Follow all our Best of 2014 coverage (along with previous year-end lists) here.
A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.
It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.
We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.
Click on over to page two to begin our countdown, and thanks for reading.
– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Fans of Gram Parsons are generally divided into three camps over 1999’s Return of the Grievous Angel: A Tribute to Gram Parsons. The first thinks it’s brilliant, a reverent homage to a great songwriter and a testament to the weight of his country rock influence. The second likes the raw sound of another tribute album better: 1993’s Conmemorativo: A Tribute to Gram Parsons, featuring the likes of Bob Mould and The Mekons. And the third camp feels that the only person that can sing Gram Parsons songs is Parsons himself.
If we took the philosophy of the last opinion to heart, this site wouldn’t even exist. While the so-called purists would deny any version other than the one by the original artist as being legitimate, it certainly would be a dull world if all musicians were content to color within the lines without recognizing that someone else before them drew those lines. While Conmemorativo does contain some gems, there are two reasons why Return of the Grievous Angel is better: great production values, and the guiding hand of Emmylou Harris, who worked so closely with Parsons and who served as executive producer of the compilation. So count us among the members of that first camp. Now let’s meet the man who inspired the album. Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Mary Lou Lord is a music lover. For starters, she was busking for eight years before being signed to a label; there are bands in the Rock and Roll Hall of Fame whose careers are shorter than that. She cofounded the Boston chapter of Girls Rock Camp, a summer program designed to foster a positive atmosphere for girls to become empowered through music education. She shares songs that are new to her on her Facebook page, and when she talks about Connie Converse, or points out how much Neil Young’s “Pocahontas” sounds like Carole King’s “He’s a Bad Boy,” you can’t help but get caught up in the giddy excitement of her discovery. Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
The one and only Lucinda Williams turns sixty years old today. She brought together so many threads of the nation’s musical quilt, added one of the great voices, both as a singer and as a songwriter, and ended up becoming queen of Americana. No other country in the world could produce any Lucindas; the U.S. was lucky to produce just one. (It’s next to impossible to just call her Williams; she’s ineffably, invulnerably Lucinda.)
Continue reading »
Though Bob Dylan moved away from his role as a ‘protest singer’ long ago — we saw Another Side by his fourth album — his name will forever be associated with social activism. The international human rights organization Amnesty International rose out of the same turbulent era as Dylan, forming in 1961, the year Dylan recorded his first album. Fitting, then, that in celebration of their 50th birthday, Amnesty would call on artists to contribute their Dylan covers to the massive four disc set Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International. Continue reading »
Remember that Amnesty International Dylan tribute album we told you about a few months back? Well we now have have more information on it. It’s called Chimes of Freedom: Songs of Bob Dylan Honoring 50 Years of Amnesty International. In addition to Bad Religion and Rise Against, it also features covers by My Morning Jacket, Sting, Patti Smith, Dave Matthews Band, Adele, Lucinda Williams, Jack’s Mannequin, and…Ke$ha. Continue reading »
As you might imagine, quite a few Bob Dylan covers come across our desk. So many that I often don’t get to listen to them all. So when I had the opportunity to press play on “A Hard Rain’s a-Gonna Fall” by Tom Russell with Lucinda Williams and Calexico, I was surprised to find myself listening over and over. With his catchy tex-mex country sound, Russell is no stranger to covering Dylan. Back in April, when we brought you 33 discs of live Dylan covers, we included his performance of “Just Like Tom Thumb’s Blues” as a standout. Continue reading »
The Voice Project formed to support the women of war-ravaged Northern Uganda who use song to spread their message of healing and peace. The Project seeks out artists to create cover chains – one artist covers another who then covers another and so on – with donation and advertising revenue going to these women. In the latest episode, Blake Mills invited The Project into his living room and performed Lucinda Williams’ exuberant “I Just Wanted To See You So Bad” from her 1988 self-titled album. Continue reading »