Back in the late ’90s, there was a California band named Rodriguez that consisted of Matt Ward and Kyle Field. (They went through more drummers than Spinal Tap.) Rodriguez released only one album, but those two guys went on to create names for themselves. Matt Ward shortened his name to M. Ward, and – among other projects – is now the “him” in the duo She & Him. (The “she” is actress Zooey Deschanel.)
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
Forgive me, Father for I have sinned.
It has been….a really long time since my last confession. My sins are multitudinous (lust, blasphemy, coveting my neighbor’s ass… but in my defense, it’s a really nice ass), but the most egregious of all is idolatry.
See, ever since I could sway to music, Madonna has been my idol. The long-established Queen of my Universe and a musician I just can’t quit despite her numerous attempts to break my heart (that horrible faux English accent, sleeping with Vanilla Ice, sleeping with Vanilla Ice and then documenting it in her Sex book…).
I didn’t grow up Catholic, so I couldn’t seek solace in the open arms of Holy Mother Church. Instead, I sought solace from a leonine-eyed beauty who often incited the ire of the Catholic Church.
Madonna taught me lessons that have carried me through adolescence and well into adulthood.
Madonna has a new project titled SecretProjectRevolution. Despite the title, Madonna’s latest venture is anything but a secret. She released a 17-minute film that she co-directed with Steven Klein expressing her commitment to ” inspire change in the world through artistic expression.” The film was the launching point of Art for Freedom, an “online global initiative to further freedom of expression… to respond, address and protest persecution around the world.”
When a band hasn’t released a studio album of new music in four years, and then puts out an album made up entirely of cover songs, you might expect their fans to get restless. For Counting Crows fans, though, Underwater Sunshine (Or What We Did On Our Summer Vacation) is no less sweet because the band didn’t write the songs. Lead singer Adam Duritz and the gang have been doing covers, in full or sneakily added as bridges in live shows, since their inception. And, as Duritz says in the liner notes, “I’ve never stopped being a fan” of other people’s music.
Happy Valentine’s Day! To get you in the romantic spirit, Cat Martino has put together some love-ly covers for the occasion and we’re pleased to premiere one here. The New York songwriter – and band member for Sufjan Stevens and Sharon Van Etten – delivers a lo-fi version of Madonna‘s “Into the Groove” that will get you in that seductive mood. Here’s info about the cover and project:
When we last saw a video from Shout Out Louds, they had paired a grand vision of industrial decline with a Band of Horses cover. We named it a Best Cover Video of 2010. Now they’re back, with a significantly less ambitious video. It’s their version of Madonna’s “Ray of Light,” performed backstage in Paris.
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “Hold on to Sixteen,” New Directions and their rival glee club the TroubleTones compete in the Sectionals competition. Meanwhile, Quinn (Dianna Agron) plots to get Shelby (Idina Menzel) fired and an old friend returns to McKinley High.
Just last week I was thinking about how, in the future, we’ll be able to look back and pinpoint lackluster Glee episodes with an alarming degree of certainty based solely on the presence of Sam Evans (Chord Overstreet), a character who appeared only in season two, which seems generally agreed-upon as the worst of Glee‘s output to date. It should be no surprise, then, that when Sam returns to the show this week he brings with him a very season two-styled episode that feels the need to rush through a whirlwind of plot points without really doing justice to any of them. Even though “Hold on to Sixteen” is one of those special “competition” episodes that brings plots to their culmination by design, everything about it feels so hurried that nothing really has a chance to land – it’s 20 minutes of plot, then 20 minutes of performances, then a tacked-on happy ending. Honestly, I did not enjoy it.