Nov 042022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

dolly parton covers

Dolly Parton is a singer and a songwriter. I mention that obvious truth because these days it tends to get overshadowed by her other titles: Icon. Inspiration. National Treasure. The Only Human Being Alive Everyone Agrees On (Radiolab produced an entire nine-part radio series based on that premise). And she is all those things, but first and foremost she’s a working 9-to-5 musician who has been perfecting her craft for seven decades.

Parton says she wrote her first song as a five year-old in 1952. She hasn’t stopped writing songs since. She once estimated she’s amassed 10,000. Maybe that’s an exaggeration, but the verifiable numbers speak for themselves: 52 studio albums, 25 Number One songs, 100 million records sold worldwide. Just as important a tribute to her gifts, though, are how often her songs get covered. Not just the obvious ones, the “Jolene”s and “I Will Always Love You”s (though plenty of those, lord knows), but the album cuts, the singles that didn’t top the charts, and the songs she didn’t write herself but made into Dolly Parton songs anyway.

Some of the below covers sound a little bit like Dolly’s own music. Most do not. She considers herself straight country, not, as she made clear when first nominated for the Rock Hall earlier this year, rock and roll. But, in this list, she is rock and roll. And folk and pop and hip-hop and soul and a whole host of other genres. Dolly Parton may indeed be the only human being everyone agrees on. What a way to make a living.

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Mar 252022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

decemberists covers

For this month’s Best Covers Ever, we polled our Patreon supporters. Voting among five 2000s (ish), indie-rock (ish) bands they’d previously nominated – Arcade Fire, Bon Iver, The Decemberists, The Killers, Vampire Weekend – an underdog won by a single vote. Unless you scrolled so fast you missed the headline and photo, you already know who that underdog was: The Decemberists!

The Decemberists are arguably the least widely-known band of the bunch – they certainly don’t have Killers-level hits – but you wouldn’t know it from the depth and breadth of covers. Other musicians love the Decemberists, and have dug deep into their catalog to cover tracks from across their entire career. They lean a bit Americana on the whole, but some covers cross over into heavy metal, pop-punk, or even mariachi. Their songs have been covered by legends, sure – Patti Smith, Nick Cave – but even more often they get covered by under-the-radar bands, genuine fans who just happen to possess a heap of musical talent themselves.

As The Decemberists prepare to embark on their Covid-delayed 20th anniversary tour this summer, we salute their songs of crane wives and engine drivers, butchers and barrow boys, with thirty covers that were meant for the stage.

PS. Join our Patreon if you want a say in the next band we cover!

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Nov 102017
 
best covers 1987

Last year I did a roundup of the Best Cover Songs of 1996. It was a fun project to retroactively compile one of our year-end lists for a year before Cover Me was born. I wanted to do it again this year, but continuing the twentieth-anniversary theme with 1997 seemed a little boring. Turns out 1997 also featured a bunch of Afghan Whigs covers.

So to mix it up, I decided to go a decade further back and look at 1987. Needless to say, the landscape looked very different for covers. For one, far more of that year’s biggest hits were covers than we saw for 1996. The year had #1 cover hits in Heart’s “Alone,” the Bangles’ “Hazy Shade of Winter,” Los Lobos’ “La Bamba,” Tiffany’s “I Think We’re Alone Now,” Club Nouveau’s “Lean on Me,” and Kim Wilde’s “You Keep Me Hangin’ On.” Plus ubiquitous hits that didn’t quite top the charts, but remain staples of the songs-you-didn’t-know-were-covers lists, Buster Poindexter’s “Hot Hot Hot” and George Harrison’s “Got My Mind Set On You.” Continue reading »

Sep 302016
 
Fugees

They say nostalgia works in 20-year cycles, and this year the music of 1996 has been in the media a lot. And if you believe the music blogs, it turns out 1996 was a truly groundbreaking year for every possible genre. Over at SPIN: “The 96 Best Alternative Rock Songs Of 1996.” Complex: “Best Rap Songs of 1996.” Junkee: “Ten reasons 1996 was a great year for dance music”. Loudwire: “10 Best Metal Albums of 1996.” Red Bull Music: “1996: Why it was a great year for pop”. Suck it, 1995! (Kidding; similar articles were of course written last year too.)

We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late. Continue reading »

Feb 202015
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

fleetwood mac tusk covers

Tusk‘s reputation as an infamous failure is pretty much cemented at this point. But it didn’t actually fail at all.
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Aug 292014
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Are the Decemberists a band that “craft theatrical, hyper-literate pop songs that draw heavily from late-’60s British folk acts like Fairport Convention and Pentangle and the early-’80s college rock grandeur of the Waterboys and R.E.M.,” as described by Allmusic, or are their songs an “unbearable exercise in indie high-quirkiness, with each new release deepening the impression that Meloy thinks he’s Edmund Spenser or, at least, the only rock singer smart enough to keep a copy of The Faerie Queene on his bedside plinth,” as writer Jody Rosen wrote in Slate?

Although I lean toward the former, I can understand believing the latter.

There can be no doubt that the Decemberists’ focus on tales of pirates, highwaymen, shape-shifters, and interpretations of myths and legends from around the world, plus primary lyricist Colin Meloy’s empty-the-thesaurus writing style, not to mention their practice of performing live historical reenactments in their shows, set them up for being mocked by some, and beloved by others. And that is what makes life interesting.
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