Oct 132021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best paul simon covers

“I usually come in second to Dylan,” Paul Simon once said, “and I don’t like coming in second.” Indeed, he’s had to deal with it literally ever since he was born, in 1941. We already celebrated Bob Dylan’s 80th birthday in May, and today we turn to the man Dylan has called “one of the preeminent songwriters of the times,” Paul Simon, as he hits his own 80th. Simon’s in the rarified air of someone whose songs get covered almost as much as Dylan’s (ugh – second place again), so for this month’s Best Covers Ever, we’re diving into covers of the entire Paul Simon catalog, both solo and with Simon and Garfunkel.

Another thing Dylan once said about Simon, in relation to his own music, is this: “I’m not Paul Simon. I can’t do that. My songs come out of folk music and early rock n’ roll, and that’s it. I’m not a classical lyricist, I’m not a meticulous lyricist. I don’t write melodies that are clever or catchy.”

False modesty aside, Dylan hits on some of what makes Simon’s work so beloved by other musicians. His melodies are clever and catchy. His lyrics are meticulous. In both words and music, Simon can use a little to say a lot. His songs have strong cores, but leave a lot of space for other artists to play around with. So it’s no surprise that the list below spans genres from punk, dance music, gospel, and more. You’ll hear every sound except one: Silence (sorry). No matter how afield the songs roam, though, they still sound like Paul Simon.

So enough talk about Simon being a perennial silver medal winner. His craft and his talent have earned him and his songs a place at the top of the medal podium, and these fifty covers prove it.

The list begins on Page 2.

Nov 052020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Marc Bolan T.Rex

Armed with a seemingly bottomless well of self-belief, in possession of both off-the-charts charisma and head-turning beauty, Marc Bolan was a pop star like no other. He was the very definition of “transcendent,” which is to say the combination of his lovably ludicrous lyrics and infectiously crunchy Chuck Berry riffs appealed not only to screaming teenage girls but to the cool outsider kids as well. By 1976 he was being openly acknowledged as an inspiration to many of the early prognosticators of punk, including The Damned and Siouxsie. He loved the association and latterly referred to himself as “the Godfather of Punk if you like.” He would no doubt have accepted his induction into the Rock and Roll Hall of Fame with a humility befitting his persona (perhaps mentioning all of the above and then asking why it took them so long) and fully embraced the praise to be rightfully heaped upon him, all of which is ridiculously fun to imagine.

He is yet another artist whom despite inspiring a mountainous number of covers has been somewhat underserved. Alas, for every beauteous version of “Cosmic Dancer,” there are dozens of not-so-great takes of “Children of the Revolution.” To throw additional salt in the wound, there are loads of exquisitely fun and fine deep cuts that have yet to be tackled with the same eagerness as the hits (classic ballad “Broken-Hearted Blues” still hasn’t enjoyed a seminal reading, nor has the eternally groovy “The Wizard“). Thankfully, 2020 saw a superb effort to begin righting the ship, courtesy of the legendary Hal Willner, who organized the star studded tribute album AngelHeaded Hipster: The Songs of Marc Bolan and T.Rex (read our review here). It features all the hits, yes, but shines the brightest when it gets into the deep stuff (check out BØRNS’ version of 1976’s “Dawn Storm,” it’s gorgeous).  Here’s hoping the album serves as a clarion call for future excavation of the solid gold deep cuts within the Bolan and T.Rex catalog (there are a ton!).

In honor of Marc’s HOF induction, we’re going to offer up a few of the straight up craziest, sexiest and coolest amongst the thousands of existing covers out there. Get it on…
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Jun 112019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Dr John

Having watched the glorious images of New Orleans saying goodbye to their very own Dr. John, Mac Rebennack, it was daunting for me to try to do justice to his legacy with a piece on “I Walk on Gilded Splinters,” arguably the best known of his songs. Scarcely the most representative, it was the highlight, I guess, of his 1968 debut Gris Gris, owing more to the voodoo priest persona that gave him his break than to his latter-day body of work. It’s the song that casual fans, upon hearing the news of his death, might have known best through cover versions (by Humble Pie or by Paul Weller, depending on their age) as they asked who he was. (“The guy from Treme might actually be a commoner answer………)

But is it any good? Well, yes, of course it’s good, nothing quite like it having made the charts previously, and it was a hit – just not for its writer.
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