Nov 132018
 

The Wall ReduxOften ranked among the best concept albums of all time, Pink Floyd’s The Wall was released on November 30, 1979. Produced by band members David Gilmour and Roger Waters along with Bob Ezrin and James Guthrie, it’s overwhelmingly considered Waters’s baby. He conceived of Pink, the fatigued rock-star figure on whom the album centers, and who is widely thought to contain characteristics of both Roger Waters and Pink Floyd cofounder and original frontman, Syd Barrett. The musical narrative confronts war, the ugly side of stardom, and the conformity encouraged by many English private schools of the day – blending the nominally unrelated subjects into seamless theme.

Covering an album as entrenched in the musical culture as this one is ambitious and dicey by nature. Many well-known acts have covered Pink Floyd, and even the more celebrated among those covers are not immune to pushback from tie-dyed-in-the-wool Floyd fans. The bands behind The Wall Redux certainly get points for chutzpah. The newest redux effort from Magnetic Eye Records, this compilation invites artists from rock and metal to revisit all the songs on Pink Floyd’s 11th studio album.
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Oct 312018
 
cover songs october
AJ Lambert – Lush Life (Frank Sinatra cover)

Frank Sinatra’s granddaughter covers Frank Sinatra. You think you know where this story ends: fawning nepotism. But despite familial loyalty, A.J. Lambert isn’t afraid to twist “Lush Life,” adding a Lynchian undercurrent of menace. More of an overcurrent in the crawling, nose-bleeding video.

Amy Shark – Teenage Dirtbag (Wheatus cover)

Every month, one or two of these selections invariably hail from Spotify’s terrific new cover-sessions series. My only gripe is that they came with no information, the sort a band would write in the YouTube description or press release announcing a new cover, or say on stage before performing one live. That’s now solved with Spotify’s new “Under Cover” podcast, in which the artists performing the covers talk about them. We learn that Amy Shark tried to make “Teenage Dirtbag” a Pixies song, and that she considered the song her anthem when she was young. She says: “The first time I heard ‘Teenage Dirtbag,’ I was in high school. I was crazy obsessed with it to the point where it was in my head every day all day. I would sing it in all day in school. Even teachers would say, ‘Amy, please listen to something else.'” Continue reading »

Dec 062016
 
best cover songs

Over the past few months, we’ve been hard at work making our list of The Best Cover Songs of 2016. Narrowing it down to 50 caused some excruciating choices, that’s how many great covers there were this year.

We’ll be posting the full list next week (and “Best Cover Albums” this Thursday), but as a little appetizer, here are our Honorable Mentions, covers we loved and still wanted to spotlight as among the best 2016 had to offer. Continue reading »

Nov 052015
 
Bond Week

For a musician, the honor getting to sing the James Bond theme song is in its own category. Many movies need songs, but you never see articles wondering who will do the next Fast and the Furious song (even though more people would likely hear your song there than in Bond). Giving their music to sell a product is something musicians regularly do, but rarely take as a career honor.

But given the track record Bond theme songs have had, the appeal makes sense. James Bond songs might even have a higher batting average than James Bond movies (and certainly higher than James Bond actors). And there’s a prevailing sense artists are chosen for abilities beyond just star-power, despite plenty of counterexamples over the years. Some of the most iconic songs were sung by singers who rarely topped the charts elsewhere – three by Shirley Bassey alone – whereas attempts to grab zeitgiesty performers have flopped. Continue reading »

Dec 042013
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s your favorite holiday cover song?
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Nov 042013
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

LouReed

Not much can be said about Lou Reed that hasn’t already been said. When he died on October 27 at age 71, Reed left behind an indisputable legacy of influence that dwarfs some of the biggest names in rock and roll. You can ignore him, hate his music or his voice, dislike his politics or his openness with drugs and sexuality, or downplay his role in rock and roll history — but none of that matters. If you chopped down the tree of influence that grew from the roots of Reed and the Velvet Underground, what would come crashing down would take out most of the house of rock and roll as we know it. The leaf you listen to seems to be all its own, but the branches that hold it up are massive.
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