’s recording studio – but the performances are every bit as stunning.)

Swale kicked things off with a tender trio take on “Unchained Melody,” the Righteous Brothers hit first recorded as the theme for the now-forgotten 1955 prison move Unchained. Bobby Hatfield left a pretty high bar for a vocalist to hit, but Swale’s Amanda Gustafson easily cleared it while Eric Olsen (guitar) and Tyler Bolles (bass) gave her a stripped-down acoustic backing. Continue reading »

Oct 032017
 
cover me playlist

Today is the day! At long last, Cover Me: The Stories Behind the Greatest Cover Songs of All Time is in stores and online at Amazon, Barnes and Noble, IndieBound, Powell’s, and many other places (including, hopefully, your local independent bookstore!).

A lot has happened since I first announced the book back in May. The New Yorker published an excerpt about Devo’s meeting with Mick Jagger. I was interviewed on SiriusXM about the Hendrix, Cash, Aretha, Pet Shop Boys, Elvis, and Creedence Clearwater Revival chapters. And most importantly for you reading this, I put together an exclusive bonus mix that blog fans can get when they buy the book (it says “pre-order,” but we’ll say “week-of-release order” counts too).

And I wanted to share one more thing, another blog exclusive: An audio companion to the book. Continue reading »

Aug 282017
 
cover me book

—November update: The book is now out, but if you review it on Amazon or elsewhere, the mixtape can still be yours! Just send proof of review to the email below.—

Cover Me: The Stories Behind the Greatest Songs Of All Time comes out October 3. It dives deep into twenty iconic covers, from Elvis’s “Hound Dog” through Adele’s “Make You Feel My Love.” I interviewed artists like David Byrne and Roger Daltrey to get the untold stories behind their greatest covers. You can read all about it here.

Now we’ve got a special bonus for anyone who preorders: a free digital album of other covers of those same songs.

What’s the greatest “Take Me to the River” that’s not by Al Green or the Talking Heads? My favorite “Hurt” untouched by either of those men in black? An “I Will Always Love You” that sounds like the artist has never heard either Dolly Parton or Whitney Houston’s versions? This mix answers all those questions. Continue reading »

May 192017
 
Cover Me

As we’ve noted already, 2017 marks Cover Me’s tenth birthday. We’ll have some more celebratory posts leading up to the actual date this fall, but I’m thrilled to announce one thing that’s on deck for October: the release of my first book, Cover Me: The Stories Behind the Greatest Cover Songs of All Time!

Ever since I started this site, friends and readers have suggested that I should write a book about cover songs (surprisingly, a comprehensive book doesn’t really exist). For years, I resisted. “That’s like saying ‘I’m going to write a book about original songs’,” I’d snarkily reply – i.e., that’s a stupid idea. Cover songs seemed too broad a category. There’s no grand unifying theory of cover songs to fit tidily between two book covers; it’s too big and messy and wonderful a tent for that.

Aretha FranklinAfter years of saying no, I finally came up with the solution. I wouldn’t write a book about cover songs – instead, I would write a book about twenty specific cover songs, and through those twenty covers, a broader narrative would emerge.

The story of covers as traced in Cover Me involves artistic triumphs and music-industry shenanigans. It touches on trends in record-making, music videos, and the internet’s impact on music (did you know the first viral song was a cover?). There are beautiful moments of unlikely artists coming together, and some uglier instances of exploitation and racism. Every major change in the music industry since the advent of rock and roll finds some expression in the world of cover songs. Continue reading »

Feb 232017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Matts Author Photo of Me

Patrick Robbins lives in Maine. He’s been writing for Cover Me since 2011. Of all his Cover Me essays, he especially likes his John Denver tribute review and his curation of Ramones Week.

It’s been great writing and editing for Cover Me, not just because I like cover songs so much, but because it’s led me to discover so many great ones I never would have heard otherwise. My thanks to Ray for taking me on, and to all of you for reading what I have to say about my finds. Here are ten of them that I’ve made over the years, which all struck significant chords in my life for various reasons…
Continue reading »

Feb 232016
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

ben-harper

Ben Harper is the kind of artist who’s all too easy to miss. He’s not particularly flashy. He doesn’t make headlines for terrible behavior. In fact, he does the opposite: he’s involved in several charities supporting conservation, scholarship, and feeding the hungry. These are wonderful qualities for a human being and an artist to have, but they don’t necessarily help that artist stay in the public eye. What Harper also does, however, is bring his own brand of American music to fans around the world. During his career, he’s experimented with rock, folk, gospel, blues, country, reggae, and jazz, and proved himself equally adept at them all. He’s consistently delivered quality music for over two decades. It may be easy to miss him, but once discovered, he’s impossible to forget.

Continue reading »